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UNStudio / Ben van Berkel to Design Dance Palace in St. Petersburg
Posted: Thursday, July 23, 2009 |

UNStudio’s design has been selected in the competition for a 21,000 square meter dance theater in the historic center of St. Petersburg, Russia. The new complex houses The Eifman Ballet of St. Petersburg, headed by the prolific choreographer Boris Eifman. From the four projects presented (Jean Nouvel (FR), UNStudio (NL), Snøhetta (NO), ZAO (RU)), UNStudio’s design was yesterday unanimously chosen by the jury for realization.

The Dance Palace forms an integrated part of the European Embankment city quarter master plan for a new urban square in the historic center of St. Petersburg.

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Winning design for a new dance theater in the historic center of St. Petersburg, Russia by UNStudio / Ben van Berkel

According to Ben van Berkel, “The urban context of the building is essential to the design. The Dance Palace is positioned on the square in such a way as to allow for unrestricted visibility towards the nearby Prince Vladimir and Peter and Paul cathedrals, thereby framing some of the most exceptional buildings in St. Petersburg. The sculptural qualities of the Dance Palace reflect those of the surrounding buildings in the master plan, providing a connection to its surroundings yet still retaining saliency. A central main entrance is incorporated into the façade design in order to fully integrate the building into this lively public square.”

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UNStudio’s design for the Dance Palace presents an open and inviting theater building with provision for 1300 guests (large auditorium 1000, small auditorium 300). Programmatic considerations focus on the spacious circulation of the public foyer and the transparent relationship to the surrounding public square and the city. Integration with the existing neighboring buildings is achieved by both the scale of the building - which in elevation follows and respects St. Petersburg’s typical 28m roofline – and the transformative transparency which is introduced by a facade system of triangular cladding panels. The variation between opaque and perforated panels creates a controlled openness, depending on program, views and orientation.

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Ben van Berkel says of the foyer design, “The vertical foyer provides a high level of transparency from inside to outside, whilst also presenting a kind of stage for visitors to the theater; a place to see and be seen. The open arrangement and balcony structure in the foyer provides plateaus for its own choreography of both intimacy and exposure.”

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The stage

Essential to UNStudio’s design for the main auditorium in the new dance theater are both the acoustic considerations and the proximity of the audience to the stage. For this reason the horseshoe form was chosen. This form is considered to be one of the most successful forms acoustically in ballet and musical theatre for both performer and audience, whilst the proximity it affords to the stage ensures an intimate and collective experience for the spectator.

“An essential requirement when we were designing the auditorium was to make it possible to see the dancer’s feet from every seat in the hall at all times, no matter where the performer was positioned on the stage.” - Ben van Berkel

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Engineering: ARUP
Theater consultant: theateradvies bv, Amsterdam

Images: UNStudio



Comments:
tropicalismo360
London
Saturday, July 25, 2009
Congratulations to UNStudio. If there were only a few architects doing 3D gymnastics, and they were one of them I would be very pleased. But unfortunately my eyes are getting a bit tired of it and I am probably beginning to miss some of the genuinely groundbreaking examples. So unfortunately I really don't know if this is good or bad archiecture.

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