BIG INABA MAD MASS: Four Proposals for Ansan opens today
Posted: Wednesday, December 17, 2008 | ↓ 16 comments

Bjarke Ingels, Jeffrey Inaba, Yansong Ma, Minsuk Cho
Gyeonggi Museum of Modern Art, Ansan City, Korea

Four architecture offices, BIG, INABA, MAD, and Mass Studies have proposed an urban plan for Ansan, South Korea which will be exhibited at the Gyeonggi Museum of Modern Art in Ansan City beginning 17 December 2008.

Organized by Hong-hee Kim, Hyun Jeung Kim, Jeffrey Inaba

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The joint project by the four firms, BIG (Copenhagen), INABA (Los Angeles), MAD (Beijing), and Mass Studies (Seoul) uses versatile architectural forms that change in size and use. The principals of the four offices, Bjarke Ingels, Jeffrey Inaba, Yansong Ma, and Minsuk Cho reinterpret the term ‘economies of scale’ to mean the value of a single architectural form that functions at several scales. The works are adaptable enough so that the same form can be enlarged or shrunk and still function as a building. They have the added capacity to dramatically change in size and transform in use from building to furniture to toy.

Given today’s economic instability, the architects propose an architecture that can be sized to accommodate changes in available funding. The forms have been developed so that if a project’s investment capital decreases, it can be scaled down; alternatively, if greater financing becomes available, the same form can be scaled up. These firms believe architecture does not have to be inhabitable and in tune with the human scale at just one size; it can be conceived with greater utility in mind so that the form can be enjoyed even when reduced or increased by 40, 50, or 60 percent. In the context of the exhibition, they have taken the idea of scalability further by developing works that function even when scaled 1,000 and 10,000 percent.

At the invitation of the Gyeonggi Museum of Modern Art (GMoMA), the offices designed a master plan and a set of four buildings in the city where the museum is located. The plan for a riverfront area of Ansan, a city of 550,000 inhabitants located near Seoul, includes housing, commercial, retail and municipal spaces. The proposed buildings which range in height from 80 to 400 meters and in length up to 1500 meters are displayed in the museum lobby in drawings, animations and four large models.

As an experiment in the economies of scale, the models are also designed as inhabitable objects in their own right. Each model of their urban plan is a furniture piece of their lobby plan. The three-dimensional representations of the buildings function as elements of GMoMA’s interior serving as a new bookshop, a set of seats and tables, a lounge area, and a reception kiosk. As a third variation, the forms will be produced at an even smaller scale as a reading lamp, light fixture, puzzle, and toy.

Architects have throughout time promoted their work through objects that are analogous to their designs for buildings. The architectural model helps audiences to visualize and appreciate a proposed building and in turn generate excitement, anticipation and demand for the project before it is built. In that sense, architecture has always been a practice of advertising scaled versions of itself. BIG INABA MAD MASS attempts to add another level of utility and promotion to this time tested practice by having the large-scale proposal advertise the small-scale version of the same form. The show’s architectural models have been made to draw interest in the urban plan while the urban plan was made to invite visitors to experience the works displayed in the show. 
BIG
Bjarke Ingels Group – BIG - is a Copenhagen based group of over 60 architects, designers, builders and thinkers operating within the fields of architecture, urbanism, research and development.
www.big.dk

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Urban Porosity (2008)

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Urban Porosity (2008)

INABA
INABA is a Los Angeles-based firm founded by Jeffrey Inaba that specializes in transforming cultural research into urban design and architecture.
www.inabaprojects.com

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Walk This Way (2008)

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Walk This Way (2008)

MAD
MAD is a Beijing-based architectural design studio dedicated to creating innovative projects that combine a sophisticated design philosophy with advanced technology in the areas of architectural design, landscape design and urban planning.
www.i-mad.com

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Beautiful Minds (2008)

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Beautiful Minds (2008)

Mass Studies
Mass Studies was founded by Minsuk Cho in Seoul as a vehicle to critically investigate architecture in the context of mass production, intensely over-populated urban conditions and other emergent cultural niches. 
www.massstudies.com

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Mutated Slabs and Robotic Towers (2008)

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Mutated Slabs and Robotic Towers (2008)

BIG INABA MAD MASS
Four Proposals for Ansan

Bjarke Ingels, Jeffrey Inaba, Yansong Ma, Minsuk Cho
Gyeonggi Museum of Modern Art
Ansan City, Korea

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Exhibition Dates: 17 December 2008 to 15 February 2009

For visitor information go to: www.gmoma.org

Tel. +82 (0) 31 481-7000



Tags for this entry:
asia, korea, big, inaba, mass studies, ansan
Comments:
Ivan Liu
Earth
Thursday, December 18, 2008
Well done !

Luca Astorri
milan, italy
Thursday, December 18, 2008
what's happened to the architects?
this masterplan it's not utopic! it's not future! it's not planning! it's not human! it's not architecture! it's just a joke!
how is it possible that this sh..t goes to a museum?!?
the name of the offices explain everything:
BIG-MAdDMASS.
all of them try to copy oma-style in a very sad way...
i'm embarrassed

Bob Morris
Pittsfield, Massachusetts
Thursday, December 18, 2008
I do not know what oma-style is but I see the future and I like it!

Eric Tan
NY, NY
Thursday, December 18, 2008
Hey all, lets not be so serious here. Its only architecture.

brand new
Friday, December 19, 2008
Is this a circus or what?

j
ny
Friday, December 19, 2008
really??? This is killing the profession of architecture. Why was this published?

daiwa
Friday, December 19, 2008
haha BIG-MAdDMASS is having fun, here.

Andrew Tretiak
Ithaca NY
Friday, December 19, 2008
ooo... I like shiny things and stuff that moves! No matter how zig-zaggly you stack a box its still a box. CCTV is a funny shape so I guess its okay to slam two together and create...that. And the other two aren't worth mentioning. Its not only architecture its creating the environment that we all share and this "look what i made crap" is shameful to the profession

sara kamalvand
toronto
Saturday, December 20, 2008
This does seem like a parody. As time goes by and more and more environmental and social crisis cry out for change in development patterns, worse and worse do projects actually get. How far off from human and natural scale are these projects?

jacinto
el salvador
Tuesday, December 23, 2008
What is human? what is natural scale? do things have to look "green" to SEEM environmentally and socially responsible? why all this uncritical animosity? why instead of proposing new solutions the only thing you do is wimp like typical dorky architects you are?

disgusted by the state of architecture
London, Newyork, paris
Friday, January 02, 2009
Just disgusting!!!!!!! It is #$%@*+ up!!

HAG
Sunday, February 22, 2009
inn agada da vida XD

dont think so this proyecs actually was proyects, i mean ,they are somekind of critical propouse, beacuse thsi things each one represent an different utopic-like idea

mekaal
Seoul
Tuesday, March 16, 2010
whatever they come up with... its NOT in harmony. no character.
Ansan presently faces the issue of Inscreasing number of foreign low-class workers living there. be it human scale, or green architecture or whatever... all these GROUPS have not thought of the user group!!

AaA
Poland
Saturday, May 22, 2010
beautiful smile

deeya
pakistan
Saturday, November 20, 2010
i like it very much,especially eautiful mind by mad,
can i have a detail of it plz.
also the technlology of mutated slab??????

student
new york
Saturday, February 11, 2012
it would be lovely to know that the authoritarian act of ego and comercialism dominating the skyline and creating a hermetically sealed pseudo-urban (actually anti-urban) monstrosity has its curves and form just so because it had to function at the scale of furniture for the sake of a truly dumb act PR.

really disturbing - not by design, no 'shock of the new', not heroically perverse, or challenging - but by the absolute emptiness of the act.

vulgar and contrived PR thinly veiled by laughably generic platitudes

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