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    <title type="text">Bustler.net Competitions</title>
    <subtitle type="text">Competitions:</subtitle>
    <link rel="alternate" type="text/html" href="http://bustler.net/" />
    <link rel="self" type="application/atom+xml" href="http://www.bustler.net/index.php/site/atom/" />
    <updated>2011-06-20T18:52:58Z</updated>
    <rights>Copyright (c) 2014, Paul Petrunia</rights>
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    <id>tag:bustler.net,2014:09:25</id>


    <entry>
      <title>4th Advanced Architecture Contest</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/4th_advanced_architecture_contest/" />
      <id>tag:bustler.net,2014:/1.9993</id>
      <published>2014-09-25T21:58:57Z</published>
      <updated>2011-06-20T18:52:58Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	The Institute for <span class="il">Advanced</span> <span class="il">Architecture</span> of Catalonia and HP are pleased to announce the <span class="il">4th</span> <span class="il">Advanced</span> <span class="il">Architecture</span> <span class="il">Contest</span>, on the theme of CITY-SENSE: Shaping our environment with real-time data.<br />
	<br />
	The aim of the competition is to promote discussion and research through which to generate insights and visions, ideas and proposals that help us envisage what the city and the habitat of the 21st century will be like.<br />
	<br />
	The competition is open to architects, engineers, planners, designers and artists who want to contribute to progress in making the world more habitable by developing a proposal capable of responding to emerging challenges in areas such as ecology, information technology, <span class="il">architecture</span>, and urban planning, with the purpose of balancing the impact real-time data collection might have on sensor-driven cities.<br />
	<br />
	The competition jury, which is composed of architects, professionals in a wide range of fields and directors of some of the world&#39;s foremost <span class="il">architecture</span> schools, is looking for outstanding proposals at any scale, for any city in the world. Competition entries should be submitted via the Internet on Smart Cities, Eco neighborhoods, Self-sufficient buildings, Intelligent homes or any other proposal that analyzes the phenomena of sensor-driven cities and intelligent behavioural systems.<br />
	<br />
	The proposal should include whatever texts, videos, drawings and other images may be needed to make it fully understandable.<br />
	<br />
	The competition prizes will consist of: Three scholarships for the IaaC Masters in <span class="il">Advanced</span> <span class="il">Architecture</span> program for academic year 2012-13, cash prizes, and an HP latest-generation printer. The selected projects will go on show in a major exhibition, opening in Barcelona in May 2012, which will travel to key cities around the world. The best projects will also be featured in a book to be published by Actar-Birkhauser, like in the three previous editions: SELF-SUFFICIENT HOUSING, SELF-FAB HOUSE and SELF-SUFFICIENT CITY.<br />
	<br />
	<a href="http://www.advancedarchitecturecontest.org/" target="_blank">http://www.<wbr>advancedarchitecturecontest.<wbr>org</wbr></wbr></a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Spark:Mobility Design Awards</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/sparkmobility_design_awards_2012/" />
      <id>tag:bustler.net,2012:/1.11420</id>
      <published>2012-11-02T06:55:48Z</published>
      <updated>2012-04-04T19:19:49Z</updated>
      <author>
            <name>Alexander Walter</name>
            <email>alexander@bustler.net</email>
            <uri>http://www.bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	Spark:Mobility is a Go. The first Call For Entry was live as of April 2.</p>
<p>
	We want to thank all our transpo friends for your encouragement! As one Chief Designer for a Korean automaker pointed out, this story needs to be about The Dream&ndash;of an efficient, sustainable and beautiful new transportation reality. We hope to help make it happen.</p>
<p>
	In this, one of our most exciting new competitions, we will explore and discover the rapidly expanding universe of transportation. Our focus will be on developments that are &ldquo;green,&rdquo; in the sense that they exemplify a commitment to using natural resources more efficiently. This unique perspective will shine a spotlight on audacious designs and technologies that challenge the current state of the art. We hope all participants in these many fields and disciplines will tilt their windmills into the wind and send us their Sparks!</p>
<p>
	<a href="http://www.sparkawards.com/call-for-entries/spark-mobility/" target="_blank">http://www.sparkawards.com/call-for-entries/spark-mobility/</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Spark:Communication</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/sparkcommunication_2012/" />
      <id>tag:bustler.net,2012:/1.11417</id>
      <published>2012-11-02T06:55:37Z</published>
      <updated>2012-04-04T19:12:38Z</updated>
      <author>
            <name>Alexander Walter</name>
            <email>alexander@bustler.net</email>
            <uri>http://www.bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	Exciting news&ndash;The Spark Awards, are now four competitions. &ldquo;<strong>Spark:Communication</strong>,&rdquo; is focused on 2-D design: Graphic, Package, Brand, UX and Interface, Advertising, Motion and Environmental/signage design, among others.&ndash;all for work that has been produced, printed, published, realized or in pre-production. This competition does not include design work in the idea or proposal stage, which now can be found in a dedicated competition called&nbsp;<strong>Spark:Concept</strong>. All competitions continue Spark&rsquo;s core mission and Criteria.</p>
<p>
	Thanks for your interest in Spark. Please tell your friends&mdash;there&rsquo;s a new home for Good Design!</p>
<p>
	<strong>OVERVIEW</strong><br />
	The New Spark Awards will allow for greater focus and dedicated resources for each type of design. Spark is international in scope and accepts entries from all designers, everywhere.</p>
<p>
	<strong>TIMEFRAME</strong><br />
	The New Spark competitions will continue on the annual schedule established in 2007, with a Call For Entry April 1, and final deadline and Jury in late Fall. The Celebration will follow in January.<br />
	<br />
	<strong> PROCESS</strong><br />
	The Competition will be judged along the same lines as earlier Spark events&mdash;same Criteria, Categories, website and branding. Spark is a two-phase competition. There are two pricing tiers&ndash;one for companies and professional designers, and a second for NGO&rsquo;s, students and non-profit organizations (Status must be provable with to win a Spark).</p>
<p>
	<a href="http://www.sparkawards.com/call-for-entries/spark-communication/" target="_blank">http://www.sparkawards.com/call-for-entries/spark-communication/</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Spark:Product</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/sparkproduct_2012/" />
      <id>tag:bustler.net,2012:/1.11418</id>
      <published>2012-11-02T06:55:28Z</published>
      <updated>2012-04-04T19:15:29Z</updated>
      <author>
            <name>Alexander Walter</name>
            <email>alexander@bustler.net</email>
            <uri>http://www.bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	Exciting news&ndash;The Spark Awards, are now four competitions. &ldquo;<strong>Spark:Product</strong>,&rdquo; is focused on 3-D, Product and Industrial Design&ndash;work that has been produced, built, is on the market or in pre-production. This competition does not include design work in the idea or proposal stage, which can be found in a dedicated competition called&nbsp;<strong>Spark:Concept</strong>. All competitions continue Spark&rsquo;s core mission and Criteria.</p>
<p>
	Thanks for your interest in Spark. Please tell your friends&mdash;there&rsquo;s a new home for Good Design!</p>
<p>
	<strong>OVERVIEW</strong><br />
	The New Spark Awards will allow for greater focus and dedicated resources for each type of design. Spark is international in scope and accepts entries from all designers, everywhere.</p>
<p>
	<strong>TIMEFRAME</strong><br />
	The New Spark competitions will continue on the annual schedule established in 2007, with a Call For Entry April 1, and final deadline and Jury in late Fall. The Celebration will follow in January.<br />
	<br />
	<strong> PROCESS</strong><br />
	The Competition will be judged along the same lines as earlier Spark events&mdash;same Criteria, Categories, website and branding. Spark is a two-phase competition. There are two pricing tiers&ndash;one for companies and professional designers, and a second for NGO&rsquo;s, students and non-profit organizations (Status must be provable with to win a Spark).</p>
<p>
	Spark juries are new for each competition, international and come from across the spectrum of design disciplines, media, educators and experts.</p>
<p>
	<a href="http://www.sparkawards.com/call-for-entries/spark-product/" target="_blank">http://www.sparkawards.com/call-for-entries/spark-product/</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Spark:Space</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/sparkspace_2012/" />
      <id>tag:bustler.net,2012:/1.11419</id>
      <published>2012-11-02T06:55:24Z</published>
      <updated>2012-05-16T16:40:25Z</updated>
      <author>
            <name>Alexander Walter</name>
            <email>alexander@bustler.net</email>
            <uri>http://www.bustler.net</uri>      </author>

      <category term="FEATURED"
        scheme="http://www.bustler.net/index.php/description/C/"
        label="FEATURED" />
      <content type="html"><![CDATA[
         <p>
	Exciting news &ndash; The Spark Awards, are now four competitions. &ldquo;<strong>Spark:Space</strong>,&rdquo; is focused on Architecture, Interiors, Urban Design and Landscape&ndash;work that has been built (produced, realized or in pre-production). This competition no longer includes design work in the idea or proposal stage, which now can be found in a dedicated competition called&nbsp;<strong>Spark:Concept</strong>. All competitions continue Spark&rsquo;s core mission and Criteria.</p>
<p>
	Thanks for your interest in Spark. Please tell your friends&mdash;there&rsquo;s a new home for Good Design!</p>
<p>
	<strong>OVERVIEW</strong><br />
	The New Spark Awards will allow for greater focus and dedicated resources for each type of design. Spark is international in scope and accepts entries from all designers, everywhere.</p>
<p>
	<strong>TIMEFRAME</strong><br />
	The New Spark competitions will continue on the annual schedule established in 2007, with a Call For Entry April 1, and final deadline and Jury in late Fall. The Celebration will follow in January.<br />
	<br />
	<strong> PROCESS</strong><br />
	The Competition will be judged along the same lines as earlier Spark events&mdash;same Criteria, Categories, website and branding. Spark is a two-phase competition. There are two pricing tiers &ndash; one for companies and professional designers, and a second for NGO&rsquo;s, students and non-profit organizations (Status must be provable with to win a Spark).</p>
<p>
	Spark juries are new for each competition, international and come from across the spectrum of design disciplines, media, educators and experts.</p>
<p>
	<a href="http://www.sparkawards.com/call-for-entries/spark-space/" target="_blank">http://www.sparkawards.com/call-for-entries/spark-space/</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Mystery Build 2012</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/mystery_build_2012/" />
      <id>tag:bustler.net,2012:/1.10672</id>
      <published>2012-09-16T17:47:23Z</published>
      <updated>2011-11-12T01:27:24Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	Entrants must create an original work of art or creative object, construction, experiment, video, concept or other creative presentation, using ONLY the Mystery Build Kit and its contents as the materials for the Entry.</p>
<p>
	The completed Entry must be submitted to the Mystery Build Contest by or before 09/16/12.</p>
<p>
	Entrants must complete a Submission Form at <a href="http://www.mysterybuild.com" target="_blank">www.mysterybuild.com</a> and upload photographs and/or video of the finished Entry as well as photographs or video of the Entry in progress.</p>
<p>
	Over $10,000 in cash prizes.</p>
 
      ]]></content>
    </entry>

    <entry>
      <title>SPACE PRIZE 2012 &#45; Architectural Design</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/space_prize_2012_-_architectural_design/" />
      <id>tag:bustler.net,2012:/1.11445</id>
      <published>2012-09-08T05:27:39Z</published>
      <updated>2012-04-10T17:40:40Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	SPACE announced opening of 2012 the 30th SPACE PRIZE for International Students of Architectural Design (SPACE PRIZE 2012). For its 30th anniversary, Ben van Berkel of UNStudio is invited as a judge for the competition, with the topic &lsquo;Designing for the Inventive Economy&rsquo;.</p>
<p>
	Architecture, whilst enjoying a beautiful and rich history, must of course also look towards and design for the future. What can the profession learn from the burgeoning companies and how they are organised? So how can we instrumentalise the systematic aspect of these organisations and adapt them to create an apparatus for architecture? And what will this apparatus mean for the production of architecture in the future?</p>
<p>
	SPACE PRIZE 2012 will have an open presentation for final judging and award ceremony on Oct. 31st, 2012.<br />
	The finalists will be on exhibition during Oct. 31st - Nov. 7th, 2012.</p>
<p>
	For more information, please visit <a href="http://www.space-prize.com/" target="_blank">http://www.space-prize.com</a>, mail to <a href="mailto:spaceprize.a@gmail.com">spaceprize.a@gmail.com</a>, and call the number +82-2-3670-3639.</p>
 
      ]]></content>
    </entry>

    <entry>
      <title>SPACE PRIZE 2012 &#45; Interior Design</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/space_prize_2012_-_interior_design/" />
      <id>tag:bustler.net,2012:/1.11446</id>
      <published>2012-09-08T05:27:10Z</published>
      <updated>2012-04-10T17:42:11Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	SPACE announced opening of 2012 the 12th SPACE PRIZE for International Students of Interior Design (SPACE PRIZE 2012). With the topic &lsquo;Convergence&rsquo;, we are going to discover the extent to which design can converge and develop with different areas.</p>
<p>
	The fierce transitions that come with rapid informatization are today fundamentally changing humans, social forms, and even life itself. In order to cope with such changes, it is important to create innovative new knowledge, new culture, and new business methods which utilize convergence and expand new horizons beyond the boundary of existing learning such as natural science, social science, humanities, and business studies. An in-depth understanding of the society and culture of humans and the application of this in an integrated approach to design methods incorporating science and technology are, therefore, crucial.</p>
<p>
	SPACE PRIZE 2012 will have an open presentation for final judging and award ceremony on Oct. 30th, 2012.<br />
	The finalists will be on exhibition during Oct. 31st - Nov. 7th, 2012.</p>
<p>
	For more information, please visit <a href="http://www.space-prize.com/" target="_blank">http://www.space-prize.com</a>, mail to <a href="mailto:spaceprize.i@gmail.com">spaceprize.i@gmail.com</a>, and call the number +82-2-3670-3639.</p>
 
      ]]></content>
    </entry>

    <entry>
      <title>LIGHTITUDE: Lighting urban areas above the polar circle</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/lightitude_lighting_urban_areas_above_the_polar_circle/" />
      <id>tag:bustler.net,2012:/1.11099</id>
      <published>2012-09-03T06:59:25Z</published>
      <updated>2012-03-05T17:41:26Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	&quot;The history of humanity, preferring warm and temperate countries, has poorly prepared mankind to accept the diversity of the earth, especially in high latitude locations where hours of sunshine are sometimes scarce.&quot; Louis-Edmond Hamelin, geographer and founder of the Northern Studies Center of the Universit&eacute; Laval, Qu&eacute;bec Canada.<br />
	<br />
	&quot;LIGHTITUDE&quot; is the theme of the 2012 CLU foundation contest. This year&rsquo;s theme invites participants to reflect on lighting the communities near the Polar Circle. Due to their high latitude these communities are subjected to particular lighting phenomena. Since light is an essential part of every living organism, it or its lack thereof has a profound effect on humankind. Can these isolated communities benefit from a more adapted artificial outdoor lighting solution to satisfy their particular Nordic needs and identities?<br />
	<br />
	These are some of the questions that the CLU foundation members invite the participants from all walks of life to reflect and create upon.<br />
	<br />
	<a href="http://www.lumec.com/company/fondation_clu.html" target="_blank">http://www.lumec.com/company/<wbr>fondation_clu.html</wbr></a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Graduate Architecture Award 2012</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/graduate_architecture_award_2012/" />
      <id>tag:bustler.net,2012:/1.11031</id>
      <published>2012-09-01T01:18:46Z</published>
      <updated>2012-02-03T18:14:47Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	This is an International Competition (<strong>Free to enter</strong>) and is open to all architecture students Worldwide. We are accepting graduate architecture projects from students who have recently graduated or are currently graduating in the field of architecture (see Graduate Architecture&#39;s FAQs for further eligibility information) <a href="http://www.GraduateArchitecture.com" target="_blank">www.GraduateArchitecture.com</a>. The deadline for submission is August 31st 2012 at 6pm (GMT+1). All projects submitted after this time will not be considered for the Graduate Architecture Prize of 2012, you will however be eligible for next year&#39;s competition in August.</p>
<p>
	<strong><u>Please follow the following guidelines in order to participate:</u></strong><br />
	<strong>Submit in English Language:</strong> Please submit your final project in English in order for us to fully understand what you wish to portray. In the last edition, several projects were submitted in a different language and although we did our best to translate them ourselves, it was still very difficult for us to grasp the essence of those projects. We encourage you to provide text in your own language as well, to reach a larger audience. If you do submit a project written in your native language, please include a clear and concise summary in English.</p>
<p>
	<strong>Max. 10 Presentation Boards:</strong> Please do not exceed 10 presentation boards (scaled size approximately A4 in size, for an average computer monitor), either in portrait or landscape view to be submitted to Register@GraduateArchitecture.com. The total size may not exceed 10mb and should be sent as a single .PDF file.</p>
<p>
	<strong>Project Description included in presentation boards:</strong> A clear and and to the point description of your final project is necessary for us as well as other readers to understand your thoughts. All text should be included in your 10 presentation panels.</p>
<p>
	<strong>5-digit code:</strong> In addition you can make up your own 5 digit reference code (composed of either letters and/or numbers for organizational reasons). It can be any combination of letters and/or numbers (please keep in mind it is only for a reference so make up a code you can remember). This code does not need to be on your presentation panels but do name the .PDF with your code (example: John_Doe_ABC01.pdf).</p>
<p>
	<strong>Contact Information:</strong> Submit your personal or group contact information in the following format: 01. Project title 02. Names of all participants &amp; e-mail addresses. 03. The university at which you attained your architectural degree 04. The names and contact information of the tutors at your University. Send us this information both in the text body of the email and in a separate .PDF file. Please disclose that you wish opt-out of having your information published, should this be the case. If you would like to have your contact info published, please include this information on the last page of your presentation boards.</p>
<p>
	<strong>Two (2) Project Thumbnails:</strong> Please also include an image that you would like to represent your project, this will most probably be your best rendering or most illustrative picture. (Dimensions height: 270 x width: 350 pixels for the first thumbnail and height: 390 x width: 780 pixels for the second). Click here to download the thumbnail template/ description (served as a guideline, its design is fully up to you as long as you include all necessary information and limit the dimensions of 270 x 350 &amp; 390 x 780 pixels).</p>
<p>
	Send your digital presentation boards and project thumbnail to <a href="mailto:Register@GraduateArchitecture.com">Register@GraduateArchitecture.com</a>. As the email&#39;s subject, only only include your name and university at which you have done your final project. Please don&#39;t hesitate to contact us for any questions you might have, but please read our FAQ (Frequently Asked Questions) first.</p>
<p>
	<em>The jury will consist of Architects, Urbanists, Designers, Students and some of the previous winners of the Graduate Architecture Award. Winners will be based on all-round creativity, design concept, problem solving, sustainability and more (there is not one, but many aspect projects will be reviewed on).</em></p>
<p>
	For more information visit our website: <a href="http://www.GraduateArchitecture.com" target="_blank">www.GraduateArchitecture.com</a>.</p>
 
      ]]></content>
    </entry>

    <entry>
      <title>2012 Inspired Visions Global Rendering Competition</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/2012_inspired_visions_global_rendering_competition/" />
      <id>tag:bustler.net,2012:/1.11483</id>
      <published>2012-08-17T06:43:01Z</published>
      <updated>2012-04-17T20:42:02Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <category term="FEATURED"
        scheme="http://www.bustler.net/index.php/description/C/"
        label="FEATURED" />
      <content type="html"><![CDATA[
         <p>
	Beginning today, professional and student designers can submit entries to the <strong>2012 Inspired Visions Global Rendering Competition</strong>. This annual competition, which is sponsored by Nemetschek Vectorworks, Inc. and MAXON Computer GmbH, recognizes today&rsquo;s top architects and designers from around the world, and their abilities to visually render Vectorworks models with Renderworks or CINEMA 4D. Submissions will be accepted from April 17 to August 16, 2012, in the following categories:</p>
<ul>
	<li>
		Rendering with Renderworks 2012</li>
	<li>
		Rendering with CINEMA 4D</li>
	<li>
		Monochromatic model (rendered in Renderworks or CINEMA 4D)</li>
</ul>
<p>
	The panel of judges includes Daniel Jansenson, principal at Daniel Jansenson Architect and author of Remarkable Renderworks, from Santa Monica, Ca.; Tyler Littman, principal designer and owner of Sholight, LLC, from New York; Nicholas Dunand, freelance designer and sculptor, from Melbourne, Australia; Erik Recke, freelance architectural visualizer at Datenland, from Hamburg, Germany; and Alejandro Nogueira, CEO at DECC Arte 3D from Tecamachalco, Edo. de Mexico, Mexico.</p>
<p>
	Each category winner chosen by these judges will receive $2,500 USD and will be featured in an official media release and on Planet Vectorworks. Winners will also be promoted on the Nemetschek Vectorworks and MAXON social media channels, such as Facebook, Twitter and YouTube.</p>
<p>
	In addition, the public will select their &ldquo;Fan Favorite&rdquo; from all entries, which will be posted on the competition&rsquo;s website. Voting will take place directly on the site.</p>
<p>
	To enter, vote or learn more about the competition, visit <a href="http://inspiredvisions.vectorworks.net/" target="_blank"><br />
	http://inspiredvisions.<wbr>vectorworks.net</wbr></a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Spiritual.d 2012 &#45; Spiritual space design in a contemporary world</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/spiritual.d_2012_-_spiritual_space_design_in_a_contemporary_world/" />
      <id>tag:bustler.net,2012:/1.11539</id>
      <published>2012-08-15T21:47:49Z</published>
      <updated>2012-04-30T19:52:50Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	This new competition from <a href="http://www.anonymousd.com/" target="_blank">anonymous.d</a> wishes to challenge architects, Designers and Engineers from around the world to re-imagine the design of a spiritual space in the 21st century.<br />
	<br />
	The design of a religious/spiritual building is a highly complex task. Different eras symbolize different architectural manifestations based on their spiritual affiliation. A Japanese temple and a Gothic Cathedral are both structures designed and built for man in service to his spiritual philosophy. But one is humanly scaled and harmoniously integrated in oceans of nature; the other is richly ornamented and heroically scaled structure showcasing power and technical genius.<br />
	<br />
	Along history, religious spaces were always a place for architectural and structural investigations. A place where new aesthetics were born and new technologies were introduced. Some are known for their extraordinary structural performances , some showcase the balance between mass and void and others express their spiritual philosophy by a minimalistic use of light and shadows. Some of the world&#39;s most renowned structures are places of worship.<br />
	<br />
	The task is to examine social, cultural, economical and historical aspects related to different faiths and societies and propose an architectural response that takes into consideration the effects of globalization, advances in technology and sustainability and other architectural and urban strategies. The proposed work should investigate ideas related to the technical complexity of the building, the symbolic expression of the space and the role of spiritual places in our society and implement them to current and future experiences, spatial organizations, functionalities and aesthetics.<br />
	<br />
	Spiritual spaces - Where should we integrate them in our cities if at all? In what configuration? Should they be part of our homes or public infrastructures? should they be a vacation destination?... &nbsp;The purpose of spiritual.(d) annual competition is to encourage creative individuals and teams from around the world to participate in an open architectural and philosophical debate, to nurture the architectural evolution of our environment and to redefine the role of the spiritual space in the contemporary world.</p>
 
      ]]></content>
    </entry>

    <entry>
      <title>New York City Casino/Convention Center</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/new_york_city_casinoconvention_center/" />
      <id>tag:bustler.net,2012:/1.11633</id>
      <published>2012-08-13T07:00:18Z</published>
      <updated>2012-05-16T19:17:19Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	<strong>///the COMPETITION</strong><br />
	<br />
	Recently, New York&rsquo;s state government has been trying to legalize non-Indian casinos throughout the state. Current proposals are asking for the construction of seven &ldquo;Vegas&rdquo;-sized casinos throughout New York. Although lawmakers have pushed to keep the casinos out of New York City, this ideas competition aims to investigate what a casino would do to New York City and, likewise, what New York City would do to a casino. The New York casinos are being pitched by their supporters as &ldquo;regional revitalization&rdquo; tools. Although Manhattan is arguably in no need of revitalization, it does have one clear zone that could use rethinking&mdash;Hudson Yards and the area around its neighboring convention center. The existing Jacob Javits Center remains an isolated structure surrounded by a no-man&rsquo;s-land of parking and train tracks. Cut off from restaurants, hotels, and entertainment, it is hardly an inviting location for a large convention, nor does it allow for or engender connection to the city at-large. You might as well have your convention in Secaucus. There is talk of relocating the Center to Queens, to be sited next to the recently opened &ldquo;racino&rdquo; at Aqueduct Racetrack&mdash;a major financial success thus far, and example of the excitement people in the five boroughs have for gambling. The proposed convention center would be the largest in the United States. This competition asks entrants to leave the convention center at its current location on Manhattan&rsquo;s West Side, but replace it and add a hotel and casino to the complex. Entrants are asked to rethink this zone so as to create a dynamic destination in the city for tourists, residents, and convention-goers alike. At the same time, the complex should become a draw for non convention-goers. If a Vegas-style themed casino clearly wouldn&rsquo;t work in New York City, then what would bring New Yorkers out to gamble? Is it a family focused zone for tourists or an adults-only retreat? The proposed building should incorporate state-of-the-art facilities for both modern gambling and high-tech conventions. The convention center should be unique while remaining flexible, and the casino should shake off both cheesy Vegas aethetics and the dry desperation of Atlantic City to strive for something architecturally rich and complex&mdash;while simultaneously entertaining. The complex should also find a way to reconnect to Manhattan&rsquo;s nearby entertainment districts. Madison Square Garden, Times Square, and the High Line seem cut off, despite their proximity. This complex should aim to recharge its surroundings in the same way the High Line did the Meatpacking District, bringing in pedestrians and cleaning up the area. On the western, waters edge of Manhattan, the site also includes a large pier that can be used for a portion of the program or turned into outdoor parks and recreation areas. The site includes the land the current convention center lies on, the space over the West Side Yard train yard, and the aforementioned waterfront pier. The West Side Yard was designed to accommodate an overbuild in its air rights, and space was left between the tracks for columns to support a platform above the tracks. The history of proposals for the very same site includes the ongoing Hudson Yards Redevelopment and the IFCCA &ldquo;Competition for Manhattan&rsquo;s West Side.&rdquo;<br />
	<br />
	<strong>///PROGRAM</strong><br />
	Exhibition / Convention Space<br />
	2,000,000 square feet<br />
	<br />
	Meeting Room Square Footage<br />
	200,000 square feet / 50 rooms<br />
	<br />
	Ballroom<br />
	30,000 square feet<br />
	<br />
	Theater<br />
	1500 seats<br />
	<br />
	Lecture Hall<br />
	200 seats<br />
	<br />
	Cafeteria / Restaurant / Lounge / Retail<br />
	60,000 square feet or 20 restaurants and 70 shops<br />
	<br />
	Entertainment Area<br />
	40,000 square feet or 4 clubs and 1 large showroom<br />
	<br />
	Gambling floor<br />
	120,000 square feet<br />
	<br />
	Operational Facilities<br />
	200,000 square feet<br />
	<br />
	Loading Docks<br />
	50 truck bays<br />
	<br />
	Hotel<br />
	4000 suites<br />
	<br />
	Service, Circulation and Support programs as required<br />
	<br />
	This program is meant to be open and flexible. It should be used as a guideline but changes can be made at the discretion of each entrant.<br />
	<br />
	This is an open, international ideas competition hosted by suckerPUNCH to generate progressive contemporary designs. There are no plans for the Casino/Convention Center to be built at this time. The site is not owned by or affiliated with suckerPUNCH.<br />
	<br />
	<strong>///jury/AWARDS</strong><br />
	<br />
	kutan AYATA (YOUNG &amp; AYATA)<br />
	ezio BLASETTI (Ahylo Studio)<br />
	david ERDMAN (SERVO)<br />
	marc FORNES (THEVERYMANY)<br />
	ferda KOLATAN (su11 Architecture &amp; Design)<br />
	craig SCOTT (IwamotoScott Architecture)<br />
	marcelo SPINA (P-A-T-T-E-R-N-S)<br />
	mike SZIVOS (SOFTlab)<br />
	abigail COOVER (hume coover studio, suckerPUNCH)<br />
	nathan HUME (hume coover studio, suckerPUNCH)<br />
	<br />
	$2500 in prizes will be awarded and the winning designs will be published on suckerPUNCH.<br />
	<br />
	<strong> ///entryREQUIREMENTS</strong><br />
	<br />
	This is an open ideas competition. entrants will be required to digitally submit two [2] boards at 18&rdquo; high x 24&rdquo;wide and 150dpi in tiff format with the provided 5 digit code in a 1&rdquo;x1&rdquo; square in the lower right hand corner of each board. Image requirements are as follows:<br />
	<br />
	PLANS<br />
	all necessary site and floor plans to describe the project including at minimum a ground level plan describing the form, integration of program, and relationship to the site<br />
	*scale is at the discretion of the entrant<br />
	SECTIONS<br />
	one [1] north/south section<br />
	one [1] east/west section<br />
	*scale is at the discretion of the entrant<br />
	RENDERINGS<br />
	one [1] aerial view<br />
	one [1] street level view<br />
	one [1] interior view<br />
	*one rendering best describing the formal and atmospheric intent of the project must be rendered at 10&rdquo; high x 13&rdquo; wide and 150dpi in tiff format. This image is to be included on the boards as one of the above views.<br />
	<br />
	<strong>///competitionSCHEDULE</strong><br />
	<br />
	14 May 2012 competition launch<br />
	11 June 2012 deadline for questions<br />
	18 June 2012 answers to questions will be posted on suckerPUNCH<br />
	25 June 2012 early registration deadline<br />
	13 August 2012 project submission deadline<br />
	3 September 2012 winners will be posted over the course of the week on suckerPUNCH<br />
	<br />
	<strong>///registration/FEES</strong><br />
	<br />
	Entrants may register by submitting payment to suckerPUNCH via paypal and contact info to competitions@suckerPUNCHdaily.com. Once payment and contact info is received, an email will be sent containing all project documentation (including dimensioned CAD plan, 3-D model, aerial photo, site photos, and zoning information) and a 5 digit identification number to be placed in a 1&rdquo;x1&rdquo; square on the bottom right corner of each board. The submission procedure will also be outlined in this email.<br />
	<br />
	early registration fee &ndash; $35<br />
	registration fee &ndash; $65<br />
	please email any questions to <a href="mailto:competitions@suckerPUNCHdaily.com">competitions@suckerPUNCHdaily.com</a></p>
<p>
	More more and to register, see: <a href="http://suckerpunchdaily.com/2012/05/14/new-york-city-convention-centercasino" target="_blank">suckerpunchdaily.com/2012/05/14/new-york-city-convention-centercasino</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Piraeus Cultural Coast &#45; Museum of Underwater Antiquities</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/piraeus_cultural_coast_museum_of_underwater_antiquities/" />
      <id>tag:bustler.net,2012:/1.11430</id>
      <published>2012-08-07T06:59:46Z</published>
      <updated>2012-04-06T22:44:47Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	<img src="http://www.bustler.net/images/uploads/piraeus_cultural_coast_museum_of_underwater_antiquities.jpg" style="border: 0;" alt="image" width="530" height="193" /></p>
<p>
	Piraeus Port Authority and the Ministry of Culture and Tourism<br />
	<br />
	ANNOUNCES<br />
	<br />
	<strong>Architectural Competition Outline Design</strong><br />
	<br />
	The Competition task is the selection of the contractor who will carry out the final study of the project:</p>
<p>
	&ldquo;Redesign of the existing cereals&rsquo; stock house building facilities (silo) and its surrounding open space into a museum for underwater antiquities</p>
<p>
	AND</p>
<p>
	Regeneration of part of the Piraeus Port Authority (PPA) Coastal Zone &ndash; transformation into an open public space for out door activities.</p>
<p>
	The competition will be held in accordance with the current legislation (Decree 26804/2001 (b&rsquo;1427/11),L 3316/2005), the terms of this document and all the decrees existed on the date of the announcement&rsquo;s postage for publication on the E.C. Newspaper and local press.</p>
<p>
	According to these terms every one who is interested is kindly requested to submit an architectural proposal.</p>
<p>
	<strong>1. &nbsp; &nbsp;Project Owner &ndash; Contracting Authority &ndash; Competition Organizer</strong></p>
<ul>
	<li>
		The project owner is the Piraeus Port Authority (P.P.A . SA)</li>
	<li>
		The Competition Organizer is the Piraeus Port Authority (P.P.A. SA) and the Ministry of Culture and Tourism (MCT)</li>
	<li>
		The Contracting Authority is the Piraeus Port Authority (PPA sa)</li>
</ul>
<p>
	<strong>2. &nbsp; &nbsp;Competition Type</strong><br />
	Open Architectural Competition Outline Design according to case b.2, paragraph 2, article 1 Decree 26804/2001 (b&rsquo;1427/11). This project is very significant and constitutes a historical and cultural intervention to Piraeus Port.</p>
<p>
	<strong>3. &nbsp; &nbsp;Awards</strong><br />
	Competition jury will award the prizes with gross amounts &euro;118.000,00 according to the article 11 of Decree 26804/2001 as specified in the following table:<br />
	1st prize: &nbsp; &nbsp;&euro;33.040,00<br />
	2nd prize: &nbsp; &nbsp;&euro;28.320,00<br />
	3rd prize: &nbsp; &nbsp;&euro;23.600,00<br />
	4th prize: &nbsp; &nbsp;&euro;18.880,00<br />
	5th prize: &nbsp; &nbsp;&euro;14.160,00<br />
	<br />
	<strong>4. &nbsp; &nbsp;Study fee determination</strong><br />
	The study fee specified up to 60% of the final study fee. The estimated fee for the final design study is up to &euro;585.095,00</p>
<p>
	<strong>5. &nbsp; &nbsp;Terms</strong><br />
	Eligible for participation are individuals or consortia formed of individuals or legal entities who throw recognition by the professional body in their country of residence and are entitled to use the occupational title of &ldquo;Architect&rdquo;. The submission verifies the applicant&rsquo;s approval of the tender&rsquo;s terms. The first prize-winner has to prove his eligibility to carry out the study in accordance with the current legislation. Otherwise he has to cooperate with the team that meets the eligibility requirements. This cooperation is subject to the competition organizer&lsquo;s approval.</p>
<p>
	<strong>6. &nbsp; &nbsp;Submission deadline, registration and documents provision</strong><br />
	In order to facilitate the possible participants, all competition data is available on the official site of the competition at the following address <a href="http://www.piraeusculturalcoast.org.gr/" target="_blank">www.piraeusculturalcoast.org.gr</a>, though any alteration to the contents of the provided data is strictly forbidden. All submissions must be delivered to P.P.A. Head office, by 20 September 2012 at 12.00 p.m. After this time no entry is going to be acceptable.</p>
<p>
	<strong>7. &nbsp; &nbsp;Jury</strong><br />
	The jury comprises 7 regular members and their corresponding deputy members. The selection of the jury members will be according to art.12 Decree 26804/2011</p>
<p>
	<strong>8. &nbsp; &nbsp;Language of Competition</strong><br />
	The competition documentation is available in Greek and most of it is also available in English.<br />
	The Greek language documentation is the original and takes precedence over the English translation.<br />
	The texts in the competition proposals must be written in either Greek or English</p>
<p>
	<strong>9. &nbsp; &nbsp;Notices</strong><br />
	The publication date of the Brief in E.U Publication Office is &nbsp;30th March 2012.<br />
	The deadline for the applicants to receive the Brief and the Competition Documents is the 6th August 2012.<br />
	The deadline for the submission is on 20th September 2012 at 12:00p.m.<br />
	The deadline for the applicants to submit any queries is 14th May 2012.</p>
 
      ]]></content>
    </entry>

    <entry>
      <title>2012 Fentress Global Challenge:&amp;nbsp; Workplace of the Future</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/2012_fentress_global_challenge_workplace_of_the_future/" />
      <id>tag:bustler.net,2012:/1.11396</id>
      <published>2012-08-06T18:07:26Z</published>
      <updated>2012-04-02T18:49:27Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	<strong>ABOUT</strong><br />
	The Fentress Global Challenge is an annual international competition created to engage students worldwide in the exploration of future design possibilities in public architecture. For the Second annual competition, students are invited to envision the Workplace of the Future. Workplace research confirms that space management is a powerful tool. Office environments designed to deliver optimal employee experience will, in turn, offer the greatest operational value. These returns are far beyond financial; they promote performance, productivity and innovation. Our economy relies on productivity, so it is important to evaluate the most cost-effective, space-effective and operationally-effective workplace.<br />
	<br />
	<strong>INVITATION</strong><br />
	All students presently enrolled in a recognized college level Architectural or Interior Design program are invited to participate. Graduates that are not employed may also enter the competition. Individuals and teams are both eligible.<br />
	<br />
	<strong>SCHEDULE</strong><br />
	Competition Announcement: Monday, April 2, 2012<br />
	Registration Deadline: Monday, August 6, 2012<br />
	Design Submission Deadline: Monday, September 3, 2012<br />
	Short-listed Notification: Wednesday, September 26, 2012<br />
	Winners Announced: Wednesday, October 24, 2012<br />
	Internship at Fentress Architects: Summer 2013<br />
	<br />
	<strong>AWARDS</strong><br />
	1st Place<br />
	US$10,000 prize and a certificate<br />
	(US$10,000 prize includes US$3,000 cash, 4-week paid internship at Fentress Architects , round-trip airfare and lodging )<br />
	<br />
	2nd Place<br />
	US$1000 cash prize and a certificate<br />
	<br />
	3rd Place<br />
	US$500 cash prize and a certificate<br />
	<br />
	Honorable Mention<br />
	Certificate<br />
	<br />
	Winning designs will be exhibited at Architecture and Design Museum in Los Angeles, California. &nbsp;Exhibition dates are to be determined.<br />
	<br />
	<strong>REGISTRATION</strong><br />
	Register online at <a href="http://www.fentressarchitects.com/edge/global-challenge/" target="_blank">http://www.fentressarchitects.<wbr>com/edge/global-challenge/</wbr></a><wbr><wbr> by Monday, August 6, 2012; registration is free. You will automatically be emailed a registration number to use for all references and your final submission.<br />
	<br />
	More information and full competition brief is available at <a href="http://www.fentressarchitects.com/edge/global-challenge/%7B/field:body%7D" target="_blank">www.fentressarchitects.com/<wbr>edge/global-challenge/{/field:<wbr>body}</wbr></wbr></a></wbr></wbr></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Architectural photography competition &#45; Space in Transition</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/architectural_photography_competition_-_space_in_transition/" />
      <id>tag:bustler.net,2012:/1.11627</id>
      <published>2012-07-28T22:48:25Z</published>
      <updated>2012-05-15T19:31:26Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	We hardly ever take notice of the time we spend waiting daily. Buses, trains, the tube, escalators, lifts - all these are spaces of waiting in order to reach a destination or continue a journey.<br />
	<br />
	They are public places that change their quality and atmosphere at different times of the day. We are drawn to the view outside the bus window, on escalators we get glimpses of people&rsquo;s faces going in the other direction or glances of countless advertisements lined up on the wall.<br />
	<br />
	Can you recall having to wait for someone or something and visualise a memory of the place where it happened? We invite you to think of different kinds of places and reasons for waiting, and through the means of photography, present how you experience it. Are we conscious of it at all times? Do you stop to wait? How does it change your sense of time? Maybe it&rsquo;s the place around you that is waiting or is it just a by-product of our daily life?<br />
	<br />
	<strong>Requirements:</strong><br />
	<br />
	Every participant is entitled to upload one photograph per registration.<br />
	The photo has to be uploaded as a .jpg file and cannot be bigger than 5mb in size.<br />
	<br />
	The document has to measure at least 2000x2000 pixels with a maximum of 5000x5000 pixels. The format (ratio height to width) can be chosen freely.<br />
	<br />
	The document has to be named with the registration number only. (For example, &ldquo;20134.jpg.&rdquo;)<br />
	<br />
	<strong>Competition:</strong><br />
	<br />
	It is a single stage competition. We&rsquo;re looking to receive photos which surprise, enlighten and inspire, as well as present your intention and idea. The quality of the entries will be judged according to the depth of narrative and visual presentation.<br />
	<br />
	<strong>Prizes and fees:</strong><br />
	<br />
	1st Prize: US$ 1,000 (ONE THOUSAND US DOLLARS)<br />
	<br />
	1st Prize, 2nd Prize and 3rd Prize will be published in international art and design media as well as on the Homemade Dessert website<br />
	<br />
	<strong>Registration: </strong>US$ 25<br />
	<br />
	<strong>More information:</strong><br />
	<br />
	<a href="http://hdcompetitions.com/transition-7" target="_blank">http://hdcompetitions.com/<wbr>transition-7</wbr></a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>SC2012 Links: Bridging Rivers Competition</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/sc2012_links_bridging_rivers_competition/" />
      <id>tag:bustler.net,2012:/1.11568</id>
      <published>2012-07-28T05:12:36Z</published>
      <updated>2012-05-07T21:25:37Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	FUTURE is launching, for second consecutive year, an international ideas competition to identify the best design concepts with the challenge to develop visionary urban proposals to stimulate contemporary cities, in this case 2 different locations: Chongqing, China and Seville, Spain<br />
	<br />
	The open competition is single-phase and anonymous.<br />
	<br />
	Participants taking part in the competition shall be architecture students or architects under 35 years old on the closing date for submission of entries (July 27, 2012).<br />
	<br />
	Registration deadline July 27, 2012<br />
	Submission deadline July 27, 2012<br />
	<br />
	National juries. Shortlist announcement (maximum 10 per location) Until September 17, 2012<br />
	<br />
	International jury. Awards September, 2012, made up by<br />
	<br />
	<strong>Cheng Taining</strong><br />
	National Academician of China<br />
	Dean of China United Zhujing Architecture Design Co. Ltd, Hangzhou<br />
	<br />
	<strong>He Jingtang</strong><br />
	National Academician of China<br />
	Dean of Architectural Design Research Institute of South China University of Technology<br />
	Dean of School of Architecture, South China University of Technology<br />
	<br />
	<strong>Wang Shu</strong><br />
	2012 Pritzker Architecture Prize<br />
	Dean of School of Architecture and Art, China Academy of Art<br />
	<br />
	<strong>Zhuang Weimin</strong><br />
	Dean of Architectual Design and Research Institute of Tsinghua University<br />
	<br />
	<strong>Carlos Ferrater</strong><br />
	OAB Office of Architecture in Barcelona<br />
	<br />
	<strong>Jose Morales</strong><br />
	MGM Arquitectos<br />
	<br />
	<strong>Alejandro Zaera Polo</strong><br />
	Dean of Princeton University School of Architecture<br />
	AZPA<br />
	<br />
	<strong>Rafael de La-Hoz</strong><br />
	Rafael de La-Hoz Arquitectos<br />
	<br />
	<strong>Robert Terradas</strong><br />
	Director of Escola T&egrave;cnica Superior d&#39;Arquitectura La Salle<br />
	Terradas Arquitectos<br />
	<br />
	<strong>Benedetta Tagliabue</strong><br />
	EMBT<br />
	<br />
	Further details <a href="http://www.arqfuture.com/competitions" target="_blank">www.arqfuture.com/<wbr>competitions</wbr></a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Inspiration HOTEL Competition</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/inspiration_hotel_competition/" />
      <id>tag:bustler.net,2012:/1.11457</id>
      <published>2012-07-25T03:00:44Z</published>
      <updated>2012-04-11T22:57:45Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	OPENGAP organizes this open ideas competition seeking for innovative, cutting-edge, contemporary, proposals regarding a new concept for artistic inspiration spaces.</p>
<p>
	Participants are invited to design a place focused on the rental of spaces that motivate creativity and concentration, allowing users to focus, inspire and develop their artistic ideas.</p>
<p>
	Each participant or team will define the location of their project, however, the proposal must justify the choice of the location.</p>
<p>
	The competition is open to all architects, designers, architecture students and to people around the world interested in the topic. Competitors can subscribe individually or as a team of maximum of 5 people.</p>
<p>
	The proposal submission will consist of two digital images in .jpg format, not bigger than 5MB each.</p>
<p>
	<strong>Awards</strong></p>
<ul>
	<li>
		First Prize, 2000 Euro</li>
	<li>
		Second Prize, 700 Euro</li>
	<li>
		Third Prize, 400 Euro</li>
	<li>
		Mentions, Mentions will not have an economic prize.</li>
</ul>
<p>
	<strong>Fees</strong><br />
	1ST PERIOD: 29,00 euro<br />
	2ND PERIOD: 50,00 euro<br />
	3RD PERIOD: 65,00 euro<br />
	4RD PERIOD: 80,00 euro<br />
	<br />
	<strong>More info</strong><br />
	<a href="mailto:competitions@opengap.net">competitions@opengap.net</a><br />
	<a href="http://www.opengap.net/" target="_blank">www.opengap.net</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Museum Of Architecture (MOA), London Competition</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/museum_of_architecture_moa_london_competition/" />
      <id>tag:bustler.net,2012:/1.11251</id>
      <published>2012-07-19T19:00:47Z</published>
      <updated>2012-03-07T22:31:48Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	<img src="http://www.bustler.net/images/uploads/museum_of_architecture_moa_london_competition.jpg" style="border: 0;" alt="image" width="523" height="324" /></p>
<p>
	The aim of this two-stage &nbsp;&ldquo;winner of winners&ldquo; International ideas competition is to design a NEW Museum Of Architecture in London, on the site of the Iconic Old London Battersea Power Station on the bank of the River Thames. This Icon structure and prime site has laid derelict for number of years with plan after plan for re-developments, has posed a challenge for developers. It is a protected building, which means that the four chimneys would have to be incorporated into any design. ArchTriumph calls on architects to rise to the challenge provided by such an opportunity to be innovative and responsive to such a site and location with bold ideas for this Museum.<br />
	<br />
	Organiser: ArchTriumph &ndash; &ldquo;Triumph of Architecture + Design&rdquo;</p>
<ul>
	<li>
		Special Registration: from 2nd April</li>
	<li>
		Early Registration: from 16th April 2012</li>
	<li>
		Standard Registration: &nbsp;from 19th June 2012</li>
	<li>
		Late Registration: from 19th July</li>
</ul>
<p>
	Eligibility:<br />
	Architects, architecture graduates, architecture students, engineers, planners, designers or inter-disciplinary team (Maximum of 4 professionals) comprising of at least one architect.<br />
	<br />
	Prizes / Awards:<br />
	Winning participants will receive cash prizes totaling US$ 17,000.00 distribution as follows:<br />
	Stage1: Total prize fund of US$ 6,000 &nbsp;+ Shortlist for &ldquo;Triumph&rdquo; Showcase Sustainable Pavilion<br />
	Stage2: Total prize fund of US$ 11,00 &nbsp; + Shortlist for &ldquo;Triumph&rdquo; Showcase Sustainable Pavilion<br />
	Joining the overall winners will be an additional 10 Triumphant mentions<br />
	<br />
	Website:<a href="http://www.archtriumph.com/" target="_blank"> www.archtriumph.com</a><br />
	Facebook:<a href="http://www.facebook.com/archtriumph" target="_blank"> www.facebook.com/archtriumph</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Think Space 2012: PAST FORWARD</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/think_space_2012_past_forward/" />
      <id>tag:bustler.net,2012:/1.11537</id>
      <published>2012-07-17T18:12:41Z</published>
      <updated>2012-04-30T19:39:42Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	Zagreb Society of Architects is pleased to announce the launch of the new Think Space 2012 cycle with its annual theme PAST FORWARD.<br />
	<br />
	Think Space 2012 - PAST FORWARD cycle devised by this year&#39;s guest curator Adrian Lahoud, a former winner in the 2011 Borders Cycle, aims to repeat three competitions that radically transformed architectural culture: The Peak (1982), Yokohama Port Terminal (1995), and Blur Building (1999), with participating architects in the original competition acting as jurors in the current one: Zaha Hadid &amp; Patrik Schumacher (jurors for The Peak), Alejandro Zaera-Polo (juror for Yokohama Port Terminal) and Ricardo Scofidio &amp; Charles Renfro (juror for the Blur Building).<br />
	<br />
	At the conclusion of the competition, a conference in Zagreb, Croatia will bring together participating architects from both cycles. At the end of the competition phase, a further series of events will be organized including a series of international exhibitions that will display the original submissions alongside the winning competition entries from this Think Space cycle. Storefront for Art and Architecture will host the New York exhibition, with more events to be confirmed shortly.<br />
	<br />
	<strong>Deadlines:</strong><br />
	<br />
	Each competition starts and ends on the same date, so competitors may make their choice and decide on participating in a single or more competitions.<br />
	<br />
	Launching of the cycle on April 27, 2012.<br />
	Registration starts on May 5, 2012.<br />
	Deadline for early registration: June 26, 2012 at 12:00 CET<br />
	Deadline for entry submission: July 17, 2012 at 12:00 CET<br />
	Awards Announcement in September 2012<br />
	<br />
	<strong>Awards:</strong><br />
	<br />
	1st Award: &nbsp; 5. 000 EUR<br />
	2ndAward: &nbsp; &nbsp;1. 000 EUR<br />
	3rd Award: &nbsp; &nbsp; &nbsp; &nbsp;500 EUR<br />
	<br />
	Possible changes in the awards, honorable and merit prizes will be defined upon the fundraising activities and at the discretionary right of the jurors.<br />
	<br />
	<strong>Submission Fee:</strong><br />
	<br />
	Early registration fee: from 5 May to 26 June 2012 - 370 HRK / 50 EUR<br />
	Full registration fee: from 27 June to 17 July 2012 - 555 HRK / 75 EUR<br />
	<br />
	<strong>Jury:</strong><br />
	<br />
	The Peak: Zaha Hadid &amp; Patrik Schumacher (ZHA)<br />
	Yokohama Port Terminal: Alejandro Zaera-Polo (AZPA)<br />
	Blur Building: Ricardo Scofidio &amp; Charles Renfro (DS+R)<br />
	<br />
	Each architect will act as the sole juror for his or her respective competition, with assistance provided by the Think Space curator. The deliverables for the new competition cycle will match as closely as possible the original requirements for each competition. There is no limit to the number of competitions that can be entered.<br />
	<br />
	We invite you to participate in the competitions and explore together with the jurors, guest curators and other professionals from all over the world, how much have the last 30 years influenced the disciplinary transformation, looking back in order to discern how far we have moved and in what direction.<br />
	<br />
	More information on the competitions find on official web page: <a href="http://www.think-space.org" target="_blank">www.think-space.org</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Spark:Concept</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/sparkconcept_2012/" />
      <id>tag:bustler.net,2012:/1.11416</id>
      <published>2012-07-17T06:44:18Z</published>
      <updated>2012-04-04T18:53:19Z</updated>
      <author>
            <name>Alexander Walter</name>
            <email>alexander@bustler.net</email>
            <uri>http://www.bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	We are happy to announce the next competition in the <strong>Spark:Concept</strong> series&ndash;the only one for the remainder of 2012. We will be gathering the finest examples of concept design from around the world, and hope you will participate! After a resounding success with the 2011 Spark:Concept Awards, we look forward to a great event in the coming months. If you are an architect with a great proposal, a car designer with a bright idea or a brilliant student with a grand thesis&ndash; make sure you see the Spark! The entry system is open 24/7, so THIS is the time to Spark.</p>
<p>
	<strong>DEFINITIONS</strong><br />
	The Spark Concept Awards are for work that is in the idea or proposal stage. For example, this would include architectural proposals, concept automobiles and design student work.</p>
<p>
	This competition does not include design work which has been built, produced, realized or is in pre-production, which can be found in our other dedicated competitions&ndash; Spark:Communication, Spark:Product and Spark:Space.</p>
<p>
	<strong>Spark:Concept</strong> is for any discipline of design. This includes graphic design, product, UX, motion, architecture, interiors, transportation and others.</p>
<p>
	All these competitions continue Spark&rsquo;s mission, criteria and categories. All Design, and all designers are welcome at Spark.</p>
<p>
	Thanks for your interest in Spark. Please tell your friends&ndash;there&rsquo;s a new home for Good Design!</p>
<p>
	<strong>TIMEFRAME</strong><br />
	Because concept design entries are often student work, <strong>Spark:Concept</strong> events are timed to facilitate entries from the main school semester&mdash;the Spring term. All Spark events are international in scope and accept entries from all designers, everywhere.</p>
<p>
	<strong>PROCESS</strong><br />
	The Competitions are judged along the same lines as earlier Spark events&mdash;same Criteria, Categories, website and registration system. They are multi-disciplinary and multi-level. They are two-phase competitions.</p>
<p>
	There are two pricing tiers&mdash;one for companies and professional designers, and a second for non-professionals, non-profits, students and recent graduates (i.e., in the past 24 months, with status provable via student ID or copy of degree to win a Spark).</p>
<p>
	<strong>Spark:Concept</strong> is entirely &ldquo;virtual.&rdquo; That is, it is entered and conducted online, over the Spark website. No materials, boards or designs are delivered to <strong>Spark:Concept</strong>. All entries are via the website and first phase judging takes place online as well.</p>
<p>
	All Spark juries are international and come from across the spectrum of design disciplines, media, educators and experts.</p>
<p>
	<a href="http://www.sparkawards.com/call-for-entries/spark-concept/" target="_blank">http://www.sparkawards.com/call-for-entries/spark-concept/</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>New Cathedral Notre Dame de l&#8217;Assomption, Port&#45;au&#45;Prince, Haiti</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/new_cathedral_notre_dame_de_lassomption_port-au-prince_haiti/" />
      <id>tag:bustler.net,2012:/1.11476</id>
      <published>2012-07-15T20:37:13Z</published>
      <updated>2012-04-17T00:51:14Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	An international design competition was launched on April 15, 2012 expected to produce a design that will inform the reconstruction of Notre Dame de l&rsquo;Assomption, the Roman Catholic Cathedral of Port-au-Prince, Haiti destroyed 2 years ago.</p>
<p>
	In an article appearing in the current issue of <em>Faith&amp;Form</em>, a magazine dedicated to the architecture of places of worship, Mgr Guire Poulard, Archbishop of Port-au-Prince calls on architects of the world to offer their ideas for building a new cathedral. He writes that the &ldquo;ideal design must engage the future and celebrate life.&rdquo; &nbsp;He continues in noting that a successful plan &ldquo;must be mindful of the past and memorialize the thousands who died and were injured in the earthquake of January 12, 2010&rdquo;</p>
<p>
	Details of the competition open to architects of the world are provided on the site at <a href="http://www.ndapap.org/" target="_blank">www.ndapap.org</a>. &nbsp;The site also contains historical information and other data on the destroyed structure and construction site.</p>
<p>
	For more information write to <a href="mailto:info@ndapap.org">info@ndapap.org</a>.</p>
 
      ]]></content>
    </entry>

    <entry>
      <title>d3 Natural Systems 2012</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/d3_natural_systems_2012/" />
      <id>tag:bustler.net,2012:/1.11005</id>
      <published>2012-07-02T06:59:09Z</published>
      <updated>2012-04-04T17:12:10Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <category term="FEATURED"
        scheme="http://www.bustler.net/index.php/description/C/"
        label="FEATURED" />
      <content type="html"><![CDATA[
         <p>
	Exploration of <span class="il">natural</span> <span class="il">systems</span> from the microscopic to the universal unearths vast design potential for overlaying cultural, ecological, and life cycle flows toward determining new architectonic strategies.<br />
	<br />
	Sponsored by New York-based <span class="il">d3</span>, the annual <span class="il">d3</span> <span class="il">Natural</span> <span class="il">Systems</span> competition for <span class="il">2012</span> invites architects, designers, engineers, and students to collectively explore the potential of analyzing, documenting, and deploying nature-based influences in architecture, interiors, and designed objects. &nbsp;The competition calls for innovative proposals that advance sustainable thought and performance through the study of intrinsic environmental geometries, behaviors, and flows. &nbsp;By identifying, examining, and applying their structural order on form and function- -bottom-up, performance-based solutions for limitless building typologies, functional programs, and material conditions may be realized.<br />
	<br />
	An architecture of emergence suggests that design expression requires purpose beyond formal assumption and aesthetic experimentation itself. &nbsp;Concurrent with sustainable thought, the <span class="il">d3</span> <span class="il">Natural</span> <span class="il">Systems</span> competition assumes that architecture does not simply form, but rather perform various functions beyond those conventionally associated with buildings. &nbsp;Design submissions must be environmentally responsible while advancing inventive conceptual solutions. &nbsp;Although proposals should be technologically feasible, they may suggest fantastical architectural visions of a sustainable global future.<br />
	<br />
	The <span class="il">d3</span> <span class="il">Natural</span> <span class="il">Systems</span> competition allows designers freedom to approach their creative process in a scale-appropriate manner--from large-scale master planning endeavors, to individual building concepts, to notions of interior detail. &nbsp;Accordingly, there are no restrictions on site, scale, program, or building typology, proposals should carefully address their selected context.<br />
	<br />
	Please visit the competition website for full details: &nbsp;<a href="http://www.d3space.org/competitions">www.d3space.org/competitions</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>POST+Capitalist City #1Shop</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/postcapitalist_city_1shop/" />
      <id>tag:bustler.net,2012:/1.11369</id>
      <published>2012-07-02T01:49:09Z</published>
      <updated>2012-03-28T17:43:10Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <category term="FEATURED"
        scheme="http://www.bustler.net/index.php/description/C/"
        label="FEATURED" />
      <content type="html"><![CDATA[
         <p>
	With successive declines on the financial markets, recent times have seen a growing interest in the theoretical debate about alternatives to the ongoing capitalist system. Gathering international thinkers from all walks of political life, the diagnosis on the ongoing economic crisis situation tends to demonstrate that the system as it is nowadays needs to be rethought and perhaps re-established globally.</p>
<p>
	The recent Wall Street protests and the associated developing movements around the world indicates the depth to which the inequality generated by the economic system and the demand for global change has penetrated the popular consciousness. &ndash; The financial crisis is no longer a matter for the decision makers and having reached the masses is transforming the political and national &ndash; or trans-national &ndash; spheres.</p>
<p>
	At the same time creative alternatives &ndash; in trying to deal with the growth of poverty amongst the population &ndash; propose new ways of living, celebrating an ideology based on trust, solidarity, community and action.<br />
	Cities&hellip; Their attractiveness was originally based on the economic opportunities they provided to their inhabitants: job opportunities created a massive influx from the countryside, contributing actively to their spatial transformation by means of increasing population density and growth. However, in a prospective future if attractiveness is no longer necessarily related to profit making &ndash; as the symbolic 99% idealized by the &ldquo;Occupy&rdquo; movements around the world claim &ndash; the question of the future of existing cities is wide open.</p>
<p>
	<em>WHAT IF&hellip; ?</em><br />
	What if the change was tomorrow? What would be the characteristics of a system not based on profit making? What would be the consequences of a new system for the way in which we use urban spaces?<br />
	Would cities enter a transformation process, becoming specialized centres in a globalized system?<br />
	Would the global network of cities tend to erase borders or to affirm and reinforce them? What is (could be) the scale (the impact) of the change?</p>
<p>
	<iframe allowfullscreen="" frameborder="0" height="398" mozallowfullscreen="" src="http://player.vimeo.com/video/36474121?title=0&amp;byline=0&amp;portrait=0" webkitallowfullscreen="" width="531"></iframe></p>
<div class="cap">
	<a href="http://vimeo.com/36474121">Collage - POSTCAPITALIST City</a> from <a href="http://vimeo.com/joanneatcollage">joanneatcollage</a> on <a href="http://vimeo.com">Vimeo</a>.</div>
<p>
	<strong>First competition cycle: #1Shop</strong></p>
<p>
	<strong>LAUNCHING DATE April 1, 2012</strong></p>
<p>
	In the last centuries we have discovered the advantages of global exchange of goods, but what if we would take a step back and see what we really need? Show us your ideas to re-think the shop, the way we consume and a city with another system of shopping culture. Everything is valuable from small interventions up to global concepts.</p>
<p>
	<a href="http://www.collagelab.org/" target="_blank">www.collagelab.org</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Bag In Town &#45; Creative Contest</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/bag_in_town_-_creative_contest/" />
      <id>tag:bustler.net,2012:/1.11636</id>
      <published>2012-07-01T22:18:13Z</published>
      <updated>2012-05-16T19:09:14Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	In the perspective of a mutual collaboration to raise new opportunites in the field of fashion design, N&eacute;o presents &ldquo; Bag in Town&rdquo;, &nbsp;design competition in collaboration with IED and Eastpak,the authentic urban lifestyle brand.</p>
<p>
	Creative designers from around the globe are asked to take part in the new design competition Bag in Town - A bag for 24 hours. Held in collaboration with the Istituto Europeo di Design (IED), within the portal <a href="http://creativecontexts.com" target="_blank">creativecontexts.com</a>, this ground-breaking competition explores the relationship between the bag and the urban environment. Encouraging proposals from the worlds of fashion, design and communications, Bag in Town aims to redefine the aesthetic and functional basis underlying bag design, asking one clear and simple question: &ldquo;What constitutes the perfect bag for 24 hours?&rdquo;<br />
	EASTPAK has always had an eye for the creative and unconventional. Which is why the brand is teaming up with IED &ndash; the international network for advanced training in design, fashion, visual communication and management &ndash; to give young minds the chance to express their creativity and explore new avenues for engaging their environment.</p>
<p>
	The Bag in Town design competition is open to anyone over the age of 18. Interested participants are invited to visit the dedicated website <a href="http://www.bagintown.net" target="_blank">www.bagintown.net</a>. Design proposals are accepted by the portal up until July 1st, 2012. The six best projects will be selected on the basis of style and innovative point of view &ndash; three by a specialized jury and three by the wider public.</p>
<p>
	The prizes? The six selected designers will be treated to a once-in-a-lifetime experience at the IED Creative Factory in Milan. Over six intensive days, the finalists will receive expert guidance from EASTPAK product and marketing managers and IED design management specialists with the goal of manufacturing a prototype of each design and transforming their respective projects into reality. These prototypes will then be published on the Bag in Town website and once again subjected to public scrutiny. The design earning the most votes will be awarded a cash prize of &euro;5000 and the opportunity to see the winning creation on the market in 2013, as part of the new EASTPAK collection.</p>
<p>
	For more info and the full competition rules, please visit <a href="http://www.bagintown.net" target="_blank">www.bagintown.net</a></p>
<p>
	The contest belongs to the Creativecontexts.com &nbsp;&nbsp;lab:got an idea? So, now you have the opportunity to really challenge your creativity, make new projects for brands that want to turn them into products, win prizes, scholarships, money &nbsp;and even a job!</p>
<p>
	You know that it&rsquo;s not easy for a young designer to have direct access to production and prototyping. Now your talent has a space to be expressed with Creative Contexts the community promoted by the Istituto Europeo di Design (IED) aimed at aggregating creative and passionate people from more than 90 countries, that are involved in fashion, design, visual arts and communication, with the demands of most brilliant and innovative brands.</p>
<p>
	Creative Contexts publishes all contests offered by IED and their brand partners all around the world, which allows the participants of the community the opportunity to compete on creativity.</p>
<p>
	Within <a href="http://creativecontexts.com" target="_blank">creativecontexts.com</a>, IED gathers the creative community taking part in contests in the production of ideas i.e. concepts, that may be shared and voted on, and which may eventually become products manufactured and marketed by the brand sponsors in the e-commerce area.</p>
<p>
	Visit <a href="http://www.creativecontexts.com" target="_blank">www.creativecontexts.com</a> and find more about all scholarships contests and opportunities promoted by the Istituto Europeo di Design.</p>
<p>
	At this link you can see the web spot <a href="http://creativecontexts.com" target="_blank">creativecontexts.com</a>. Stay tuned!</p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Urban SOS: Frontiers</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/urban_sos_frontiers/" />
      <id>tag:bustler.net,2012:/1.11574</id>
      <published>2012-07-01T19:00:35Z</published>
      <updated>2012-05-07T21:42:37Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	This year, we are seeking integrated design, planning, environmental restoration and engineering responses that address border, gateway and edge/fringe conditions in cities worldwide. Proposals should address urban sites currently facing chronic liveability challenges that are largely the result of a city&rsquo;s location on a physical, political, cultural or economic border. Proposals should be implementable. In addition to a cash prize for the winning team, we will be engaging a local organization to help advance the proposed project. Responses can range from a strategic framework to a surgical micro-response, from a whole landscape system to a single piece of architecture. Entrants should demonstrate a holistic and sustainable approach. Judges will value creativity and innovation, but your response must be fundamentally feasible.<br />
	<br />
	The competition is open as of 16 April to students worldwide. Students may work as individuals or in teams of up to four. The deadline for final submissions is 31 August, and pre-registration must occur by that deadline any time prior to the final submission. Finalists will be announced by 1 October. During the week of 12 November, finalists will present their submissions to a panel of judges in Shanghai, and a final winner or winners will be announced. At stake is USD$15,000 as a cash prize, as well as USD$25,000 to help see the winning scheme implemented. For full submission requirements and competition details, download the competition brief.<br />
	<br />
	You can find more information here:<br />
	<br />
	<a href="http://aecom.com/Careers/Student+Connections/Urban+SOS+Frontiers" target="_blank">http://aecom.com/Careers/Student+Connections/Urban+SOS+Frontiers</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Land Art Generator Initiative 2012 NYC</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/land_art_generator_initiative_2012_nyc/" />
      <id>tag:bustler.net,2012:/1.10363</id>
      <published>2012-07-01T06:59:57Z</published>
      <updated>2011-09-09T00:52:58Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	<wbr><br />
	We are very pleased to announce that, in partnership with New York City&#39;s Department of Parks &amp; Recreation, the <span class="il">2012</span> <span class="il">Land</span> <span class="il">Art</span> <span class="il">Generator</span> <span class="il">Initiative</span> design competition will be held for a site within Freshkills Park (the former Fresh Kills landfill) in Staten Island.<br />
	<br />
	The design brief, to be released January <span class="il">2012</span>, will be similar to that of the 2010 edition. LAGI <span class="il">2012</span> is an ideas competition to design a site-specific public artwork that, in addition to its conceptual beauty, has the ability to harness energy cleanly from nature and convert it to electricity for the utility grid.<br />
	<br />
	The expansiveness of the design site at Freshkills Park presents the opportunity to power the equivalent of thousands of homes with the artwork. The stunning beauty of the reclaimed landscape and the dramatic backdrop of the Manhattan skyline will provide an opportune setting from which to be inspired, and it offers the perfect environment for a showcase example of the immense potential of aesthetically interesting renewable energy installations for sustainable urban planning.<br />
	<br />
	The monetary prize award ($20,000) will not guarantee a commission for construction; however, LAGI will work with stakeholders both locally (<span class="il">NYC</span>) and internationally to pursue possibilities for implementation of the most pragmatic and aesthetic LAGI designs.<br />
	<br />
	Jury members include:<br />
	-Bjarke Ingels, BIG-Bjarke Ingels Group<br />
	-Dr. Henry Kelly, Acting Assistant Secretary and Principal Deputy Assistant Secretary for the Office of Energy Efficiency and Renewable Energy at the U.S. Department of Energy<br />
	-Jean Gardner, Associate Professor of Social Ecological History, Parsons New School, School of Constructed Environments<br />
	-Public Design Commission of the City of New York<br />
	-Patricia Watts &amp; Amy Lipton, ecoartspace<br />
	-Melanie Cohn, Executive Director, Council on the Arts &amp; Humanities for Staten Island<br />
	-Staten Island Economic Development Corporation<br />
	<br />
	About Freshkills Park:<br />
	&quot;At 2,200 acres, Freshkills Park will be almost three times the size of Central Park and the largest park developed in New York City in over 100 years. The transformation of what was formerly the world&rsquo;s largest landfill into a productive and beautiful cultural destination will make the park a symbol of renewal and an expression of how our society can restore balance to its landscape.<br />
	<br />
	In addition to providing a wide range of recreational opportunities, including many uncommon in the city, the park&rsquo;s design, ecological restoration and cultural and educational programming will emphasize environmental sustainability and a renewed public concern for our human impact on the earth.&quot; - FRESHKILLS PARK<br />
	<br />
	About The <span class="il">Land</span> <span class="il">Art</span> <span class="il">Generator</span> <span class="il">Initiative</span><br />
	Founded in 2009, LAGI is a project of Society for Cultural Exchange, a 501(c)(3) organization committed to providing a forum for local and international communities to engage with the arts and the environment through interdisciplinary and cross-cultural collaborations (<a href="http://societyforculturalexchange.org/" target="_blank">http://<wbr>societyforculturalexchange.<wbr>org/</wbr></wbr></a><wbr><wbr><wbr><wbr>). LAGI is a multifaceted project that is focused on expanding public awareness of and support for renewable energy.</wbr></wbr></wbr></wbr></wbr></p>
<p>
	<wbr>
	<p>
		<wbr><wbr><wbr><wbr><wbr>
		<p>
			<a href="http://landartgenerator.org/" target="_blank">http://<wbr>landartgenerator.org</wbr></a></p>
		</wbr></wbr></wbr></wbr></wbr></p>
	</wbr></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Saint&#45;Gobain NOVA Innovation Competition 2012</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/saint-gobain_nova_innovation_competition_2012/" />
      <id>tag:bustler.net,2012:/1.10832</id>
      <published>2012-07-01T06:58:19Z</published>
      <updated>2011-12-20T23:03:20Z</updated>
      <author>
            <name>Alexander Walter</name>
            <email>alexander@bustler.net</email>
            <uri>http://www.bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	NOVA External Venturing - the Saint-Gobain team of analysts that identifies start-up companies that are a good strategic fit with Saint-Gobain businesses - will reward innovations in the fields of construction products, advanced materials, energy efficiency and environmental sustainability with cash prizes and consideration for partnership opportunities with Saint-Gobain.</p>
<p>
	<a href="http://www.saint-gobain.com/files/Communique-Nova-13-12-11-VA.pdf" target="_blank">Press release</a></p>
<p>
	Start-ups from all over the world can participate. Final selection will take place at the Saint-Gobain booth at Greenbuild in San Francisco on November 15, 2012, where the most promising 8-12 start-ups will take part in a &quot;speed-dating&quot; session. Three winners will be chosen.</p>
<p>
	<strong>The competition&#39;s winners will benefit as follows:</strong></p>
<ul>
	<li>
		The top three cash prizes are: $50,000 (first place), $25,000 (second place) and $10,000 (third place).</li>
	<li>
		The NOVA External Venturing team will work with the most promising start-ups to assess the possibility of partnerships with Saint-Gobain (joint development, license, financing, etc.).</li>
</ul>
<p>
	<strong>Time line :<br />
	</strong></p>
<ul>
	<li>
		Submission deadline (in English only): June 30, 2012</li>
	<li>
		Selection of finalists: early September 2012</li>
	<li>
		Speed-dating session for the finalists with Saint-Gobain representatives at the Greenbuild International Conference and Expo in San Francisco: November 15 2012</li>
</ul>
<p>
	<a href="http://fr.sitestat.com/saint-gobain/saint-gobain/s?en.group.innovations-and-research.generating-external-contacts.nova.2012-competition.NOVA-competition-rules-2012.pdf&amp;ns_type=pdf&amp;ns_url=http://www.saint-gobain.com/files/NOVA-competition-rules-2012.pdf" target="_blank">Download the competition rules<br />
	</a></p>
<p>
	<a href="http://fr.sitestat.com/saint-gobain/saint-gobain/s?en.group.innovations-and-research.generating-external-contacts.nova.2012-competition.NOVA-competition-registration-2012.pdf&amp;ns_type=pdf&amp;ns_url=http://www.saint-gobain.com/files/NOVA-competition-registration-2012.pdf" target="_blank">Download the registration form<br />
	</a></p>
<p>
	Submit your proposal: <a href="mailto:externalventuring@saint-gobain.com">externalventuring@saint-gobain.com</a></p>
<p>
	<a href="http://www.saint-gobain.com/en/group/innovations-and-research/generating-external-contacts/nova/2012-competition" target="_blank">More information</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>ONE Prize 2012: BLIGHT TO MIGHT</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/one_prize_2012/" />
      <id>tag:bustler.net,2012:/1.11512</id>
      <published>2012-07-01T06:55:25Z</published>
      <updated>2012-05-15T19:12:26Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	<img alt="image" height="819" src="http://www.bustler.net/images/uploads/ONE-Prize-2012-Poster.jpg" style="border: 0;" width="530" /></p>
<p>
	<strong>ONE Prize 2012: BLIGHT TO MIGHT</strong> is a call to put design in the service of disenfranchised communities, to reinvigorate deindustrialized and depressed urban areas, and to repurpose spaces for economic growth and job creation. &nbsp;Situated in the context of a struggling U.S. economy and the tension of stagnant unemployment, ONE Prize 2012 aims to explore the socially, economically, and ecologically regenerative possibilities of urban transformation and design. The competition is powered by the idea that social, ecological, and economic struggles can simultaneously be addressed through collaborative action and innovative planning.<br />
	<br />
	The ONE Prize seeks architects, landscape architects, urban designers, planners, engineers, scientists, artists, students and individuals of all backgrounds:</p>
<ul>
	<li>
		Can we rework the skeletons of 20th century manufacturing for 21st century innovation?</li>
	<li>
		Can former plants in Detroit become greenhouses, schools, theaters?</li>
	<li>
		Can mill towns be revamped as digital fabrication hubs?</li>
	<li>
		Can vacant parking lots become farms or parks?</li>
	<li>
		Can abandoned strip malls be reinvented?</li>
	<li>
		Can we reboot the American economy?</li>
</ul>
<p>
	<iframe width="529" height="269" src="http://www.youtube.com/embed/hwHw6DE47Q8" frameborder="0" allowfullscreen></iframe></p>
<p>
	The ONE Prize winner will receive a cash Award of $5,000, press coverage by One Prize media sponsors, presentation of designs at lectures and exhibitions, and prominent year-long exposure on the competition website.<br />
	THREE Honorable Mentions will receive a cash award of $500 each.</p>
<p>
	<strong>ONE Prize 2012 Jury: </strong></p>
<ul>
	<li>
		Carlo Aiello, Editor-in-Chief, eVolo Magazine;&nbsp;</li>
	<li>
		Julie Bargmann, Founding Principal, D.I.R.T. Landscape Architecture;</li>
	<li>
		David Belt, Founder and Executive Director, Macro Sea;&nbsp;</li>
	<li>
		Dan D&rsquo;Oca, Partner, Interboro Partners;&nbsp;</li>
	<li>
		Evan Douglis, Dean, RPI School of Architecture;&nbsp;</li>
	<li>
		Jason Goodman, Founder and Executive Director, 3rd Ward;</li>
	<li>
		Robert Hammond, Co-Founder, Friends of the High Line;&nbsp;</li>
	<li>
		Andrew Kimball, President and CEO, Brooklyn Navy Yard Developing Corporation;&nbsp;</li>
	<li>
		Leslie Koch, President, The Trust for Governors Island;&nbsp;</li>
	<li>
		Jonathan Marvel, Partner, Rogers Marvel Architects;&nbsp;</li>
	<li>
		William Moggridge, Director, Cooper-Hewitt National Design Museum;&nbsp;</li>
	<li>
		Mahadev Raman, Chairman, Americas Arup</li>
</ul>
<p>
	All participants are asked to register and submit competition entries online.<br />
	The early registration deadline is May 31, 2012.<br />
	The late registration AND submission deadline is June 30, 2012 by midnight EST.<br />
	<br />
	The ONE Prize Award is an international competition and it is open to everyone. The teams can have one or more members. The proposals can be for a real or speculative project, for one or more real sites, and located either in the U.S. or abroad, but applicable to the U.S. Further, the proposals need not be generated exclusively for this competition, provided that they address the intent of the competition.<br />
	<br />
	Visit <a href="http://www.oneprize.org" target="_blank">www.oneprize.org</a> to register, submit, and receive more information.<br />
	<br />
	Best,<br />
	The ONE Prize Team<br />
	<a href="mailto:info@oneprize.org">info@oneprize.org</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Faith &amp;amp; Form/IFRAA International Awards Program for Religious Art &amp;amp; Architecture</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/faith_form_ifraa_international_awards_program_for_religious_art_architectur/" />
      <id>tag:bustler.net,2012:/1.11477</id>
      <published>2012-07-01T06:53:55Z</published>
      <updated>2012-04-17T00:57:56Z</updated>
      <author>
            <name>Alexander Walter</name>
            <email>alexander@bustler.net</email>
            <uri>http://www.bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	The Annual Religious Art and Architecture Design Awards program is co-sponsored by <a href="http://www.faithnform.com/" target="_blank"><em>Faith &amp; Form</em></a> Magazine and the Interfaith Forum on Religion, Art and Architecture (IFRAA), a knowledge community of the American Institute of Architects. The awards program was founded in 1978 with the goal of honoring the best in architecture, liturgical design and art for religious spaces. The program offers five primary categories for awards: Religious Architecture, Liturgical/Interior Design, Sacred Landscape, Religious Arts, and Unbuilt Work.</p>
<p>
	<strong>Awards and Recognition&nbsp; </strong></p>
<p>
	Award recipients receive significant recognition including printed and framed citations, recognition at an IFRAA awards presentation, full-page coverage in Faith &amp; Form&#39;s Annual Awards Issue and project board exhibition at the AIA National Convention.</p>
<p>
	<strong>Award Categories&nbsp; </strong></p>
<p>
	Entries are welcomed and encouraged from architects, landscape architects, designers, artists, students, and consultants.</p>
<p>
	<strong>The 2012 Jury Panel&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </strong></p>
<ul>
	<li>
		Chair/Architect: Elizabeth Plater-Zyberk / Duany Plater-Zyberk &amp; Co. / Miami, FL&nbsp;&nbsp;&nbsp;&nbsp;</li>
	<li>
		Architect: Susan Jones / Atelier Jones / Seattle, WA&nbsp;&nbsp;&nbsp;&nbsp;</li>
	<li>
		Artist: Erling Hope / Hope Liturgical Works / Sag Harbor, NY&nbsp;&nbsp;&nbsp;&nbsp;</li>
	<li>
		Liturgical Designer: Rolf Rohn / Rohn &amp; Associates Design / Pittsburgh, PA&nbsp;&nbsp;&nbsp;&nbsp;</li>
	<li>
		Clergy: Rev. W. Joseph Mann / Duke Divinity School / Durham, NC</li>
</ul>
<p>
	CLOSING DATE IS JUNE 30 AT MIDNIGHT.</p>
<p>
	<a href="http://www.faithandformawards.com/" target="_blank">www.faithandformawards.com</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>[BUENOS AIRES] New Contemporary Art Museum</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/buenos_aires_new_contemporary_art_museum/" />
      <id>tag:bustler.net,2012:/1.11244</id>
      <published>2012-06-30T23:47:47Z</published>
      <updated>2012-03-05T22:23:48Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	A Contemporary Art Museum is a building or space for the exhibition of art, usually visual art. Paintings and scupltures are the most commonly displayed art objects; however, drawings, collages, prints, photographs and installation art including other artistic activities, such as performance art, land&#39;art, web art to name a few are also regularly shown.<br />
	<br />
	Contemporary art can broadly be defined as art produced at this point in time (now) or after World War II.<br />
	<br />
	Buenos Aires is the capital of Argentina and is located on the western shore of the estuary of the R&iacute;o de la Plata. It has a population of approximately 13 million (thirteen million), which makes it one of the biggest cities in South America - a cosmopolitan metropolis, known for its rich cultural life and is considered the capital of the tango.<br />
	<br />
	Being an important economic center, its architecture is a combination of different styles which gives it a unique architectural beauty.<br />
	<br />
	<strong>AIM OF THIS COMPETITION</strong><br />
	The aim of this International Competition is to design a New Contemporary Art Museum in the Heart of Buenos Aires. The architecture of this new building should reflect contemporary design tendencies.<br />
	<br />
	The proposal must not only attend to the specific function but the design should also take into consideration the urban insertion and its impact. This Competition hopes to achieve the following:<br />
	_Encourage and reward design excellence which integrates function and structure within the art world.<br />
	_Research, respond to and highlight the unique aspects of designing an original Contemporary Art Museum.<br />
	_To generate the discussion of ideas regarding the functionality of an art exibition space.<br />
	_Encourage the employment of sustainable design in all aspects of the proposal.<br />
	<br />
	<strong>COMPETITION STRUCTURE</strong><br />
	This is a single stage Competition with the aim of identifing the most appropriate proposal, which best satisfies the general and specific objectives of the contest.<br />
	<br />
	For more information, please visit <a href="http://www.ac-ca.org/" target="_blank">www.ac-ca.org</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>HOME</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/home/" />
      <id>tag:bustler.net,2012:/1.11406</id>
      <published>2012-06-30T19:00:15Z</published>
      <updated>2012-04-10T01:23:16Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	<img alt="" src="http://cdn.archinect.net/uploads/2q/2qti2ydhgnhbc2is.jpg" width="530" /></p>
<p>
	<strong>HOME International Design Competition:</strong></p>
<p>
	Building Trust international have just announced a new open design competition, which seeks to find well designed homes for the elderly or homeless within some of the World&rsquo;s richest countries. The growing rate in single occupancy households has led to increased numbers of young and elderly people affected by poverty being forced to live in substandard living conditions and in the worst cases sleeping rough. We are asking designers, engineers, architects and house builders to provide a solution to the housing crisis by offering sustainable, affordable small homes that give those that are alienated or marginalised within society a safe place to live. Building Trust international ask contestants to site their proposals in an urban area of a developed country, develop single occupant designs that are sensitive to the local context and keep to a budget of &pound;20,000 ($30,000). Building Trust international will work alongside local government and community groups to seek funding and planning for the winning design. The design competition has the support of Habitat for Humanity and the YMCA.</p>
<p>
	<strong>Announcement of Winners:</strong><br />
	To be posted on <a href="http://www.buildingtrustinternational.org/" target="_blank">www.buildingtrustinternational.org</a> - 15th August 2012</p>
<p>
	<strong>Prize:</strong><br />
	Professional Category<br />
	1st prize: We will pursue funding and planning for the winning design. There will also be 9 honourable mentions.</p>
<p>
	Student Category<br />
	1st prize: $500. There will also be 4 honourable mentions.</p>
<p>
	<strong>Brief:</strong><br />
	Download from:</p>
<p>
	<a href="http://www.buildingtrustinternational.org/competition.html" target="_blank">http://www.buildingtrustinternational.org/competition.html</a><br />
	<a href="http://www.buildingtrustinternational.org/HOMEbrief.pdf" target="_blank">http://www.buildingtrustinternational.org/HOMEbrief.pdf</a></p>
<p>
	Good Luck!!</p>
 
      ]]></content>
    </entry>

    <entry>
      <title>International Tropical Architecture Design Competition 2012 for Institutes of Higher Learning</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/international_tropical_architecture_design_competition_2012_fo/" />
      <id>tag:bustler.net,2012:/1.11619</id>
      <published>2012-06-30T06:59:42Z</published>
      <updated>2012-05-14T17:07:43Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	<strong>CALLING FOR ENTRIES!</strong><br />
	<br />
	Jointly organised by the Building and Construction Authority (BCA), Singapore Institute of Architects (SIA) and Singapore Green Building Council (SGBC), this design competition is into its second year after a successful inaugural in year 2011 which attracted close to 60 entries from the Asia Pacific and South Asia regions. &nbsp;This year, it will be held in conjunction with the International Green Building Conference from 10 to 12 October 2012.<br />
	<br />
	<strong>THEME:</strong><br />
	<br />
	This year&rsquo;s competition is themed as &lsquo;Building a Sustainable Community for a Greener Future&rsquo;.<br />
	<br />
	Designs should take into consideration how end-users can continue to develop behaviours or actions that will keep the buildings green in the tropical climate. Projects should also focus on climatic adaptive building skins suitable for the locality identified, integrating landscape into the building design, incorporating passive and active design strategies, renewable energy (if any) and other ecological design features. &nbsp;Entries can be of an entire building or a detailed study and it must include a degree of feasibility based on today&rsquo;s available resources.<br />
	<br />
	<strong>ELIGIBILITY:</strong><br />
	<br />
	It is open to students currently enrolled in Institutes of Higher Learning (IHL) in Asia Pacific, South Asia regions and beyond. Interested participants can submit as an individual or as a team of 5 (maximum). Refer to rules and regulations for more details.<br />
	<br />
	<strong>FEE:</strong><br />
	<br />
	Participation is free.<br />
	<br />
	<strong>REGISTRATION:</strong><br />
	<br />
	Step 1:<br />
	Email the completed the registration form, declaration form and scanned copy of each student&rsquo;s ID by 29th June 2012 to Ms. Claryce Ng at <a href="mailto:Claryce_Ng@bca.gov.sg">Claryce_Ng@bca.gov.sg</a><br />
	<br />
	Step 2:<br />
	Students to submit their entries by 16th July 2012 to the following address:-<br />
	<br />
	Attn: Mr Subramaniyam / Ms Claryce Ng<br />
	International Tropical Architecture Design Competition<br />
	BCA Academy, 200 Braddell Road, Singapore 579700<br />
	<br />
	<strong>SUBMISSIONS:</strong><br />
	<br />
	Students can submit their existing university projects to this competition if it meets the above theme and design criteria.<br />
	Entries must be received by 16th July 2012.<br />
	<br />
	Required documents:</p>
<ul>
	<li>
		A project brief (max. 5 pages)</li>
	<li>
		max. 2 x A1-sized Design boards</li>
	<li>
		CD with e-copies of the submission</li>
	<li>
		Optional: model</li>
</ul>
<p>
	For submission details, please refer to rules and regulations.<br />
	<br />
	<strong>REVIEW &amp; SELECTION:</strong><br />
	<br />
	All entries will be reviewed and the top 5 entries will be selected. One person from each of the top 5 entries will be invited to Singapore in October 2012 to present their projects to the Jury and receive their awards. For more details, please refer to rules and regulations.<br />
	<br />
	<strong>AWARDS:</strong><br />
	<br />
	The Top 5 winners will be rewarded with the following award categories:<br />
	<br />
	1st prize: $3,000 SGD<br />
	2nd prize: $2,000 SGD<br />
	3rd prize: $1,000 SGD<br />
	2 Merit prizes: $500 SGD (each)<br />
	<br />
	<strong>Details:</strong><br />
	<br />
	The registration form, competition flyer, declaration form and rules and regulations are available for download at;<br />
	<br />
	<a href="http://www.sgbc.sg/index.php/green/events/international_tropical_architecture_design_competition_2012_for_institutes_/" target="_blank">http://www.sgbc.sg/index.php/green/events/international_tropical_architecture_design_competition_2012_for_institutes_/</a></p>
<p>
	<strong>FOR MORE INFORMATION, PLEASE CONTACT:</strong><br />
	<br />
	Mr Subramaniyam<br />
	Tel: +65 6730 4506<br />
	Email: <a href="mailto:Subramaniyam_Jekanathan@bca.gov.sg">Subramaniyam_Jekanathan@bca.gov.sg</a><br />
	<br />
	Ms Claryce Ng<br />
	Tel: +65 6730 4505<br />
	Email: <a href="mailto:Claryce_Ng@bca.gov.sg">Claryce_Ng@bca.gov.sg</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Reimagining Tall: Considering Context, Sustainability &amp;amp; Efficiency</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/reimagining_tall_considering_context_sustainability_efficiency/" />
      <id>tag:bustler.net,2012:/1.11007</id>
      <published>2012-06-23T06:59:22Z</published>
      <updated>2012-02-03T18:51:23Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	The Council on Tall Buildings and Urban Habitat (CTBUH) is pleased to announce its 2nd Annual International Student Tall Building Design Competition to be held in conjunction with the CTBUH 9th World Congress Shanghai 2012.<br />
	<br />
	The goal of the competition is to shed new light on the meaning and value of tall buildings in modern society. As noted by the 2011 Competition Jury Chair, William Pedersen of Kohn Pedersen Fox, &ldquo;There has been a major transition in the sense of the value of the tall building and what it can contribute to the urban realm, and society in general. This transition moves the tall building away from just an instrument of financial exploitation and toward a development highly concerned with its impact on the city, the environment, and the urban habitat.&rdquo;<br />
	<br />
	<a href="http://competition.ctbuh.org/" target="_blank">http://competition.ctbuh.org</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>L.A. The Lebanon Architect: Open Submission</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/l.a._the_lebanon_architect_open_submission/" />
      <id>tag:bustler.net,2012:/1.11393</id>
      <published>2012-06-22T06:59:42Z</published>
      <updated>2012-04-02T18:37:43Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	<img alt="image" height="249" src="http://www.bustler.net/images/uploads/L-A.png" style="border: 0;" width="530" /></p>
<p>
	L.A. is an online journal of writing and building for Lebanon and the immediate region with the aim of creating a constructive discourse about the state and realities of its architecture and the related design disciplines. From theoretical/historical anxieties to technological development to pure building details L.A. is first and foremost grounded in the production of architecture.</p>
<p>
	L.A. accepts submissions of projects, essays and response essays to articles published on its site. &nbsp;All materials are subject to editorial review and an external mediation. &nbsp;All articles and projects shall relate to LA&rsquo;s mission statement. &nbsp;L.A. also welcomes essays and projects by natives practicing around the world.</p>
<p>
	<a href="http://www.lebanon-architect.com/" target="_blank">www.lebanon-architect.com</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>CONSTRUIRE LA PR&#201;VENTION DU PALUDISME: Building Malaria Prevention</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/construire_la_prvention_du_paludisme_building_malaria_prevention/" />
      <id>tag:bustler.net,2012:/1.11639</id>
      <published>2012-06-20T22:15:28Z</published>
      <updated>2012-05-16T20:57:29Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	<iframe allowfullscreen="" frameborder="0" height="269" src="http://www.youtube.com/embed/ojc3Ri3gn3g" width="529"></iframe></p>
<p>
	The goal of <strong>CONSTRUIRE LA PR&Eacute;VENTION DU PALUDISME: Building Malaria Prevention</strong>, <a href="http://www.archiveglobal.org" target="_blank">ARCHIVE</a>&#39;s Open Innovation Campaign, is to retrofit 24 housing units in the community of Minkoam&eacute;yos in Yaound&eacute;, Cameroon. The design of the housing units should combine the use of common sense principles and innovative ideas to minimize the transmission of malaria. Our campaign is unique in that we not only seek design excellence, but design that truly integrates architectural construction with community health improvements.</p>
<p>
	Please visit our website: <a href="http://www.archiveglobal.org/cameroon" target="_blank">http://www.archiveglobal.org/<wbr>cameroon</wbr></a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>PERU LONDON PAVILION</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/peru_london_pavilion/" />
      <id>tag:bustler.net,2012:/1.11381</id>
      <published>2012-06-19T06:59:39Z</published>
      <updated>2012-03-29T19:34:40Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	<strong>PERU LONDON PAVILION </strong><br />
	Peruvian Stand on World Travel Market, London<br />
	<br />
	<strong>OBJECTIVES:</strong></p>
<ol>
	<li>
		Propose a new, contemporary, attractive, functional and easy-to-remember image, ensuring that the Peru Pavilion will reflect Peru&rsquo;s attractions and encourage the general public to learn more about this country&rsquo;s many and varied tourist destinations.</li>
	<li>
		Increase visitor numbers in a decentralized and sustained manner, promoting the diversification of the country&rsquo;s tourist attractions.</li>
	<li>
		The objective of the competition is the design of the Peru Pavilion (for the World Travel Market &ndash; WTM). The proposals presented will be referential and able to accommodate adjustments before the WTM commences. These adjustments will be made jointly with PROMPERU and will be the result of an evaluation of the specific requirements of each travel market.<br />
		It should be understood that the design proposals chosen as winners will be used by PROMPERU not only in the WTM, but also in all the presentations mounted by Peru in tourism fairs in Europe, Latin America and Asia, beginning in November 2012 and continuing throughout 2013.</li>
	<li>
		The design of the pavilion should be based on a flexible and graphic architectural system, capable of being adapted to different needs.</li>
</ol>
<p>
	<strong>THE PROJECT:<br />
	PARAMETERS OF THE PROPOSAL:</strong></p>
<p>
	The area to be occupied by the pavilion measures 400 square meters, in the form of a rectangle located in the middle of the Fair, composed of 42 meters by 9.5 meters with four open sides that will accommodate a series of stands and communal areas for information, a gastronomic bar, an area for events, a meeting point, and rooms for gatherings and interviews, in accordance with the specifications given below. These stands must meet the minimum requirements and technical specifications detailed in this document, and it is essential that the following aspects be precisely defined: materials to be used, textures, qualities, functionality, furnishings, spatiality, color scheme, lighting design, distribution and utilization of institutional graphics.<br />
	<br />
	<strong>PRIZES:</strong><br />
	The prizes awarded will be:<br />
	<br />
	1st PRIZE: US$ 20,000 (TWENTY THOUSAND DOLLARS) for the development of the project, 2 plane tickets to London (from Peru or anywhere else in the world), as well as accommodation, meals and transfers during the 4 days of the WTM.</p>
<p>
	2nd PRIZE: Luxury travel package for 2 persons x 4 days in Peru (destination of choice).</p>
<p>
	3rd PRIZE: Luxury travel package for 1 person x 4 days in Peru (destination of choice).</p>
<p>
	and 9 honorable mentions.<br />
	<br />
	<strong>SCHEDULE</strong></p>
<ul>
	<li>
		START OF COMPETITION &nbsp; &nbsp;March 20th, 2012</li>
	<li>
		ANSWERING OF QUERIES Answers will be updated at the F.A.Q for the entirety of the Competition</li>
	<li>
		SPECIAL REGISTRATION &nbsp; &nbsp;From March 20th until April 16th 2012</li>
	<li>
		EARLY REGISTRATION From April 17th until May 14th, 2012</li>
	<li>
		LATE REGISTRATION &nbsp; &nbsp;From May 15th to June 18th, 2012</li>
	<li>
		REGISTRATION DEADLINE &nbsp; &nbsp;June 18th, 2012</li>
	<li>
		SUBMISSION DEADLINE &nbsp; &nbsp;until June 25th, 2012</li>
	<li>
		JURY EVALUATION &nbsp; &nbsp;From June 26th until July 16th 2012</li>
	<li>
		ANNOUNCEMENT OF THE WINNING PROPOSAL &nbsp; &nbsp;July 17th 2012</li>
</ul>
<p>
	<strong>EVALUATION</strong><br />
	For ARQUITECTUM:<br />
	Karin Chaman Arch. : <a href="http://www.karimchaman.com/" target="_blank">www.karimchaman.com</a><br />
	Jordi Puig Arch.: <a href="http://www.jordipuig.com.pe/" target="_blank">www.jordipuig.com.pe</a><br />
	Enrique Bonilla Arch. : Dean, University of Lima&acute;s School of Architecture<br />
	<br />
	For PROMPERU:<br />
	Maria del Carmen de Reparaz: Director of Tourism Promotion PROMPERU<br />
	Andrea Martinez: Subdirector of Receptive Tourism PROMPERU<br />
	<br />
	Further Information <a href="http://www.arquitectum.com/" target="_blank">www.arquitectum.com</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>International Contemporary Artists Exhibition &#45; Paris 2012</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/international_contemporary_artists_exhibition_-_paris_2012/" />
      <id>tag:bustler.net,2012:/1.10701</id>
      <published>2012-06-16T06:59:17Z</published>
      <updated>2011-11-19T01:22:18Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	<a href="http://www.ewnsartproject.eu/" target="_blank">EWNS Art Project</a> is organizing a group art exhibition and is looking for talented artists who want to expose their work in Paris.</p>
<p>
	Exhibit Dates: October 1st - 31st, 2012</p>
<p>
	Location: Gallery / Art Space - Paris + Online @EWNS Gallery</p>
<p>
	Title: &quot;International ContemporaryArtists Exhibition&quot;</p>
<p>
	Theme: Artist&#39;s choice/No Theme</p>
<p>
	Deadline for Submission: June 15th, 2012. (No exceptions).</p>
<p>
	Eligibility:</p>
<ul>
	<li>
		Open to all artists from around the world, 18 yrs of age and older.</li>
	<li>
		Eligible media : Paintings, photography, sculpture, textiles, ceramics, glass, etc. Media not accepted : Giclee prints, video/film and live performance pieces.</li>
	<li>
		All work must be original.</li>
	<li>
		Coherent set of artworks, executed in a contemporary way.</li>
	<li>
		Artists must submit a minimum of 3 images per medium that best represents their work and pay a non-refundable entry fee of 30 euros minimum (via PayPal)</li>
	<li>
		Each artist can participate in multiple categories, with a maximum of 10 pieces/category (to be submitted separately).</li>
	<li>
		The work must be recent, preferably made in last two years prior to the starting date of this exhibition.</li>
	<li>
		All artworks must be for sale.</li>
	<li>
		Maximum size limitations 40&quot; in or 100cm in any direction, Maximum weight limitations 150lbs / 68 kg.</li>
	<li>
		EWNS will not accept items for hanging using saw-tooth hooks or inadequate wiring. All framed works must be properly wired for display.</li>
	<li>
		Publishers, galleries, agents, and collectors may not submit artwork on behalf of artists.</li>
	<li>
		Entries must be submitted via email.</li>
</ul>
<p>
	Submit online at website : <a href="http://www.ewnsartproject.eu" target="_blank">www.ewnsartproject.eu</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>SCARCE TIMES: ALTERNATIVE FUTURES</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/scarce_times_alternative_futures/" />
      <id>tag:bustler.net,2012:/1.11637</id>
      <published>2012-06-14T22:42:19Z</published>
      <updated>2012-05-16T19:05:20Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	<a href="http://www.architecturefoundation.org.uk" target="_blank">The Architecture Foundation</a> and <a href="http://www.scibe.eu" target="_blank">Scarcity and Creativity in the Built Environment (SCIBE)</a> - a trans-European research project led by Jeremy Till with teams in London, Oslo/Reykjavik and Vienna - are looking for innovative strategies to address conditions of scarcity in London. Based on the understanding that architects and designers hold the capacity to intervene in existing social, cultural, political, economic and environmental systems in ways that may exceed the production of objects alone, teams are invited to develop a future vision for Bromley-by-Bow, the area where SCIBE London primarily works, by proposing the devices and approaches that would be needed to achieve this vision, starting now.</p>
<p>
	The process is open to anyone, and we welcome proposals from beyond the fields of architecture and design, in particular those engaged with creative approaches to socio-economic scenarios. The AF and SCIBE will be holding two events in July 2012, from which collaborating teams will emerge. During stage one participants will be issued with the briefing document and will prepare first responses to the issues raised. Prospective participants should register their interest by completing the <a href="http://goo.gl/t6if1" target="_blank">registration form</a> and returning it before the registration deadline on 14 June 2012. Further information regarding all remaining registration formalities will then follow.</p>
<p>
	For more information and to download the <a href="http://goo.gl/BcQM4" target="_blank">full competition brief</a> please visit our project page: <a href="http://www.scibe.eu/category/staf" target="_blank">http://www.scibe.eu/category/staf</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>New York CityVision Competition</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/new_york_cityvision_competition/" />
      <id>tag:bustler.net,2012:/1.11178</id>
      <published>2012-06-12T06:55:13Z</published>
      <updated>2012-02-28T01:15:14Z</updated>
      <author>
            <name>Alexander Walter</name>
            <email>alexander@bustler.net</email>
            <uri>http://www.bustler.net</uri>      </author>

      <category term="FEATURED"
        scheme="http://www.bustler.net/index.php/description/C/"
        label="FEATURED" />
      <content type="html"><![CDATA[
         <p>
	CityVision Architecture Competition is an annual competition held by the homonymous journal of architecture CityVision Magazine that invites architects, designers, students, artists and creatives to develop urban and visionary proposals with the aim of stimulating new ideas for the contemporary city.<br />
	All through innovative ideas and methodologies that can improve the connection between the historical, contemporary and future city vocation, thus promoting a positive evolution of the critical architectural historiography.</p>
<p>
	Globalization, environmental concerns, new economic and cultural politics, adaptability to the existing context combined with the use of vibrant ideas, original technologies and new softwares for representation are some of the key elements that should be taken into account to formulate the most original project proposal.</p>
<p>
	New York CityVision is the fourth international ideas competition launched by CityVision. The competition wants you to imagine New York in its future if the manipulation of the urban context and its architectural objects, joined with its inhabitants, will be influenced by SPACE and TIME.</p>
<p>
	The New York ideas will be judged by an international jury which will have as president Joshua Prince-Ramus, founder of the office REX and again Eva Franch i Gilabert, Roland Snooks, Shohei Shigematsu, Alessandro Orsini and Mitchell Joachim, all of whom are distingueshed by the large experimentation willingness in their work. Inside this issue you will have the opportunity to virtually meet some of them, their ideas and their philosophies and to have a look to their work&rsquo;s images.</p>
<p>
	Now, we officially launch New York CityVision Competition!</p>
<p>
	Let&rsquo;s start with the proposals, we expect only to be surprised by your creativity!</p>
<p>
	<a href="http://www.cityvision-competition.com/newyork" target="_blank">www.cityvision-competition.com/newyork</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Slant Awards Spring 2012</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/slant_awards_spring_2012/" />
      <id>tag:bustler.net,2012:/1.11264</id>
      <published>2012-06-11T19:00:26Z</published>
      <updated>2012-03-09T19:43:27Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	Announcing the SLANT AWARDS SPRING 2012 Competition and this competition is open to all, with the challenge being to design a concept plan for a city sector which is undergoing urban renewal.<br />
	<br />
	As in our previous competitions we want participants to have as free a hand as possible when designing this project; therefore we are keeping the brief and the entry requirements to a minimum.<br />
	<br />
	The city in question is not a real city, it has been designed solely for this competition, and its location is not being specified.<br />
	<br />
	It is a generic city that could be almost anywhere in the world and participants are free to choose the country in which you would like this imaginary city to be located.<br />
	<br />
	This is a worldwide competition open to all those who have an interest in landscape design and urban planning, and students are especially encouraged to enter.<br />
	<br />
	Prize 1 &nbsp; &nbsp; &nbsp;Euro 1,000<br />
	Prize 2 &nbsp; &nbsp; &nbsp;Euro &nbsp; &nbsp;600<br />
	Prize 3 &nbsp; &nbsp; &nbsp;Euro &nbsp; &nbsp;400<br />
	<br />
	Jury:</p>
<ul>
	<li>
		<a href="http://www.stevemartino.net" target="_blank">Steve Martino FASLA </a>(USA)&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;</li>
	<li>
		<a href="http://www.teresamoller.cl" target="_blank">Teresa Moller</a> (Chile) &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;</li>
	<li>
		<a href="http://www.burgi.ch" target="_blank">Prof Paolo l B&uuml;rgi</a> (Switzerland) &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;</li>
</ul>
<p>
	Closing date for submissions 11 June 2012<br />
	<br />
	Contact:<br />
	Emily V Black,<br />
	Competition Administrator,<br />
	<a href="mailto:mail@slant.eu">mail@slant.eu</a><br />
	<a href="http://www.slant.eu/" target="_blank">www.slant.eu</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>ParticiPlace &#45; International Design Competition Call for Entries</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/participlace_-_international_design_competition_call_for_entries/" />
      <id>tag:bustler.net,2012:/1.11427</id>
      <published>2012-06-11T03:58:57Z</published>
      <updated>2012-04-05T18:28:58Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	ParticiPlace, an international design competition, was just launched.<br />
	<br />
	In 2012, ParticiPlace&rsquo;s challengers will design an off-grid living-culture center for the Pinoleville Pomo Nation (PPN), a Native American nation in Northern California. The emphasis will be on a zero-energy building which is sensitive to the local culture and place.<br />
	<br />
	<strong>Prizes:</strong><br />
	First Prize: $3,000<br />
	Second Prize: $2,000<br />
	Third Prize: $1,000<br />
	In addition:<br />
	Sustainable Engineering Innovation Prize: $3,000<br />
	Social and Cultural Integrity Prize: $2,000<br />
	<br />
	For more details check our website <a href="http://2012.participlace.org/" target="_blank">http://2012.participlace.org/</a><br />
	or email: participlace at berkeley dot edu</p>
 
      ]]></content>
    </entry>

    <entry>
      <title>New Economy Class Layout Design Competition</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/new_economy_class_layout_design_competition/" />
      <id>tag:bustler.net,2012:/1.11364</id>
      <published>2012-06-10T19:12:11Z</published>
      <updated>2012-03-27T17:54:12Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	<img src="http://www.bustler.net/images/uploads/new_economy_class_layout_design_competition.jpg" style="border: 0;" alt="image" width="530" height="298" /></p>
<p>
	If we are to tackle this problem head-on and create a more intelligent, more creative way of organizing the increasingly expensive seats on a commercial airplane, we can take one step closer to a compromise that will let airlines keep their profit margins while customers can comfortably kick back, relax, and enjoy their ride through the sky.</p>
<p>
	<strong>The Goal</strong></p>
<p>
	We believe the on-flight experience could be greatly improved by applying a smarter layout for seats in the coach and economy class sections of commercial aircrafts.</p>
<p>
	The seat layout that most airplanes use today is the same design that was brought into style when airplanes were first becoming popular. That is a big problem. When airplanes were first becoming popular the engineers and designers focused solely on the logistics of getting a certain amount of bodies from point A to point B without having to seriously consider a customer&#39;s comfort on the journey.</p>
<p>
	The goal of this competition is to propose a new seat layout for the coach and economy class sections of commercial airplanes that will make the flying experience more pleasant and comfortable. The new layout should be able to accommodate at least 95% of the actual proposal (and why not even more!).</p>
<p>
	<a href="http://rivalation.com/competitions.php?comp=178" target="_blank">http://rivalation.com/competitions.php?comp=178</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>SUPERFRONT Design Charrette on Governors Island | PUBLIC SUMMER: LIBRARY OF IMMEDIACY</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/superfront_design_charrette_on_governors_island_public_summe/" />
      <id>tag:bustler.net,2012:/1.11580</id>
      <published>2012-06-09T06:59:58Z</published>
      <updated>2012-05-09T00:22:59Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	<strong>SIGN UP NOW!</strong><br />
	Sunday, June 10th, 2012 | 11am-1pm<br />
	Governors Island<br />
	$5 entry fee per person required (see below)<br />
	Registration Closes: June 8, 2012<br />
	<br />
	<strong>Jury includes:</strong> Vito Acconci (Acconci Studio), David Benjamin (The Living), Scott Hughes (Robert Silman Associates), Cassim Shepard (Urban Omnibus), Mabel Wilson (Columbia GSAPP) and more.<br />
	<br />
	<a href="http://newyork.superfront.org/" target="_blank">SUPERFRONT</a> is happy to announce that on Sunday, June 10th, 2012 SUPERFRONT will host a 2-hour design charrette for PUBLIC SUMMER: LIBRARY OF IMMEDIACY on Governors Island, in partnership with FIGMENT. SUPERFRONT&rsquo;s PUBLIC SUMMER program offers young designers the opportunity to produce a temporary installation for public programming. PUBLIC SUMMER: LIBRARY OF IMMEDIACY will be open to the public on weekends from July 21st through September 23, 2012.<br />
	<br />
	Unlike most competitions, the juried competition for the design of PUBLIC SUMMER: LIBRARY OF IMMEDIACY does not privilege designers who are able to dedicate more time or more resources to their competition entry. Designers only have the 2 hours on site at the charrette to draft their proposal. The goal is to hone in on concept and strategy, and to level the playing field for designers with minimal time to devote to unpaid competitive endeavors or with less sophisticated software or rendering tools.<br />
	<br />
	On the day of the competition, participants will be handed a detailed brief for the LIBRARY OF IMMEDIACY, a semi-outdoor space to support a curated set of public activities on Governors Island. The selected team will have the opportunity to construct their design on Governors Island, in collaboration with SUPERFRONT and FIGMENT. Construction will be supported through donated materials from Materials For The Arts, other partners, and novice construction volunteers. Winners will be given an honorarium of $500 and a budget of $1500 for materials and construction. The temporary outdoor installation will open on July 21st and will run until September 23rd.<br />
	<br />
	The charrette is aimed at (though not limited to) young designers five years or less out of school or under age 35. You may participate as an individual or as a team of up to four people. Please note that on Saturday, June 9, 2012 there will be a Public Summer site visit on Governors Island from 10am-2pm. SUPERFRONT staff will be there to answer any questions. All directions and detailed information will be emailed to registrants prior to June 9th.<br />
	<br />
	To Register, <a href="http://newyork.superfront.org/2012/04/call-for-entries-design-charrette-for-public-summer-on-governors-island/" target="_blank">click here</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Call for Abstracts &#45; Diagrams &#45; Urban Infill : Vol 5</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/call_for_abstracts_-_diagrams_-_urban_infill_vol_5/" />
      <id>tag:bustler.net,2012:/1.11630</id>
      <published>2012-06-09T06:18:10Z</published>
      <updated>2012-05-15T20:57:11Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	<strong>Call for Abstracts : Diagramming in urban design process</strong><br />
	<br />
	Kent State University&rsquo;s Cleveland Urban Design Collaborative (CUDC) invites writers, designers, artists and thinkers to submit abstracts for Volume 5 of our annual publication, Urban Infill. Urban Infill examines themes in contemporary urban design, architecture, and planning. Past volumes have addressed shrinking cities, temporary urbanism, urban hydrology, and storytelling in an urban context. These can be previewed here:(<a href="http://www.cudc.kent.edu/publications/urban_infill/index.html" target="_blank">http://www.cudc.kent.edu/publications/urban_infill/index.html</a>)<br />
	<br />
	Volume 5 is focused on diagrams. We invite examples and perspectives on diagramming and its place in urban design practice and processes. We are particularly interested in the intents and agendas behind various forms of diagramming within the following framework. Submissions may correspond to any of these six (6) themes:<br />
	<br />
	<strong>DEFINING THE DIAGRAM</strong><br />
	(historical / theoretical evolution of diagramming, diagramming in design thinking and processes, conventional and unconventional approaches to diagramming in / for urban design)<br />
	<br />
	<strong>MEANING | FUNCTION</strong><br />
	(diagrams as a way to represent meaning; to clarify / communicate with accuracy and specificity)<br />
	<br />
	<strong>TRANSLATION | INTERPRETATION</strong><br />
	(diagrams used to reveal, explore, analyze and represent information and ideas)<br />
	<br />
	<strong>VAGUENESS | SUGGESTION</strong><br />
	(diagrams used to hint, suggest, obfuscate, subvert, conceal or lie)<br />
	<br />
	<strong>COMPOSITION | NARRATIVE</strong><br />
	(diagrams that simulate and present composite perspectives, juxtapositions of ideas and objects, and communicate processes and narratives)<br />
	<br />
	<strong>EXCHANGE | ENGAGEMENT</strong><br />
	(diagram as process and tool for engagement)<br />
	<br />
	<strong>Submission Requirements:</strong><br />
	Abstract / Description (text) : 500 words or less<br />
	Images: no more than 5 thumbnails - total file size under 5MBs.<br />
	Please send abstracts and/or images via email to <a href="mailto:cudc@kent.edu">cudc@kent.edu</a> no later than Friday, June 8th 2012. We welcome new, in-progress or pre-published, original work.<br />
	<br />
	<strong>Relevant Dates:</strong><br />
	Abstracts due: &nbsp; &nbsp;Friday, June 8th 2012<br />
	Notification to selected contributors: &nbsp; &nbsp;Monday, June 18th 2012<br />
	Final entries due: &nbsp; &nbsp; Friday, July 27th 2012<br />
	Expected publication: &nbsp; &nbsp; September 2012</p>

	<p>
		<a href="http://www.cudc.kent.edu/" target="_blank">http://www.cudc.kent.edu/</a><br />
		<a href="http://www.cudc.kent.edu/blog/" target="_blank">http://www.cudc.kent.edu/blog/</a></p>
	
 
      ]]></content>
    </entry>

    <entry>
      <title>PARK(ING) DAY INSTALLATIONS in Port Credit, Mississauga</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/parking_day_installations_in_port_credit_mississauga/" />
      <id>tag:bustler.net,2012:/1.11494</id>
      <published>2012-06-04T19:00:51Z</published>
      <updated>2012-04-20T18:11:52Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	<strong>PARK(ING) DAY INSTALLATIONS in Port Credit, Mississauga</strong><br />
	<br />
	COMPETITION OPEN TO: ARTISTS, ART GROUPS, DESIGNERS, ARCHITECTS, LANDSCAPE ARCHITECTS AND ENGINEERS<br />
	<br />
	The Port Credit BIA and the City of Mississauga is seeking artists, art groups, architects, designers and/or engineers to submit proposals to temporarily transform an on-street parking space in Port Credit into a public space this fall as part of the international event Parking Day (Sept 21) and Culture Days 2012 (Sept 28-30).<br />
	<br />
	Up to four Parking Day Installation proposals will be selected with a $500 prize for each winning proposal and a budget of $7,500 for each winning team to design and construct the structure. We are looking for imaginative ideas to create a vibrant streetscape. The installations are intended to be both public art and street furniture and shall aesthetically enhance the overall streetscape, providing space for people in a place usually reserved to park a car.<br />
	<br />
	JURY<br />
	A maximum of four winning entries will be selected by the following jury:</p>
<ul>
	<li>
		Marion Klinnert, Port Credit BIA Board &amp; Beautification Committee Chair</li>
	<li>
		Marion Morewood, Port Credit BIA Chair &amp; Parking Committee Chair</li>
	<li>
		Helena Grdadolnik, Public Art Coordinator, Culture Division, City of Mississauga</li>
	<li>
		Steve Barrett, Manager, Transportation Asset Management, City of Mississauga</li>
	<li>
		David Anselmi, Senior VP, Development and Sustainability for Parc Downsview Park Inc &amp; Mississauga Urban Design Panel member</li>
	<li>
		Stuart Keeler, Artist &amp; Curator, Art Gallery Mississauga</li>
	<li>
		Joseph Rumi, Director, Rumi Galleries</li>
</ul>
<p>
	LINKS<br />
	<a href="http://www.mississauga.ca/publicart" target="_blank">www.mississauga.ca/publicart</a><br />
	<a href="http://www.portcredit.com/" target="_blank">www.portcredit.com</a><br />
	<a href="http://www.parkingday.org/" target="_blank">www.parkingday.org</a><br />
	<br />
	Original PARK(ing) Day concept by Rebar. <a href="http://www.rebargroup.org/" target="_blank">www.rebargroup.org</a><br />
	<br />
	For the full competition details visit:<br />
	<a href="http://www.mississauga.ca/file/COM/parking_day.pdf" target="_blank">http://www.mississauga.ca/file/COM/parking_day.pdf</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>INSTANTHOUSE &#45; TEMPORARY HOUSING</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/instanthouse_-_temporary_housing/" />
      <id>tag:bustler.net,2012:/1.11355</id>
      <published>2012-06-04T19:00:19Z</published>
      <updated>2012-03-26T22:03:20Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	<strong>Architectural Competition: &ldquo;InstantHouse &ndash; Temporary Housing&rdquo;</strong><br />
	<br />
	InstantHouse Temporary Housing launches the 4th edition of an ideas competition created by FederLegno Arredo, the Politecnico di Milano and MADEexpo.</p>
<p>
	Designers are invited to envision environmental, social and economic opportunities in temporary housing, which specifically address the scientific community within Politecnico di Milano&rsquo;s Sustainable Campus project.</p>
<p>
	The competition explores potential innovative solutions derived from using new technologies in sustainable design, and which respond to the evolving typologies of city users and inhabitants. InstantHouse aims to combine temporality and mobility with both social interaction and ecological values, resulting in powerful new possibilities for temporary housing.</p>
<p>
	The competition welcomes applications from all students and young professionals in the field of architecture, engineering, industrial design, and urban planning worldwide.</p>
<p>
	Entries will be judged by a panel of judges from Region of Lombardy, Politecnico di Milano, Federlegno Arredo, MADEexpo, Triennale di Milano and Expo 2015.</p>
<p>
	InstantHouse winning projects will be featured as part of an exhibition hosted by the MADEexpo Milan fair 2012, an event which attracts over 250,000 visitors.</p>
<p>
	Please visit our website <a href="http://www.instanthouse.it/" target="_blank">http://www.instanthouse.it</a> for additional information.</p>
<p>
	<strong>COMPETITION SCHEDULE:</strong></p>
<ul>
	<li>
		March 5th 2012: competition launch</li>
	<li>
		May 15th 2012: deadline for submitting questions</li>
	<li>
		June 4th 2012: &nbsp;application form submission deadline&nbsp; &nbsp;<br />
		All forms should be emailed to <a href="mailto:instanthouse@federlegnoarredo.it">instanthouse@federlegnoarredo.it</a></li>
	<li>
		July 2nd 2012: &nbsp;final project submission deadline<br />
		All proposals should be mailed to:<br />
		Federlegno Arredo S.r.l.<br />
		Foro Buonaparte 65 - 20121 Milan<br />
		And addressed to the attention of: Concorso INSTANTHOUSE</li>
	<li>
		July 16th 2012: jury deliberation</li>
	<li>
		July 23 th2012: notification of the results</li>
	<li>
		October 17th &ndash; 20th 2012: award ceremony and exhibition of the winning projects at MADEexpo Milan Fair 2012</li>
</ul>

	<p>
		<strong>AWARDS:</strong></p>
	<ul>
		<li>
			First &nbsp;Prize: 1500 &euro;</li>
		<li>
			Second Prize: 1000 &euro;</li>
		<li>
			Third Prize: 750 &euro;</li>
	</ul>
	<p>
		The Jury reserves the right to award honorable mentions to any projects determined to be particularly merit-worthy entries.</p>
	<p>
		<strong>WEBSITES:</strong> (for information and application details)</p>
	<ul>
		<li>
			<a href="http://www.instanthouse.it/" target="_blank">www.instanthouse.it</a></li>
		<li>
			<a href="http://www.federlegnoarredo.it/" target="_blank">www.federlegnoarredo.it</a></li>
	</ul>
	<p>
		<strong>CONTACT:</strong></p>
	<ul>
		<li>
			<a href="mailto:instanthouse@federlegno.it">instanthouse@federlegno.it</a></li>
	</ul>
 
      ]]></content>
    </entry>

    <entry>
      <title>EXHIBITION01. A competition for the design of an architecture exhibition</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/exhibition01._a_competition_for_the_design_of_an_architecture/" />
      <id>tag:bustler.net,2012:/1.11474</id>
      <published>2012-06-04T06:59:24Z</published>
      <updated>2012-04-17T01:01:25Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	EXHIBITION.01 A competition for the design of an architecture exhibition is an open, anonymous one-stage design challenge for the creation of an architecture exhibition in the gallery space. The participants must propose a design for an exhibition of architecture. The winners will receive a budget to create their proposal in the gallery later in the year.<br />
	<br />
	The competition is open to any participant, regardless of field of expertise, experience, gender, nationality, etc. Participation by groups is allowed.<br />
	<br />
	The jury is comprised of architects and designers who have previously exhibited at the gallery, and includes Lars Spuybroek, Manuelleg Gautrand, Tagit Klimor, Yosi Cory, Dafna Greenstein, Gad Halperin and Noga Lasser.<br />
	<br />
	The Call For Participation can be downloaded in PDF format at <a href="http://bit.ly/Idfnvq" target="_blank">http://bit.ly/Idfnvq</a>, or read on our website at <a href="http://bit.ly/IJ63mB" target="_blank">http://bit.ly/IJ63mB</a>.<br />
	<br />
	For any question regarding the call for participation or the competition, please contact the gallery by email or telephone.<br />
	<br />
	ZEZEZEZ ARCHITECTURE GALLERY<br />
	Hangar 21 Tel Aviv Port<br />
	<a href="http://www.zearchitecture.com/" target="_blank">www.zearchitecture.com</a><br />
	<a href="mailto:info@zearchitecture.com">info@zearchitecture.com</a><br />
	+972.3.5444261</p>
 
      ]]></content>
    </entry>

    <entry>
      <title>APPLIED: Research through Fabrication</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/applied_research_through_fabrication/" />
      <id>tag:bustler.net,2012:/1.10619</id>
      <published>2012-06-03T06:58:59Z</published>
      <updated>2012-04-26T00:23:00Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <category term="FEATURED"
        scheme="http://www.bustler.net/index.php/description/C/"
        label="FEATURED" />
      <content type="html"><![CDATA[
         <p>
	<strong>OVERVIEW</strong></p>
<p>
	Within the field of architecture, exploration involving parametric modeling and digital fabrication &ndash; what we will call computational fabrication &ndash; is both wide and varied. There is no standard of how the technology is developed or no singular focus on how it will impact the design process or the construction of buildings. And yet there is growing evidence the application is quickly evolving in a variety of unique directions. From novel geometries and innovative structures to improved material and environmental performance it is clear there is a focused agenda towards a more rigorous implementation of the digital toolset.<br />
	<br />
	The impetus for this development is coming simultaneously from three positions that collectively provide a critical nexus in the field of computational fabrication: First, the professional demands for buildings to have greater performance capacity, stylistic coherence, and economic efficiency; second the academic realm where experimentation, research, and theory, continue to push technological exploration forward; and third, industry where innovative development is both an economic imperative and a generative vehicle for technical application and testing. From each of these positions, applied research is gaining traction as a critical and vital part of connecting the design process into a deeper knowledge base of information that is raising the intelligence and thus efficacy of architectural design. Whether following traditional models of research or pioneering new forms of hybridized working models between these three categories, those working within this field are now able to activate a broader and more fully coordinated spectrum of information about the design decision making process.<br />
	<br />
	We seek research proposals that actively connect academia, the profession and the fabrication industry. As a center of gravity the proposals must illustrate work of designers who are forming an integrated relationship between disciplines in the area they practice and build. As this is a &ldquo;design to fabricate&rdquo; competition, TEX-FAB will match our network of fabricators and consultants with the projects that best manifest research through computational fabrication and apply it toward more intelligent integers of materiality and construction. Through a panel of experts we propose to identify projects that warrant a higher degree of realization and exhibit them to foster a discussion that engages an audience in our region and beyond. From this selection a final project will be selected and optimized with a team of experts for the purpose of full-scale production.<br />
	<br />
	APPLIED is a two-stage international design competition established to foster the deeper developments within the field of computational fabrication. We are soliciting design proposals that further existing research, by enabling prototyping at a larger scale or full scale, and proposals to jumpstart new research and design concepts<br />
	<br />
	<strong>CRITERIA</strong></p>
<p>
	You are encouraged to submit your design proposal in either of two categories: Continuing Research or Speculative Proposals.<br />
	<br />
	Continuing Research is a category that seeks to enable a more specific and regimented design research project already underway. Encompassing all works that are at a significant stage within their development that warrant a substantial shift in the scale and or material usage to further the research. This includes any and all previously funded work at any stage of development.<br />
	<br />
	Speculative Proposals is a broad based category with the intent to kickstart a design research project. It is an open category and freely interpretable. New ideas, or concepts are welcome and present the entrant an opportunity to further develop their &lsquo;flash of genius&rsquo;. Furniture, structures, products or any other project qualifies for this category with or without a specific site. No previously funded research work may be submitted.<br />
	<br />
	<strong>WINNERS + MENTIONS</strong></p>
<p>
	APPLIED is a two-stage competition. In the first stage a total of 4 selections that will be awarded a 1000 USD stipend to further develop their project in a scale model (2 selections from the Continuing Research category and 2 from Speculative Proposals category). For the second stage, the models with revised boards will be juried in Dallas, Texas August 2012 (a shipping fee stipend of 250 USD will be provided) with the announcement of a winner made public in August 20.<br />
	<br />
	The final winning entry will be built, exhibited in Dallas/ Ft. Worth, Texas for the 4th annual TEX-FAB event and subsequently given to the Winner. The design and fabrication of the piece will be commissioned by TEX-FAB with the support of our competition sponsors. No additional design fee will be paid, however a 1,500 USD stipend will be awarded for travel to Dallas/ Ft. Worth to partake in the installation of their work, present the design on the day of the opening. Approximate value of winning proposal in materials, fabrication and labor is set at 10,000 USD.<br />
	<br />
	Honorable mentions will be awarded at the discretion of the Jury. All mentions will be exhibited at the APPLIED exhibition in San Antonio, Texas in April 2012 and the following year in Arlington, Texas February 2013.<br />
	<br />
	<strong>REGISTRATION FEE </strong></p>
<p>
	Continuing Research 100 USD per design proposal Speculative Proposal 100 USD per design proposal</p>
<p>
	<strong>REGISTER</strong> - <a href="http://tex-fab.net/category/compete-applied/" target="_blank">http://tex-fab.net/category/compete-applied/</a></p>
<p>
	--</p>
<p>
	<strong>UPDATE:</strong> The deadline has been extended to June 2nd, 2012.</p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Sukkahville 2012</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/sukkahville_2012/" />
      <id>tag:bustler.net,2012:/1.11463</id>
      <published>2012-06-02T06:59:02Z</published>
      <updated>2012-04-13T18:03:03Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	<strong>Sukkahville 2012 Design Competition</strong></p>
<p>
	<strong>Reimagining the Sukkah</strong><br />
	<br />
	Kehilla Residential Programme invites architects, students, artists, builders and allied design professionals to submit design proposals for the second annual Sukkahville Design Competition. The aim of this open competition is to design a temporary, free-standing Sukkah to be built in Mel Lastman Square in Toronto on the eve of the holiday of Sukkot. We encourage you to re-imagine the traditional notion of Sukkah, with a contemporary design language and approach.<br />
	<br />
	<strong>Challenge</strong><br />
	<br />
	A Sukkah is a temporary structure constructed for use annually during the week-long Jewish festival of Sukkot. It is described in Leviticus as a symbolic wilderness shelter, symbolizing the frailty and transience of life. While building a Sukkah is a particular Jewish ritual observance, it represents many conceptual themes surrounding the essential nature of dwelling, which are universal in nature. Proposing an innovative Sukkah design which delicately balances the inherent dichotomies of new / old, open / closed, temporary /permanent is the challenge inherent in this competition. The temporary structure must adhere to the following traditional constraints:</p>
<ul>
	<li>
		The footprint of the sukkah must be no smaller than 27&rdquo;x27&rdquo;, but no larger than 100 square feet</li>
	<li>
		The height of the Sukkah must be taller than 38&rdquo; high, and no taller than 30&rsquo;0&rdquo;</li>
	<li>
		The Sukkah must have a minimum of two walls, with a partial third wall at least as wide as a single hand span.</li>
	<li>
		The roof of the Sukkah must be made of some form of natural materials. During the day it must provide more shade than sunlight. During the evening, the stars must be visible at night from within the Sukkah. Large roof openings are inconsistent with the sheltering quality of a Sukkah.</li>
	<li>
		The roof must not be comprised of and must be fully detached from any living tree, branch or plant.</li>
	<li>
		Roof material may not be tightly secured with wire. Metal roof supports may not be used to support the roof material.</li>
	<li>
		Wall materials are not limited, and pieces of the wall can be spaced up to a maximum of one foot apart.</li>
	<li>
		Walls must be sturdy enough to withstand a steady wind.</li>
	<li>
		While the Sukkah must be built anew each year, a sustainable design approach, which minimizes the</li>
	<li>
		waste and disposal of the Sukkah materials is strongly encouraged.</li>
	<li>
		The Sukkah may not be anchored to the site, but must be stabilized or weighed down without penetrating or damaging the hard surfaces or exceeding the maximum permitted footprint.</li>
</ul>
<p>
	<strong>Recognition</strong><br />
	<br />
	Five winning designs will be chosen by a select high profile jury to be constructed in a visionary village on Mel Lastman Square from September 29 to October 1, 2012. Finalists will be notified by August 15, 2012 and will be responsible for obtaining construction materials and constructing their designs. A stipend of $3,600 per winning design will be awarded to assist with construction, materials and transportation costs.<br />
	<br />
	<strong>Submission</strong><br />
	<br />
	Sukkahville Competition submissions must be received by 12:00:00 EST on August 1, 2012 to the office address listed below. One single board size ARCH D (36&quot; x 24&quot;) per entry will be accepted. The presentation layout and technique is absolutely open and at the discretion of the entrant. The presentation should clearly document the proposed design as well as the approach to the construction. Presentation boards should be completely anonymous. Please tape a single, sealed, letter-sized envelope to the back of the board containing the name and contact information of the entrant. Entrants must register by June 1, 2012; please send an email with your name or names of team members to <a href="mailto:info@sukkahville.com">info@sukkahville.com</a>.<br />
	<br />
	<strong>Timeline</strong><br />
	<br />
	June 1, 2012 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Registration Deadline<br />
	August 1, 2012 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Deadline for Submissions<br />
	August 15, 2012 &nbsp; &nbsp; &nbsp; &nbsp;Finalists will be notified<br />
	September 28 to 29, 2012 &nbsp; &nbsp;Construction Period<br />
	September 30 to Oct 1, 2012 &nbsp; &nbsp;Public Display<br />
	September 30, 2012 &nbsp; &nbsp; &nbsp; &nbsp;Awards Presentation<br />
	<br />
	<strong>Background</strong><br />
	<br />
	Kehilla Residential Programme is a non-profit housing agency whose mandate is to identify and champion housing initiatives responsive to the needs of the Jewish community in the greater Toronto area. Established in 1982, Kehilla is an affiliate agency of UJA Federation of Greater Toronto. Under its mandate, Kehilla has been both a leader in the development of many affordable housing initiatives as well as in offering property management services for community housing projects. With the goal of raising awareness to support Kehilla and its initiatives, the Sukkahville competition has been instituted to bring focus to the many significant affordable housing issues that are prevalent in our own community.<br />
	Feel free to send us any question or concerns you have by email or phone!<br />
	<br />
	Kehilla Residential Programme<br />
	262 Ridley Boulevard<br />
	Toronto, ON M5M 4N6<br />
	Tel: 416 932 1212<br />
	Fax: 416 932 1214<br />
	<br />
	<a href="http://www.sukkahville.com/" target="_blank">www.sukkahville.com</a><br />
	<br />
	email: <a href="mailto:info@sukkahville.com">info@sukkahville.com</a><br />
	facebook: <a href="http://www.facebook.com/kehillaresidentialprogramme" target="_blank">www.facebook.com/kehillaresidentialprogramme</a><br />
	twitter: <a href="http://twitter.com/kehillarp" target="_blank">@kehillarp</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>&#8220;Urb&#45;Burb: Suburban Intervention&#8221; &#45; May&#8217;s Concept &#45; Creative Minds Monthly Competition</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/urb-burb_suburban_intervention_-_mays_concept_-_creative_minds_monthly_comp/" />
      <id>tag:bustler.net,2012:/1.11546</id>
      <published>2012-06-02T03:00:19Z</published>
      <updated>2012-05-02T19:28:20Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	Creative Minds challenges you to explore multiple options for documenting and presenting your response to a design concept. Each month&rsquo;s concept can be answered with ANY kind of design response &ndash; architectural design, product design, landscape design, entertainment design, or any creative response. &nbsp;You are not limited to any medium. &nbsp;We encourage the use of multi-media.</p>
<p>
	This is a charette-style competition, so all drawings do not need to be fully developed, but should convey your design ideas succinctly. Be as creative as you want!</p>
<p>
	Prizes: $150 + other prizes</p>
<p>
	May&rsquo;s Submission Deadline: June 1st, 2012 8PM EDT</p>
<p>
	For More Information and to Register and Submit, visit:<br />
	<a href="http://www.vectorworks.net/creativeminds" target="_blank">www.vectorworks.net/creativeminds</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Branding Lab</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/branding_lab/" />
      <id>tag:bustler.net,2012:/1.11506</id>
      <published>2012-06-02T01:34:13Z</published>
      <updated>2012-04-23T19:44:14Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	Mary Porta&rsquo;s Review of British High Streets spells out the crisis point that Britain&rsquo;s town centres have reached and the urgency by which we have to act if this social and cultural asset is to be protected from irreperable decline. Whilst Portas report was being written, a new culture started to emerge in the shadows of Europe&#39;s largest indoor shopping centre, in East London. Waltham Forest Council commissioned a group of forward-thinking designers to revive the local high streets. 2 years on, the spiral of decline has been reversed. Here, amongst shopkeepers, pavement cafes and family-run businesses, Waltham Forest Council are investing to breath new life into the heart of the local retail community. So far we have seen the installation of jolly new shopfronts, colourful facades, magic animated lighting and elegantly paved trottoirs as a backdrop to the lively bustle of the high street. Businesses have started to invest in their retail outlets again and locals have a renewed sense of civic pride. In a final push to prepare the neighbourhood for the London Olympics, we are now looking for some aspirational young designers to help us complete the task.</p>
<p>
	See <a href="http://www.brandinglab.co.uk/" target="_blank">www.brandinglab.co.uk</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Sukkah Arbor: A Design&#45;Build Competition to Re&#45;Envision the Sukkah</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/sukkah_arbor_a_design-build_competition_to_re-envision_the_sukkah/" />
      <id>tag:bustler.net,2012:/1.11462</id>
      <published>2012-06-02T00:00:53Z</published>
      <updated>2012-04-13T17:58:54Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	Sukkah Arbor is be a regional &lsquo;Design-Build&rsquo; competition, open to anyone, and expressly reaching out to architects, architectural students, builders and ecologists.</p>
<p>
	Sukkah Arbor will have three phases:</p>
<p>
	All submitted designs must be built in accordance with Halacha (Jewish Law). Designs will be judged by a select Jury of experts and based on criteria including: (sustainability, portability/reusability, beauty/inspiration/awe and innovation). Five winning designs will be selected to be built for Part 2 of the competition.</p>
<p>
	The top five winning designs will be commissioned for construction at Liberty Plaza in Ann Arbor on September 23, 2012. The Sukkah&rsquo;s will be constructed by a collaborative team consisting of the original designer and a supporting group of experienced volunteer crafts-people. A building stipend ($1,000 minimum) for the purchase of construction materials will be provided. Public voting will be conducted to determine winning entries from among the built Sukkahs. Prize money and recognition will be awarded to the winning designs.</p>
<p>
	The built and unbuilt designs will be on display at the Jewish Community Center of Greater Ann Arbor during the week of September 30 - October 9, 2012. An open house and design award presentation will be held for the general public during which the grand prize winner will be announced.</p>
<p>
	<a href="http://www.sukkaharbor.com/" target="_blank">www.sukkaharbor.com</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Call for Papers: Terrain Vague: The Interstitial as Site, Concept, Intervention</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/call_for_papers_terrain_vague_the_interstitial_as_site_concept_intervention/" />
      <id>tag:bustler.net,2012:/1.6335</id>
      <published>2012-06-01T21:32:53Z</published>
      <updated>2011-02-11T00:23:54Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	Call for Papers: Terrain Vague: The Interstitial as Site, Concept, Intervention</p>
<p>
	This collection of essays will focus on terrain vague&acirc;&#65533;&#65533;marginal, semi-abandoned space in or along the edge of the city&acirc;&#65533;&#65533;as abstract concept, specific locale, and subject of literary, architectural, or otherwise artistic intervention.</p>
<p>
	Ignasi de Sol&Atilde;&nbsp;-Morales defines terrain vague as land in a &acirc;&#65533;&#65533;potentially exploitable state but already possessing some definition to which we are external,&acirc;&#65533;&#65533; or &acirc;&#65533;&#65533;strange places&acirc;&#65533;&#65533; that &acirc;&#65533;&#65533;exist outside the city&acirc;&#65533;&#65533;s effective circuits and productive structures&acirc;&#65533;&#65533; (119, 120). Gil Doron similarly defines &acirc;&#65533;&#65533;landscapes of transgression&acirc;&#65533;&#65533; as derelict sites where &acirc;&#65533;&#65533;nature has started to reconstruct the built or (now) &acirc;&#65533;&#65533;ruined&acirc;&#65533;&#65533; environment. . . . space[s] that opened in the dichotomy of what we perceive as city and nature&acirc;&#65533;&#65533; (255).</p>
<p>
	We are particularly interested in responses to the idea, as expressed by Luc L&Atilde;&copy;vesque, that &acirc;&#65533;&#65533;&acirc;&#65533;&#65533;terrain vague&acirc;&#65533;&#65533; offers a counterpoint to the way order and consumption hold sway over the city. Offering room for spontaneous, creative appropriation and informal uses that would otherwise have trouble finding a place in public spaces subjected increasingly to the demands of commerce, the &acirc;&#65533;&#65533;terrain vague&acirc;&#65533;&#65533; is the ideal place for a certain resistance to emerge, a place potentially open to alternative ways of experiencing the city.&acirc;&#65533;&#65533;</p>
<p>
	We invite submissions from a range of fields, in particular literature, architecture, ecocriticism, urban studies, cultural geography, the visual arts, and film studies. Suggested topics may include:</p>
<p>
	Site and situation<br />
	Forms of documentation<br />
	Contextual definitions/theorizations<br />
	Urban wilds<br />
	Transgression and recreation<br />
	Urban natural history<br />
	Environmental justice<br />
	Interventions</p>
<p>
	Please send abstracts of 300 to 500 words, accompanied by a brief bio, to site.situation@gmail.com. Inquiries are welcome.</p>
<p>
	The deadline for abstracts is 1 June 2010.<br />
	Completed essays will be due on 1 February 2011.</p>
<p>
	Manuela Mariani, The Boston Architectural College<br />
	Patrick Barron, University of Massachusetts, Boston<br />
	&acirc;&#65533;&#65533;That zero panorama seemed to contain ruins in reverse, that is&acirc;&#65533;&#65533;all the new construction that would be built. This is the opposite of the &acirc;&#65533;&#65533;unromantic ruin&acirc;&#65533;&#65533; because buildings don&acirc;&#65533;&#65533;t fall into ruin after they are built but rather rise into ruin before they are built.&acirc;&#65533;&#65533; Robert Smithson, &acirc;&#65533;&#65533;A Tour of the Monuments of Passaic, New Jersey&acirc;&#65533;&#65533;</p>
<p>
	References<br />
	Doron, Gil. &acirc;&#65533;&#65533;The Dead Zone and the Architecture of Transgression.&acirc;&#65533;&#65533; City: Analysis of Urban Trends, Culture, Theory, Policy, Action 4.2 (2000): 247-63.<br />
	L&Atilde;&copy;vesque, Luc. &acirc;&#65533;&#65533;The &acirc;&#65533;&#65533;Terrain Vague&acirc;&#65533;&#65533; as Material&acirc;&#65533;&#65533;Some Observations.&acirc;&#65533;&#65533; http://www.amarrages.com/textes_terrain.html<br />
	Sol&Atilde;&nbsp;-Morales, Ignasi. &acirc;&#65533;&#65533;Terrain Vague.&acirc;&#65533;&#65533; Anyplace. Ed. Cynthia Davidson. Cambridge: MIT Press, 1995. 118-23.<br />
	Smithson, Robert. &acirc;&#65533;&#65533;A Tour of the Monuments of Passaic, New Jersey.&acirc;&#65533;&#65533; Robert Smithson: The Collected Writings. Berkeley: U of California P, 1996.</p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Designing for Adaptable Futures (DAF)</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/designing_for_adaptable_futures_daf/" />
      <id>tag:bustler.net,2012:/1.11185</id>
      <published>2012-06-01T08:49:26Z</published>
      <updated>2012-02-29T18:20:27Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	This competition asks you to illustrate how the life of your building will unfold through time &ndash; over an hour, day, year, decade, or perhaps a century. Your submission should demonstrate the integration of time in your design proposal by highlighting how it will accommodate the different types of change described in the competition brief.<br />
	<br />
	We seek innovative design proposals that challenge existing orthodoxies about adaptability in the built environment. The awards comprise of cash prizes (1st prize UK &pound;1,500, 2nd Prize &nbsp;&pound;1000, 3rd prize &pound;500); publication of the top entries in the upcoming Adaptable Futures book and an opportunity to present at our autumn conference in London. Outstanding submissions will also be published at <a href="http://www.adaptablefutures.com/" target="_blank">www.adaptablefutures.com</a><br />
	<br />
	The site can be anywhere &ndash; thus you are encouraged to &lsquo;adapt&rsquo; your studio project to this competition &ndash; but the submission must meet the three criteria described in the brief. Entries can be at a building or neighbourhood scale, but should explain how your design (whether spatially, &nbsp;structurally or in terms of building services) responds to the brief. Submissions will be accepted in two formats &nbsp;&ndash; A0 boards (maximum 2) and/ or a film (maximum 3 minutes). Entrants may choose to submit one or both &ndash; all submissions should be digital.<br />
	<br />
	The deadline for submissions is Friday 1 June 2012 at 23:59 GMT. &nbsp; For registration, submission and to download the competition brief please go to <a href="http://www.adaptablefutures.com/competition" target="_blank">www.adaptablefutures.com/competition</a> and follow us on Twitter for updates <a href="http://twitter.com/adaptablefuture" target="_blank">@adaptablefuture</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Fast Company&#8217;s Innovation By Design Awards</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/the_innovation_by_design_awards/" />
      <id>tag:bustler.net,2012:/1.11570</id>
      <published>2012-06-01T07:00:32Z</published>
      <updated>2012-05-09T04:35:33Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	Did you design a brilliant, life-changing device? Did your firm create an inspiring tool for tomorrow? Enter our inaugural <a href="http://www.fastcodesign.com/section/innovation-by-design" target="_blank">Innovation By Design Awards</a>, honoring the year&#39;s best designs. This award program offers entrants an unmatched opportunity to reach entrepreneurs and executives looking to find fresh talent.<br />
	<br />
	Categories for the Innovation By Design Awards include: Spaces, Consumer Products, Services &amp; Systems, Interactive Experiences, 2-D Designs, Industrial Equipment, Transportation, Concepts, and Student Design<br />
	<br />
	Entries will be judged on their business impact, beauty, originality, functionality, social impact, and depth of user insight&mdash;six necessary ingredients for any great innovation. Online submission ends June 1st and finalists will be determined by a stellar line-up of <a href="http://www.fastcodesign.com/1669404/innovation-by-design-judges" target="_blank">design experts</a>.<br />
	<br />
	Together, Fast Company and Co.Design offer a reach and influence that&rsquo;s unique&mdash;Fast Company reaches 2.9 million readers every issue. Co.Design reaches another 1.5 million readers a month, serving over 6 million page views.<br />
	<br />
	Finalists will be published in a feature package in Fast Company&#39;s October design issue. Winners will be announced at a gala in New York City on Tuesday, October 16 and will then be published and announced on Co.Design.</p>
<p>
	<a href="http://www.fastcodesign.com/section/innovation-by-design" target="_blank">fastcodesign.com/section/innovation-by-design</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Urbanite Project 2012: Healthy Food Challenge</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/urbanite_project_2012_healthy_food_challenge/" />
      <id>tag:bustler.net,2012:/1.11278</id>
      <published>2012-06-01T06:59:50Z</published>
      <updated>2012-03-14T00:09:51Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	<a href="http://www.urbaniteproject.com" target="_blank">Urbanite Project 2012: Healthy Food Challenge </a>seeks ideas for transforming Baltimore into a healthy city. Specifically, we&rsquo;re seeking creative, innovative, non-traditional ideas that address one or more of the barriers to affordable, healthy food for Baltimore City residents living in food deserts.<br />
	<br />
	Barriers to healthy food for people living in food deserts include, but are not limited to:</p>
<ul>
	<li>
		Transportation</li>
	<li>
		A lack of healthy food at nearby stores</li>
	<li>
		A lack of healthy food options at such charitable organizations as soup kitchens, food pantries, etc.</li>
	<li>
		Education&mdash;a lack of knowledge about which foods are healthiest, how to prepare them, etc.</li>
	<li>
		A lack of food preparation appliances, equipment</li>
	<li>
		Time&mdash;for example, a single parent working multiple jobs has limited time to shop for and prepare healthy food.</li>
	<li>
		Cost of healthy food</li>
</ul>
<p>
	<strong>Baltimore City Food Policy Recommendations</strong></p>
<p>
	In 2010, the Baltimore City Food Policy Task Force came up with the following guidelines to work toward increasing access to healthy food in food deserts:</p>
<ol>
	<li>
		Promote and expand farmers markets</li>
	<li>
		Support community gardens and urban agriculture</li>
	<li>
		Expand supermarket home delivery program</li>
	<li>
		Develop a targeted marketing campaign to encourage healthy eating among all Baltimoreans</li>
	<li>
		Support street vending of healthy foods</li>
	<li>
		Promote and expand community supported agriculture</li>
	<li>
		Support a central kitchen model for schools</li>
	<li>
		Support research on food deserts and collaboration with policy makers</li>
	<li>
		Improve the food environment around schools and recreation centers</li>
	<li>
		Create healthy food zoning requirements or incentives</li>
</ol>
<p>
	Urbanite Project 2012: Healthy Food Challenge is open to any individual, group, organization, or company. This is a blind competition. Professional qualifications are not required; anyone with an engaging, creative, and unique idea for increasing access to healthy, affordable food in Baltimore&rsquo;s food deserts is encouraged to submit a proposal.<br />
	<br />
	Submissions must adhere to the following guidelines:</p>
<ul>
	<li>
		Proposal must be mounted on a single 24&rdquo; x 30&rdquo; board (foam core, chipboard, or similar material). Applicants should use a combination of text and no fewer than three images (renderings, drawings, photographs, diagrams, etc.) to convey their concept. Text must not exceed 500 words and must include as many details as possible about the project, including time frame for implementing the proposal, materials, dimensions, etc.</li>
	<li>
		Include names, affiliations, and a short biography of team member(s), along with team contact email, address, and phone number, on the back of the board. This information should not be visible on the front of the board.</li>
	<li>
		Mail or hand-deliver board to:<br />
		Urbanite<br />
		2002 Clipper Park Road, 4th Floor<br />
		Baltimore, MD 21211</li>
</ul>
<p>
	Urbanite Project 2012: Healthy Food Challenge <a href="http://www.urbaniteproject.com/" target="_blank">www.urbaniteproject.com</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Hof &#45; Horizontal Farm New Delhi</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/hof_-_horizontal_farm_new_delhi/" />
      <id>tag:bustler.net,2012:/1.11035</id>
      <published>2012-06-01T06:59:15Z</published>
      <updated>2012-02-03T18:02:16Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	<a href="http://www.awrcompetitions.com/competition/12/hof-horizontal-farm-new-delhi" target="_blank">Hof - Horizontal Farm in New Delhi</a> wants to focus on finding a solution that integrates the culture and traditions of Indian society with improved living conditions of slums inhabitans.</p>
<p>
	The competition proposes the design of a multifunctional structure for different types of emergencies involving a large part of Indian society. &nbsp;A Horizontal Farm, which contains a range of services and functions that improve the quality of life of residents. At the same time should not be changed customs, traditions and cultural roots of people who live in this way by hundreds of years.</p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Landscape, Architecture &amp;amp; Wine architecture students competition</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/landscape_architecture_wine_architecture_students_competition/" />
      <id>tag:bustler.net,2012:/1.11296</id>
      <published>2012-06-01T06:55:03Z</published>
      <updated>2012-03-16T18:01:04Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	<img alt="image" height="177" src="http://www.bustler.net/images/uploads/landscape_architecture_wine_architecture_students_competition.jpg" style="border: 0;" width="530" /></p>
<p>
	The aim of the present architecture students competition Landscape, Architecture &amp; Wine is to contribute innovative ideas to the, increasingly common, strategy of opening wineries to tourism and to their immediate surroundings, thus providing new experiences for the visitor.<br />
	<br />
	<strong>Schedule:</strong><br />
	<br />
	Registration period: March 1st, 2012 to May 31st, 2012<br />
	Deadline for Submissions of Proposals: July 2nd, 2012<br />
	Publication of the Results: August 6th, 2012<br />
	<br />
	<strong>Prizes:</strong><br />
	<br />
	5100 euros in cash + Publication of awarded projects in WA Wettbewerbe Aktuell magazine &nbsp;+ 1 year free subscription to WA Wettbewerbe Aktuell magazine + 1 year free subscription to EL CROQUIS magazine + 1 year free subscription to 2G magazine.<br />
	<br />
	The winner or person that represents the winner team will take part of the Jury in the next academic competition.<br />
	<br />
	All the projects will be exhibed in <a href="http://www.arquideas.es/" target="_blank">www.arquideas.es</a><br />
	<br />
	<strong>Jury:</strong></p>
<ul>
	<li>
		Mrs. Martha Thorne&nbsp; Executive Director of the Pritzker Architecture Prize</li>
	<li>
		Mrs. Benedetta Tagliabue Director of the architecture office Miralles Tagliabue-EMBT</li>
	<li>
		Mr. Fernando Marquez Cecilia Editor in chief of the internacional architecture magazine EL CROQUIS</li>
	<li>
		Mrs. Maria Urrutia Ybarra Board Member and Marketing Director of Bodegas CVNE</li>
	<li>
		Mrs. Sara Ouass Chemlal Winner of the Coworking Building (COB) Madrid academic competition</li>
</ul>
<p>
	More information and Bases <a href="http://www.arquideas.es/en/arquideas_architecture_competition/information/4.html" target="_blank">here</a>.</p>
 
      ]]></content>
    </entry>

    <entry>
      <title>DOUBLE TRACK competition</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/double_track_competition/" />
      <id>tag:bustler.net,2012:/1.11354</id>
      <published>2012-06-01T06:46:02Z</published>
      <updated>2012-03-26T21:54:03Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	The Trieste Contemporanea Committee is pleased to announce DOUBLE TRACK, the tenth edition of its International Design Contest organised under the patronage of C.E.I. (Central European Initiative). The contest represents an interesting opportunity for all the young designers and the students from 23 Central Eastern European countries who can show their own ability and promote their works in an international context. Please for your information find the announcement attached.</p>
<p>
	The candidates are asked to submit a new project for a functional object using as its source an object demonstrating design skill singled out from the recent collective memory of objects of their country by midnight (Italian time) of the 31st May 2012.</p>
<p>
	An international jury presided by Gillo Dorfles will select a number of projects to be exhibited in Trieste. The best projects will be awarded a first prize (4000 &euro;), a CEI prize (the best designer from one of the CEI countries not part of the EU: 3000 &euro;) and a BEBA prize (the youngest selected designer: 1000 &euro;).</p>
<p>
	There is no charge for the participation and the competition notice is available on <a href="http://www.triestecontemporanea.it/designcontest/" target="_blank">http://www.<wbr>triestecontemporanea.it/designcontest/</a></p>
<p>
		For further information please contact the Trieste Contemporanea Committee: e-mail <a href="mailto:tscont@tin.it">tscont@tin.it</a>, phone +39 040 639187.</p>
 
      ]]></content>
    </entry>


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