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    <title type="text">Bustler.net Competitions</title>
    <subtitle type="text">Competitions:</subtitle>
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    <updated>2011-06-20T18:52:58Z</updated>
    <rights>Copyright (c) 2014, Paul Petrunia</rights>
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    <id>tag:bustler.net,2014:09:25</id>


    <entry>
      <title>4th Advanced Architecture Contest</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/4th_advanced_architecture_contest/" />
      <id>tag:bustler.net,2014:/1.9993</id>
      <published>2014-09-25T21:58:57Z</published>
      <updated>2011-06-20T18:52:58Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	The Institute for <span class="il">Advanced</span> <span class="il">Architecture</span> of Catalonia and HP are pleased to announce the <span class="il">4th</span> <span class="il">Advanced</span> <span class="il">Architecture</span> <span class="il">Contest</span>, on the theme of CITY-SENSE: Shaping our environment with real-time data.<br />
	<br />
	The aim of the competition is to promote discussion and research through which to generate insights and visions, ideas and proposals that help us envisage what the city and the habitat of the 21st century will be like.<br />
	<br />
	The competition is open to architects, engineers, planners, designers and artists who want to contribute to progress in making the world more habitable by developing a proposal capable of responding to emerging challenges in areas such as ecology, information technology, <span class="il">architecture</span>, and urban planning, with the purpose of balancing the impact real-time data collection might have on sensor-driven cities.<br />
	<br />
	The competition jury, which is composed of architects, professionals in a wide range of fields and directors of some of the world&#39;s foremost <span class="il">architecture</span> schools, is looking for outstanding proposals at any scale, for any city in the world. Competition entries should be submitted via the Internet on Smart Cities, Eco neighborhoods, Self-sufficient buildings, Intelligent homes or any other proposal that analyzes the phenomena of sensor-driven cities and intelligent behavioural systems.<br />
	<br />
	The proposal should include whatever texts, videos, drawings and other images may be needed to make it fully understandable.<br />
	<br />
	The competition prizes will consist of: Three scholarships for the IaaC Masters in <span class="il">Advanced</span> <span class="il">Architecture</span> program for academic year 2012-13, cash prizes, and an HP latest-generation printer. The selected projects will go on show in a major exhibition, opening in Barcelona in May 2012, which will travel to key cities around the world. The best projects will also be featured in a book to be published by Actar-Birkhauser, like in the three previous editions: SELF-SUFFICIENT HOUSING, SELF-FAB HOUSE and SELF-SUFFICIENT CITY.<br />
	<br />
	<a href="http://www.advancedarchitecturecontest.org/" target="_blank">http://www.<wbr>advancedarchitecturecontest.<wbr>org</wbr></wbr></a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Mystery Build 2012</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/mystery_build_2012/" />
      <id>tag:bustler.net,2012:/1.10672</id>
      <published>2012-09-16T17:47:23Z</published>
      <updated>2011-11-12T01:27:24Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	Entrants must create an original work of art or creative object, construction, experiment, video, concept or other creative presentation, using ONLY the Mystery Build Kit and its contents as the materials for the Entry.</p>
<p>
	The completed Entry must be submitted to the Mystery Build Contest by or before 09/16/12.</p>
<p>
	Entrants must complete a Submission Form at <a href="http://www.mysterybuild.com" target="_blank">www.mysterybuild.com</a> and upload photographs and/or video of the finished Entry as well as photographs or video of the Entry in progress.</p>
<p>
	Over $10,000 in cash prizes.</p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Graduate Architecture Award 2012</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/graduate_architecture_award_2012/" />
      <id>tag:bustler.net,2012:/1.11031</id>
      <published>2012-09-01T01:18:46Z</published>
      <updated>2012-02-03T18:14:47Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	This is an International Competition (<strong>Free to enter</strong>) and is open to all architecture students Worldwide. We are accepting graduate architecture projects from students who have recently graduated or are currently graduating in the field of architecture (see Graduate Architecture&#39;s FAQs for further eligibility information) <a href="http://www.GraduateArchitecture.com" target="_blank">www.GraduateArchitecture.com</a>. The deadline for submission is August 31st 2012 at 6pm (GMT+1). All projects submitted after this time will not be considered for the Graduate Architecture Prize of 2012, you will however be eligible for next year&#39;s competition in August.</p>
<p>
	<strong><u>Please follow the following guidelines in order to participate:</u></strong><br />
	<strong>Submit in English Language:</strong> Please submit your final project in English in order for us to fully understand what you wish to portray. In the last edition, several projects were submitted in a different language and although we did our best to translate them ourselves, it was still very difficult for us to grasp the essence of those projects. We encourage you to provide text in your own language as well, to reach a larger audience. If you do submit a project written in your native language, please include a clear and concise summary in English.</p>
<p>
	<strong>Max. 10 Presentation Boards:</strong> Please do not exceed 10 presentation boards (scaled size approximately A4 in size, for an average computer monitor), either in portrait or landscape view to be submitted to Register@GraduateArchitecture.com. The total size may not exceed 10mb and should be sent as a single .PDF file.</p>
<p>
	<strong>Project Description included in presentation boards:</strong> A clear and and to the point description of your final project is necessary for us as well as other readers to understand your thoughts. All text should be included in your 10 presentation panels.</p>
<p>
	<strong>5-digit code:</strong> In addition you can make up your own 5 digit reference code (composed of either letters and/or numbers for organizational reasons). It can be any combination of letters and/or numbers (please keep in mind it is only for a reference so make up a code you can remember). This code does not need to be on your presentation panels but do name the .PDF with your code (example: John_Doe_ABC01.pdf).</p>
<p>
	<strong>Contact Information:</strong> Submit your personal or group contact information in the following format: 01. Project title 02. Names of all participants &amp; e-mail addresses. 03. The university at which you attained your architectural degree 04. The names and contact information of the tutors at your University. Send us this information both in the text body of the email and in a separate .PDF file. Please disclose that you wish opt-out of having your information published, should this be the case. If you would like to have your contact info published, please include this information on the last page of your presentation boards.</p>
<p>
	<strong>Two (2) Project Thumbnails:</strong> Please also include an image that you would like to represent your project, this will most probably be your best rendering or most illustrative picture. (Dimensions height: 270 x width: 350 pixels for the first thumbnail and height: 390 x width: 780 pixels for the second). Click here to download the thumbnail template/ description (served as a guideline, its design is fully up to you as long as you include all necessary information and limit the dimensions of 270 x 350 &amp; 390 x 780 pixels).</p>
<p>
	Send your digital presentation boards and project thumbnail to <a href="mailto:Register@GraduateArchitecture.com">Register@GraduateArchitecture.com</a>. As the email&#39;s subject, only only include your name and university at which you have done your final project. Please don&#39;t hesitate to contact us for any questions you might have, but please read our FAQ (Frequently Asked Questions) first.</p>
<p>
	<em>The jury will consist of Architects, Urbanists, Designers, Students and some of the previous winners of the Graduate Architecture Award. Winners will be based on all-round creativity, design concept, problem solving, sustainability and more (there is not one, but many aspect projects will be reviewed on).</em></p>
<p>
	For more information visit our website: <a href="http://www.GraduateArchitecture.com" target="_blank">www.GraduateArchitecture.com</a>.</p>
 
      ]]></content>
    </entry>

    <entry>
      <title>d3 Natural Systems 2012</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/d3_natural_systems_2012/" />
      <id>tag:bustler.net,2012:/1.11005</id>
      <published>2012-07-02T06:59:08Z</published>
      <updated>2012-01-31T00:32:09Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	Exploration of <span class="il">natural</span> <span class="il">systems</span> from the microscopic to the universal unearths vast design potential for overlaying cultural, ecological, and life cycle flows toward determining new architectonic strategies.<br />
	<br />
	Sponsored by New York-based <span class="il">d3</span>, the annual <span class="il">d3</span> <span class="il">Natural</span> <span class="il">Systems</span> competition for <span class="il">2012</span> invites architects, designers, engineers, and students to collectively explore the potential of analyzing, documenting, and deploying nature-based influences in architecture, interiors, and designed objects. &nbsp;The competition calls for innovative proposals that advance sustainable thought and performance through the study of intrinsic environmental geometries, behaviors, and flows. &nbsp;By identifying, examining, and applying their structural order on form and function- -bottom-up, performance-based solutions for limitless building typologies, functional programs, and material conditions may be realized.<br />
	<br />
	An architecture of emergence suggests that design expression requires purpose beyond formal assumption and aesthetic experimentation itself. &nbsp;Concurrent with sustainable thought, the <span class="il">d3</span> <span class="il">Natural</span> <span class="il">Systems</span> competition assumes that architecture does not simply form, but rather perform various functions beyond those conventionally associated with buildings. &nbsp;Design submissions must be environmentally responsible while advancing inventive conceptual solutions. &nbsp;Although proposals should be technologically feasible, they may suggest fantastical architectural visions of a sustainable global future.<br />
	<br />
	The <span class="il">d3</span> <span class="il">Natural</span> <span class="il">Systems</span> competition allows designers freedom to approach their creative process in a scale-appropriate manner--from large-scale master planning endeavors, to individual building concepts, to notions of interior detail. &nbsp;Accordingly, there are no restrictions on site, scale, program, or building typology, proposals should carefully address their selected context.<br />
	<br />
	Please visit the competition website for full details: &nbsp;<a href="http://www.d3space.org/competitions">www.d3space.org/competitions</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Land Art Generator Initiative 2012 NYC</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/land_art_generator_initiative_2012_nyc/" />
      <id>tag:bustler.net,2012:/1.10363</id>
      <published>2012-07-01T06:59:57Z</published>
      <updated>2011-09-09T00:52:58Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	<wbr><br />
	We are very pleased to announce that, in partnership with New York City&#39;s Department of Parks &amp; Recreation, the <span class="il">2012</span> <span class="il">Land</span> <span class="il">Art</span> <span class="il">Generator</span> <span class="il">Initiative</span> design competition will be held for a site within Freshkills Park (the former Fresh Kills landfill) in Staten Island.<br />
	<br />
	The design brief, to be released January <span class="il">2012</span>, will be similar to that of the 2010 edition. LAGI <span class="il">2012</span> is an ideas competition to design a site-specific public artwork that, in addition to its conceptual beauty, has the ability to harness energy cleanly from nature and convert it to electricity for the utility grid.<br />
	<br />
	The expansiveness of the design site at Freshkills Park presents the opportunity to power the equivalent of thousands of homes with the artwork. The stunning beauty of the reclaimed landscape and the dramatic backdrop of the Manhattan skyline will provide an opportune setting from which to be inspired, and it offers the perfect environment for a showcase example of the immense potential of aesthetically interesting renewable energy installations for sustainable urban planning.<br />
	<br />
	The monetary prize award ($20,000) will not guarantee a commission for construction; however, LAGI will work with stakeholders both locally (<span class="il">NYC</span>) and internationally to pursue possibilities for implementation of the most pragmatic and aesthetic LAGI designs.<br />
	<br />
	Jury members include:<br />
	-Bjarke Ingels, BIG-Bjarke Ingels Group<br />
	-Dr. Henry Kelly, Acting Assistant Secretary and Principal Deputy Assistant Secretary for the Office of Energy Efficiency and Renewable Energy at the U.S. Department of Energy<br />
	-Jean Gardner, Associate Professor of Social Ecological History, Parsons New School, School of Constructed Environments<br />
	-Public Design Commission of the City of New York<br />
	-Patricia Watts &amp; Amy Lipton, ecoartspace<br />
	-Melanie Cohn, Executive Director, Council on the Arts &amp; Humanities for Staten Island<br />
	-Staten Island Economic Development Corporation<br />
	<br />
	About Freshkills Park:<br />
	&quot;At 2,200 acres, Freshkills Park will be almost three times the size of Central Park and the largest park developed in New York City in over 100 years. The transformation of what was formerly the world&rsquo;s largest landfill into a productive and beautiful cultural destination will make the park a symbol of renewal and an expression of how our society can restore balance to its landscape.<br />
	<br />
	In addition to providing a wide range of recreational opportunities, including many uncommon in the city, the park&rsquo;s design, ecological restoration and cultural and educational programming will emphasize environmental sustainability and a renewed public concern for our human impact on the earth.&quot; - FRESHKILLS PARK<br />
	<br />
	About The <span class="il">Land</span> <span class="il">Art</span> <span class="il">Generator</span> <span class="il">Initiative</span><br />
	Founded in 2009, LAGI is a project of Society for Cultural Exchange, a 501(c)(3) organization committed to providing a forum for local and international communities to engage with the arts and the environment through interdisciplinary and cross-cultural collaborations (<a href="http://societyforculturalexchange.org/" target="_blank">http://<wbr>societyforculturalexchange.<wbr>org/</wbr></wbr></a><wbr><wbr><wbr><wbr>). LAGI is a multifaceted project that is focused on expanding public awareness of and support for renewable energy.</wbr></wbr></wbr></wbr></wbr></p>
<p>
	<wbr>
	<p>
		<wbr><wbr><wbr><wbr><wbr>
		<p>
			<a href="http://landartgenerator.org/" target="_blank">http://<wbr>landartgenerator.org</wbr></a></p>
		</wbr></wbr></wbr></wbr></wbr></p>
	</wbr></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Saint&#45;Gobain NOVA Innovation Competition 2012</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/saint-gobain_nova_innovation_competition_2012/" />
      <id>tag:bustler.net,2012:/1.10832</id>
      <published>2012-07-01T06:58:19Z</published>
      <updated>2011-12-20T23:03:20Z</updated>
      <author>
            <name>Alexander Walter</name>
            <email>alexander@bustler.net</email>
            <uri>http://www.bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	NOVA External Venturing - the Saint-Gobain team of analysts that identifies start-up companies that are a good strategic fit with Saint-Gobain businesses - will reward innovations in the fields of construction products, advanced materials, energy efficiency and environmental sustainability with cash prizes and consideration for partnership opportunities with Saint-Gobain.</p>
<p>
	<a href="http://www.saint-gobain.com/files/Communique-Nova-13-12-11-VA.pdf" target="_blank">Press release</a></p>
<p>
	Start-ups from all over the world can participate. Final selection will take place at the Saint-Gobain booth at Greenbuild in San Francisco on November 15, 2012, where the most promising 8-12 start-ups will take part in a &quot;speed-dating&quot; session. Three winners will be chosen.</p>
<p>
	<strong>The competition&#39;s winners will benefit as follows:</strong></p>
<ul>
	<li>
		The top three cash prizes are: $50,000 (first place), $25,000 (second place) and $10,000 (third place).</li>
	<li>
		The NOVA External Venturing team will work with the most promising start-ups to assess the possibility of partnerships with Saint-Gobain (joint development, license, financing, etc.).</li>
</ul>
<p>
	<strong>Time line :<br />
	</strong></p>
<ul>
	<li>
		Submission deadline (in English only): June 30, 2012</li>
	<li>
		Selection of finalists: early September 2012</li>
	<li>
		Speed-dating session for the finalists with Saint-Gobain representatives at the Greenbuild International Conference and Expo in San Francisco: November 15 2012</li>
</ul>
<p>
	<a href="http://fr.sitestat.com/saint-gobain/saint-gobain/s?en.group.innovations-and-research.generating-external-contacts.nova.2012-competition.NOVA-competition-rules-2012.pdf&amp;ns_type=pdf&amp;ns_url=http://www.saint-gobain.com/files/NOVA-competition-rules-2012.pdf" target="_blank">Download the competition rules<br />
	</a></p>
<p>
	<a href="http://fr.sitestat.com/saint-gobain/saint-gobain/s?en.group.innovations-and-research.generating-external-contacts.nova.2012-competition.NOVA-competition-registration-2012.pdf&amp;ns_type=pdf&amp;ns_url=http://www.saint-gobain.com/files/NOVA-competition-registration-2012.pdf" target="_blank">Download the registration form<br />
	</a></p>
<p>
	Submit your proposal: <a href="mailto:externalventuring@saint-gobain.com">externalventuring@saint-gobain.com</a></p>
<p>
	<a href="http://www.saint-gobain.com/en/group/innovations-and-research/generating-external-contacts/nova/2012-competition" target="_blank">More information</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Reimagining Tall: Considering Context, Sustainability &amp;amp; Efficiency</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/reimagining_tall_considering_context_sustainability_efficiency/" />
      <id>tag:bustler.net,2012:/1.11007</id>
      <published>2012-06-23T06:59:22Z</published>
      <updated>2012-02-03T18:51:23Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	The Council on Tall Buildings and Urban Habitat (CTBUH) is pleased to announce its 2nd Annual International Student Tall Building Design Competition to be held in conjunction with the CTBUH 9th World Congress Shanghai 2012.<br />
	<br />
	The goal of the competition is to shed new light on the meaning and value of tall buildings in modern society. As noted by the 2011 Competition Jury Chair, William Pedersen of Kohn Pedersen Fox, &ldquo;There has been a major transition in the sense of the value of the tall building and what it can contribute to the urban realm, and society in general. This transition moves the tall building away from just an instrument of financial exploitation and toward a development highly concerned with its impact on the city, the environment, and the urban habitat.&rdquo;<br />
	<br />
	<a href="http://competition.ctbuh.org/" target="_blank">http://competition.ctbuh.org</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>International Contemporary Artists Exhibition &#45; Paris 2012</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/international_contemporary_artists_exhibition_-_paris_2012/" />
      <id>tag:bustler.net,2012:/1.10701</id>
      <published>2012-06-16T06:59:17Z</published>
      <updated>2011-11-19T01:22:18Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	<a href="http://www.ewnsartproject.eu/" target="_blank">EWNS Art Project</a> is organizing a group art exhibition and is looking for talented artists who want to expose their work in Paris.</p>
<p>
	Exhibit Dates: October 1st - 31st, 2012</p>
<p>
	Location: Gallery / Art Space - Paris + Online @EWNS Gallery</p>
<p>
	Title: &quot;International ContemporaryArtists Exhibition&quot;</p>
<p>
	Theme: Artist&#39;s choice/No Theme</p>
<p>
	Deadline for Submission: June 15th, 2012. (No exceptions).</p>
<p>
	Eligibility:</p>
<ul>
	<li>
		Open to all artists from around the world, 18 yrs of age and older.</li>
	<li>
		Eligible media : Paintings, photography, sculpture, textiles, ceramics, glass, etc. Media not accepted : Giclee prints, video/film and live performance pieces.</li>
	<li>
		All work must be original.</li>
	<li>
		Coherent set of artworks, executed in a contemporary way.</li>
	<li>
		Artists must submit a minimum of 3 images per medium that best represents their work and pay a non-refundable entry fee of 30 euros minimum (via PayPal)</li>
	<li>
		Each artist can participate in multiple categories, with a maximum of 10 pieces/category (to be submitted separately).</li>
	<li>
		The work must be recent, preferably made in last two years prior to the starting date of this exhibition.</li>
	<li>
		All artworks must be for sale.</li>
	<li>
		Maximum size limitations 40&quot; in or 100cm in any direction, Maximum weight limitations 150lbs / 68 kg.</li>
	<li>
		EWNS will not accept items for hanging using saw-tooth hooks or inadequate wiring. All framed works must be properly wired for display.</li>
	<li>
		Publishers, galleries, agents, and collectors may not submit artwork on behalf of artists.</li>
	<li>
		Entries must be submitted via email.</li>
</ul>
<p>
	Submit online at website : <a href="http://www.ewnsartproject.eu" target="_blank">www.ewnsartproject.eu</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Call for Papers: Terrain Vague: The Interstitial as Site, Concept, Intervention</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/call_for_papers_terrain_vague_the_interstitial_as_site_concept_intervention/" />
      <id>tag:bustler.net,2012:/1.6335</id>
      <published>2012-06-01T21:32:53Z</published>
      <updated>2011-02-11T00:23:54Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	Call for Papers: Terrain Vague: The Interstitial as Site, Concept, Intervention</p>
<p>
	This collection of essays will focus on terrain vague&acirc;&#65533;&#65533;marginal, semi-abandoned space in or along the edge of the city&acirc;&#65533;&#65533;as abstract concept, specific locale, and subject of literary, architectural, or otherwise artistic intervention.</p>
<p>
	Ignasi de Sol&Atilde;&nbsp;-Morales defines terrain vague as land in a &acirc;&#65533;&#65533;potentially exploitable state but already possessing some definition to which we are external,&acirc;&#65533;&#65533; or &acirc;&#65533;&#65533;strange places&acirc;&#65533;&#65533; that &acirc;&#65533;&#65533;exist outside the city&acirc;&#65533;&#65533;s effective circuits and productive structures&acirc;&#65533;&#65533; (119, 120). Gil Doron similarly defines &acirc;&#65533;&#65533;landscapes of transgression&acirc;&#65533;&#65533; as derelict sites where &acirc;&#65533;&#65533;nature has started to reconstruct the built or (now) &acirc;&#65533;&#65533;ruined&acirc;&#65533;&#65533; environment. . . . space[s] that opened in the dichotomy of what we perceive as city and nature&acirc;&#65533;&#65533; (255).</p>
<p>
	We are particularly interested in responses to the idea, as expressed by Luc L&Atilde;&copy;vesque, that &acirc;&#65533;&#65533;&acirc;&#65533;&#65533;terrain vague&acirc;&#65533;&#65533; offers a counterpoint to the way order and consumption hold sway over the city. Offering room for spontaneous, creative appropriation and informal uses that would otherwise have trouble finding a place in public spaces subjected increasingly to the demands of commerce, the &acirc;&#65533;&#65533;terrain vague&acirc;&#65533;&#65533; is the ideal place for a certain resistance to emerge, a place potentially open to alternative ways of experiencing the city.&acirc;&#65533;&#65533;</p>
<p>
	We invite submissions from a range of fields, in particular literature, architecture, ecocriticism, urban studies, cultural geography, the visual arts, and film studies. Suggested topics may include:</p>
<p>
	Site and situation<br />
	Forms of documentation<br />
	Contextual definitions/theorizations<br />
	Urban wilds<br />
	Transgression and recreation<br />
	Urban natural history<br />
	Environmental justice<br />
	Interventions</p>
<p>
	Please send abstracts of 300 to 500 words, accompanied by a brief bio, to site.situation@gmail.com. Inquiries are welcome.</p>
<p>
	The deadline for abstracts is 1 June 2010.<br />
	Completed essays will be due on 1 February 2011.</p>
<p>
	Manuela Mariani, The Boston Architectural College<br />
	Patrick Barron, University of Massachusetts, Boston<br />
	&acirc;&#65533;&#65533;That zero panorama seemed to contain ruins in reverse, that is&acirc;&#65533;&#65533;all the new construction that would be built. This is the opposite of the &acirc;&#65533;&#65533;unromantic ruin&acirc;&#65533;&#65533; because buildings don&acirc;&#65533;&#65533;t fall into ruin after they are built but rather rise into ruin before they are built.&acirc;&#65533;&#65533; Robert Smithson, &acirc;&#65533;&#65533;A Tour of the Monuments of Passaic, New Jersey&acirc;&#65533;&#65533;</p>
<p>
	References<br />
	Doron, Gil. &acirc;&#65533;&#65533;The Dead Zone and the Architecture of Transgression.&acirc;&#65533;&#65533; City: Analysis of Urban Trends, Culture, Theory, Policy, Action 4.2 (2000): 247-63.<br />
	L&Atilde;&copy;vesque, Luc. &acirc;&#65533;&#65533;The &acirc;&#65533;&#65533;Terrain Vague&acirc;&#65533;&#65533; as Material&acirc;&#65533;&#65533;Some Observations.&acirc;&#65533;&#65533; http://www.amarrages.com/textes_terrain.html<br />
	Sol&Atilde;&nbsp;-Morales, Ignasi. &acirc;&#65533;&#65533;Terrain Vague.&acirc;&#65533;&#65533; Anyplace. Ed. Cynthia Davidson. Cambridge: MIT Press, 1995. 118-23.<br />
	Smithson, Robert. &acirc;&#65533;&#65533;A Tour of the Monuments of Passaic, New Jersey.&acirc;&#65533;&#65533; Robert Smithson: The Collected Writings. Berkeley: U of California P, 1996.</p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Hof &#45; Horizontal Farm New Delhi</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/hof_-_horizontal_farm_new_delhi/" />
      <id>tag:bustler.net,2012:/1.11035</id>
      <published>2012-06-01T06:59:15Z</published>
      <updated>2012-02-03T18:02:16Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	<a href="http://www.awrcompetitions.com/competition/12/hof-horizontal-farm-new-delhi" target="_blank">Hof - Horizontal Farm in New Delhi</a> wants to focus on finding a solution that integrates the culture and traditions of Indian society with improved living conditions of slums inhabitans.</p>
<p>
	The competition proposes the design of a multifunctional structure for different types of emergencies involving a large part of Indian society. &nbsp;A Horizontal Farm, which contains a range of services and functions that improve the quality of life of residents. At the same time should not be changed customs, traditions and cultural roots of people who live in this way by hundreds of years.</p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Andersen&#174; Exterior Trim Design Contest</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/andersen_exterior_trim_design_contest1/" />
      <id>tag:bustler.net,2012:/1.11018</id>
      <published>2012-05-19T06:55:00Z</published>
      <updated>2012-01-31T19:30:01Z</updated>
      <author>
            <name>Alexander Walter</name>
            <email>alexander@bustler.net</email>
            <uri>http://www.bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	To showcase the new Andersen&reg; Exterior Trim System, the company is launching a contest for architects and designers to render and submit an original building design using Andersen exterior trim as a building component.</p>
<p>
	Now through May 18, 2012, applications are being accepted. Entrants must submit an original building design with four (4) elevations rendered in color, and may submit one (1) additional drawing of their choice. The project must include the exterior trim system specified for Andersen A-Series or 400 Series products.&nbsp; See the <a href="http://andersenwindows.force.com/welcome/trimcontest_main?P=Rules" target="_blank">official rules</a> for details.</p>
<p>
	
	Up to five (5) designs will be selected. Contest winners will receive a trip to Minnesota for an architectural tour of the Twin Cities and a facilities tour of Andersen Corporation. Each winning design that is built on or before May 30, 2013 will also receive Andersen exterior trim (up to 700 linear feet); an approximate retail value of $7,000.</p>

	<p>
		Find official contest rules here: <a href="http://www.andersenwindows.com/exteriortrimcontest" target="_blank">http://www.andersenwindows.com/exteriortrimcontest</a></p>
	 
      ]]></content>
    </entry>

    <entry>
      <title>Andersen Exterior Trim Design Contest</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/andersen_exterior_trim_design_contest/" />
      <id>tag:bustler.net,2012:/1.11006</id>
      <published>2012-05-18T22:23:23Z</published>
      <updated>2012-02-03T19:00:24Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	<strong>Announcing the <span class="il">Andersen</span>&reg; <span class="il">Exterior</span> <span class="il">Trim</span> <span class="il">Design</span> <span class="il">Contest</span></strong></p>
<p>
	To showcase the new <span class="il">Andersen</span>&reg; <span class="il">Exterior</span> <span class="il">Trim</span> System, the company is launching a <span class="il">contest</span> for architects and designers to render and submit an original building <span class="il">design</span> using <span class="il">Andersen</span> <span class="il">exterior</span> <span class="il">trim</span> as a building component.</p>
<p>
	Now through May 18, 2012, applications are being accepted. Entrants must submit an original building <span class="il">design</span> with four (4) elevations[MD1] &nbsp;rendered in color, and may submit one (1) additional drawing of their choice. The project must include the <span class="il">exterior</span> <span class="il">trim</span> system specified for <span class="il">Andersen</span> A-Series or 400 Series products. &nbsp;See the official rules for details.[MD2]</p>
<p>
	Up to five (5) designs will be selected. <span class="il">Contest</span> winners will receive a trip to Minnesota for an architectural tour of the Twin Cities and a facilities tour of <span class="il">Andersen</span> Corporation. Each winning <span class="il">design</span> that is built on or before May 30, 2013 will also receive <span class="il">Andersen</span> <span class="il">exterior</span> <span class="il">trim</span> (up to 700 linear feet); an approximate retail value of $7,000. Find official <span class="il">contest</span> rules here [MD3] and view the wide variety of <span class="il">trim</span> styles and colors[a4] &nbsp;at <a href="http://www.andersenexteriortrim.com/" target="_blank">www.andersenexteriortrim.com</a>.</p>
<p>
	<span class="il">Andersen</span>&rsquo;s new <span class="il">Exterior</span> <span class="il">Trim</span> System makes installation a snap. Can you imagine installing finished <span class="il">trim</span> on an average house in just half a day and never touching it again? Sound too good to be true? Not anymore.</p>
<p>
	The <span class="il">Andersen</span> <span class="il">trim</span> system saves time on the jobsite because it can be ordered along with the windows and arrives ready for installation. Available completely assembled and finished for most windows and in pre-cut kits for patio doors, the <span class="il">Andersen</span> <span class="il">Exterior</span> <span class="il">Trim</span> System makes measuring, cutting, filling nail holes and painting a thing of the past. Installation takes as little as five minutes for an exceptional fit and lasting finish. It&rsquo;s made of Fibrex composite material, which is highly sustainable, low maintenance and virtually impervious to water. In addition, it installs independently of the window or door&rsquo;s water management system. <span class="il">Trim</span> is available in 11 colors and a range of architectural styles.</p>
<p>
	NO PURCHASE NECESSARY TO ENTER OR WIN. &nbsp;VOID WHERE PROHIBITED AND IN PUERTO RICO. &nbsp;The <span class="il">Andersen</span>&reg; <span class="il">Exterior</span> <span class="il">Trim</span> <span class="il">Design</span> <span class="il">Contest</span> (this &ldquo;<span class="il">Contest</span>&rdquo;) starts on 1/19/2012 at 12:01 AM Central Time (&ldquo;CT&rdquo;) and ends on 05/18/2012 at 11:59:59 PM CT (the &ldquo;<span class="il">Contest</span> Period&rdquo;). Open only to eligible architects or designers, who are legal residents of the United States and 18 or older at the time of entry. During the <span class="il">Contest</span> Period, enter by submitting an eligible building <span class="il">design</span>, online at <a href="http://www.andersenwindows.com/exteriortrimcontestentry" target="_blank">http://www.andersenwindows.<wbr>com/exteriortrimcontestentry</wbr></a><wbr><wbr><wbr><wbr> or by mail to <span class="il">Andersen</span> <span class="il">Exterior</span> <span class="il">Trim</span> <span class="il">Contest</span>, <span class="il">Andersen</span> Corporation 100 4th Ave. N., Bayport, MN, 55003. &nbsp;Sponsor will award 5 Prizes. Prize is a 3-day, 2-night trip to Minneapolis, MN (ARV: $3,000) and up to 700 ft of <span class="il">Andersen</span>&reg; <span class="il">Exterior</span> <span class="il">Trim</span> for constructing winner&rsquo;s <span class="il">design</span> (ARV: up to $7,000). <span class="il">Trim</span> must be redeemed on or before 05/30/2013. Odds of winning depend on the number of eligible entries received. See Official Rules for all details, including eligibility, <span class="il">design</span> submission, determination of winners, prize details, etc. at <a href="http://www.andersenwindows.com/exteriortrimcontestrules" target="_blank">http://www.andersenwindows.<wbr>com/exteriortrimcontestrules</wbr></a><wbr><wbr><wbr>. Sponsor: <span class="il">Andersen</span> Corporation 100 4th Ave. N. Bayport, MN 55003[MD5] .<wbr></wbr></wbr></wbr></wbr></wbr></wbr></wbr></wbr></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>OBA2012 &#45; Aurora Borealis Arctic observatory</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/oba2012_-_aurora_borealis_arctic_observatory/" />
      <id>tag:bustler.net,2012:/1.11014</id>
      <published>2012-05-16T06:59:14Z</published>
      <updated>2012-01-31T18:26:15Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	<strong>Proposal</strong></p>
<p>
	At ArchMedium we would like to propose a project that will help us rediscover our primitive instincts. We want to create a bond again with Mother Nature. We want to reestablish the ancient connection between Man and the glories of His planet. This is an experience that too frequently eludes us in our contemporary, urban lifestyles.</p>
<p>
	What we want to create is a Northern Lights observatory located in one of the most extreme latitudes inhabited by Man, surrounded by lush, endless forests and nature in its purest form. A place where one can retreat for a few days to completely disconnect from the daily routine and plunge headfirst into a world of observation, relaxation, and learning.</p>
<p>
	<strong>The Site</strong></p>
<p>
	Rovaniemi is the ideal location for such a project. Located in the icy curls of the Arctic Circle, this capital of the Finnish Lapland is not only the final stop north on the Finnish railway system, but is also the supposed hometown of Santa Claus! And best of all&hellip;the Northern Lights are visible in Rovaniemi up to 200 nights per year.</p>
<p>
	<strong>Jury</strong></p>
<ul>
	<li>
		President &ndash; Josep Llin&aacute;s</li>
	<li>
		Design Studio &ndash; Pere Joan Ravetllat (Ravetllat Ribas)</li>
	<li>
		Young architect &ndash; Mara Partida (MX-SI)</li>
	<li>
		History and composition &ndash; Celia Mar&iacute;n (ETSAB/UPC)</li>
	<li>
		Local Architect(Finland) &ndash; Philip Tidwell (Aalto univ.)</li>
</ul>
<p>
	<strong>Prizes</strong></p>
<p>
	5000euros+publication in architecture magazines+exposition in ETSAB Barcelona and Aalto university<br />
	<br />
	<strong>Calendar</strong></p>
<p>
	15 May &nbsp;2012.&hellip;..&hellip;&hellip;..........&hellip;............&hellip;..End inscriptions</p>
<p>
	31 May 2012&hellip;&hellip;&hellip;...................&hellip;&hellip;Submission Deadline</p>
<p>
	<a href="http://www.archmedium.com/" target="_blank">www.archmedium.com</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Innovative Minds Architectural Design Competition</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/innovative_minds_architectural_design_competition/" />
      <id>tag:bustler.net,2012:/1.10988</id>
      <published>2012-05-01T19:00:48Z</published>
      <updated>2012-01-26T17:55:49Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	<strong>Design Challenge</strong></p>
<p>
	In today&rsquo;s world creative ideas are becoming crucial to success of all populations especially when social, economic and technological issues are becoming more complex. &nbsp;How can &ldquo;innovative minds&rdquo; be invigorated by an architectural design to promote solutions for our complex problems?<br />
	An architectural design needs to become a catalyst for the innovative mind within physical and or virtual environments. &nbsp;This design needs to promote the human condition by inspiring the minds of the intended users to an unprecedented level. &nbsp;This may be accomplished on any scale; micro or macro. &nbsp;The designer will decide how to inspire users to develop or use their innovative minds directly or indirectly as a result of the architectural design.</p>
<p>
	<strong>Awards</strong></p>
<p>
	Innovative Minds Competition &ndash; Winner Gurroo Award</p>
<p>
	$1000 + (10% of registration fees) to winning project. &nbsp;Personal Profiles will be created on the Gurroo website promoting the authors of the winning project. &nbsp;The winning project will also be showcased on Gurroo website for an extended period of time.<br />
	<br />
	Honorable Mentions &ndash; 10 Projects will receive this award. &nbsp;These awards will be determined by the preliminary judging conducted by Gurroo LLC and the Official Judging Panel with no association with Gurroo LLC. &nbsp;Honorable Mention projects will be showcased on the Gurroo website. &nbsp;Candidates will also be involved in the judging of the winning project.<br />
	<br />
	Open Source Design Tools Donation<br />
	10% of Registration fees will be donated to an open source design programming organization to ensure the development of open source design programs. &nbsp;These tools are encouraged to be used in the development of competition submissions. &nbsp;A list of several programs may be found on the Gurroo website.<br />
	<br />
	<strong>Registration</strong><br />
	<br />
	Registration must be completed by May 1, 2012. &nbsp;Individuals or teams must pay a $30 fee. &nbsp;The registration fee will be collected through Google Checkout.<br />
	<br />
	<strong>Definitions</strong></p>
<p>
	Innovative: The introduction of something new. A new idea, method or device.<br />
	Mind: The part of an individual that feels, perceives, thinks, wills, and especially reasons.<br />
	<br />
	<strong>Site Selection</strong><br />
	<br />
	Any site may be chosen for the design competition. &nbsp;Open site selection.<br />
	<br />
	<strong>Eligibility</strong><br />
	<br />
	Open to all individuals and teams of up to 4 members. &nbsp;Students and Design Professionals are encouraged to register.<br />
	<br />
	<strong>Dates</strong><br />
	<br />
	January 2012 &ndash; Competition Requirements Announced<br />
	February 1, 2012 &ndash; Registration Begins<br />
	May 1, 2012 &ndash; Registration Deadline<br />
	June 15, 2012 &ndash; Submission Deadline<br />
	June 16- June 22, 2012- Preliminary Judging Evaluation by Gurroo LLC.<br />
	May 23-May 29, 2012- Official Judging Panel Evaluation<br />
	June 30-July 6, 2012- Honorable Mention Judging<br />
	July 9, 2012 Winner of the Innovative Minds Competition Announced.<br />
	<br />
	<strong>Submission Requirements</strong><br />
	<br />
	Boards must be submitted electronically by June 15, 2012 to Gurroo LLC to qualify for the competition. &nbsp;Registration must be completed prior to project submission.</p>
<ol>
	<li>
		Project Statement (300 words) .doc file format.</li>
	<li>
		Two (2) boards, 24&Prime; x 36&Prime; 300 dpi submitted electronically in PDF format. Horizontal orientation.</li>
</ol>
<p>
	<strong>Board Requirements</strong></p>
<ol>
	<li>
		Renderings evoking an emotive quality using unique techniques.</li>
	<li>
		Section, Elevation and Plan drawings, which best describe the project.</li>
	<li>
		Diagrams describing how the project addresses the competition challenge statement.</li>
	<li>
		Registration number located clearly in the upper right corner of both boards.</li>
	<li>
		Correct spelling and punctuation in all text.</li>
	<li>
		Text must be at least 12 point font.</li>
	<li>
		English is the official language of the competition. &nbsp;No other languages may be used.</li>
</ol>
<p>
	<strong>Judging Process</strong><br />
	<br />
	Preliminary judging will be conducted by Gurroo LLC to verify projects meet required competition rules and requirements.<br />
	Secondary Judging will be conducted by an appointed panel of 3-5 judges. &nbsp;These judges will not be associated with Gurroo LLC. &nbsp;This judging panel will nominate a select number of honorable mention projects.<br />
	A final winner will be decided by the group of honorable mentions selected by the Judging panel.<br />
	Honorable Mention Candidates will be required to vote for the top projects based on a point value system. &nbsp;The candidates cannot vote for their own projects but will be required to evaluate the other projects to decide a winner.<br />
	<br />
	<strong>Judging Criteria</strong><br />
	<br />
	Minimum Criteria</p>
<ol>
	<li>
		How well does the project answer the Design Challenge with a successful architectural solution?</li>
	<li>
		Overall quality of the presentation boards.</li>
	<li>
		Graphic quality of drawings clearly display the essence of project.</li>
</ol>
<p>
	<a href="http://www.gurroo.com/" target="_blank">www.gurroo.com</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Douglas Haskell Award for Student Journals</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/douglas_haskell_award_for_student_journals_moblog2/" />
      <id>tag:bustler.net,2012:/1.10066</id>
      <published>2012-05-01T18:26:20Z</published>
      <updated>2011-06-29T23:00:21Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	PURPOSE<br />
	Founded to encourage <span class="il">student</span> journalism on architecture, planning and related subjects, and to foster regard <span class="il">for</span> intelligent criticism among future professionals. The <span class="il">award</span> is not intended as a prize <span class="il">for</span> individuals, but is intended to support the ongoing publication of <span class="il">student</span>-edited <span class="il">journals</span> whose subject matter could include architectural design, history, and theory.<br />
	<br />
	ELIGIBILITY<br />
	Any journal (online or print) published by a school of architecture, landscape architecture or planning in the United States that is edited by students is eligible. The publication must have been produced in the current or previous school year.<br />
	<br />
	<span class="il">AWARD</span><br />
	Single or multiple awards up to $2,000<br />
	<br />
	DEADLINE<br />
	Applications must be received on Tuesday, May 1st by 5:00 pm EST. No exceptions.<br />
	<br />
	Learn more at: <a href="http://www.cfafoundation.org/index.php?section=haskell" target="_blank">http://www.cfafoundation.org/<wbr>index.php?section=<span class="il">haskell</span></wbr></a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Revolution of the Social Housing &#45; Competition &amp;amp; Workshop</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/revolution_of_the_social_housing_-_competition_workshop/" />
      <id>tag:bustler.net,2012:/1.10703</id>
      <published>2012-04-29T23:11:04Z</published>
      <updated>2011-11-19T01:09:05Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	In May of 2012, from 1st till 9th, in Yaroslavl, in a picturesque place on the bank of a pond, not far from the Volga-river an architectural bureau &laquo;Narodnij architektor&raquo; and an information portal <a href="http://www.cih.ru" target="_blank">www.cih.ru</a>, with the support of the department of Architecture of Yaroslavl State Technical University will spend WORKSHOP devoted to a social architecture and innovative approaches to the typology of modern habitation. In the run-up of the workshop a competition among the students, architects and other interested professionals will be held. The goal is to design a house-&quot;minimum&quot;. More info: <a href="http://cih.ru/j2/p53b.html " target="_blank">http://cih.ru/j2/p53b.html </a></p>
<p>
	<strong>WORKSHOP THEME: </strong>Social Housing</p>
<p>
	<strong>PLACE:</strong> Yaroslavl, Russia</p>
<p>
	<strong>DATE:</strong> May, 1-9, 2012</p>
<p>
	<strong>CONSTRUCTION BUDGET: </strong>9000 $</p>
<p>
	The organizers of workshop aim to teach participants a creative method of doing free-for-all architecture with the minimum construction budget.</p>
<p>
	A series of lectures will be read during the workshop. Such hot questions will be raised up and discussed as &mdash; the combination of uniqueness and massness of architecture, the low budget and quality of a product, the professional dialogue with the customer of middle class and with the low income, the compromise between an architect and a customer as a key issue of architecture and form finding/morphogenesis.</p>
<p>
	Within the holding of workshop, the action which does not have any analogs in Russia will be spent &mdash; the construction of the sample of the house in real time; with step-by-step analysis of each constructive and architectural decision with the participants of workshop.</p>
<p>
	All participants of the workshop will make impressive common theoretical and practical work with the house of new typology as a result. The final lecture will be read in this new house of social availability.</p>
<p>
	Ten best works will be exhibited and discussed in the workshop; the authors of the most striking works will be awarded with prizes from the sponsors, an opportunity to present your creative methods in front of the audience and be published on the websites of the organizers and media partners.</p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Five Design Challenge 2012</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/five_design_challenge_2012/" />
      <id>tag:bustler.net,2012:/1.10868</id>
      <published>2012-04-27T06:55:17Z</published>
      <updated>2012-01-06T00:48:18Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	The FIVE Design Challenge is an annual five-week-long ideas competition calling on local &amp; international thinkers from any discipline to generate ideas for solving real challenges facing the city of Cincinnati, Ohio as well as many other mid-size cities across the US.</p>
<p>
	How does a five week competition work?</p>
<p>
	The <a href="http://www.fivedesignchallenge.com/" target="_blank">FIVE brief &amp; website</a> contains contextual information giving general hints relevant to the overall challenge. At noon on March 22, the specific challenge will posted to the website &amp; emailed to all registrants giving them five weeks to create a unique solution.</p>
<p>
	Entries are due by noon, April 26. <a href="http://www.fivedesignchallenge.com/" target="_blank">http://www.fivedesignchallenge.com/</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Martin Roche Traveling Scholarship</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/martin_roche_traveling_scholarship/" />
      <id>tag:bustler.net,2012:/1.10971</id>
      <published>2012-04-16T06:55:10Z</published>
      <updated>2012-01-23T18:36:11Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	Established in 1926 by architect Martin Roche, this award gives a student the opportunity to independently study architecture abroad. The recipient will be selected on individual merit as evidenced by tour and independent study plan, strength of faculty recommendation, academic background, personal and professional achievements, character, integrity and general indication of future promise in the profession. The AIA Chicago Foundation reserves the right to interview any and all applicants before making a final decision and reserves the right not to make an award, or to divide the scholarship if multiple awards are made. This award is intended for independent study and is not to be used for credit-earning activities sponsored by educational institutions or other organizations.</p>
<p>
	Award: $5,000 to be used toward studying architecture abroad Eligible applicants: students in architectural programs at the Illinois Institute of Technology, University of Illinois - Chicago, or the School of the Art Institute Chicago.</p>
<p>
	<a href="http://www.aiachicago.org" target="_blank">www.aiachicago.org</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>alterMALL: Open Ideas Competition</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/altermall_open_ideas_competition/" />
      <id>tag:bustler.net,2012:/1.10791</id>
      <published>2012-04-11T06:55:56Z</published>
      <updated>2011-12-12T19:26:57Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	<strong>alterMALL COMPETITION a non-commercial, indoor public space </strong></p>
<p>
	OPENGAP organizes this open ideas competition seeking for innovative, cutting-edge, contemporary, proposals for indoor, non-comercial leisure spaces.</p>
<p>
	Participants are invited to submit their proposals for a new type of indoor public space that respond to the present social needs, integrated in an urban site.</p>
<p>
	Each participant or team will define the location of their Project. However, the proposal must justify the choice of the location and the interaction reached between the proposal and the context.</p>
<p>
	The competition is open to all architects, designers, architecture students and to people around the world interested in the topic. Competitors can subscribe individually or as a team of maximum of 5 people.</p>
<p>
	The proposal submission will consist of two digital images in .jpg format, not bigger than 4MB each.</p>
<p>
	<strong>Awards </strong></p>
<ul>
	<li>
		First Prize, 2000 Euro</li>
	<li>
		Second Prize, 700 Euro</li>
	<li>
		Third Prize, 400 Euro</li>
	<li>
		Mentions, Mentions will not have an economic prize.</li>
</ul>
<p>
	<strong>Schedule </strong></p>
<p>
	BEGINNING OF THE COMPETITION: December 12, 2011<br />
	QUERIES SUBMISSION DEADLINE: February 10, 2012<br />
	REGISTRATION 1ST PERIOD: From December 12, until January 10, 2012<br />
	REGISTRATION 2ND PERIOD: From January 11, until February 07, 2012<br />
	REGISTRATION 3RD PERIOD: From February 08, until March 06, 2012<br />
	REGISTRATION 4RD PERIOD: From March 07, until April 10, 2012<br />
	COMPETITION REGISTRATION DEADLINE: April 10, 2012<br />
	PROPOSAL SUBMISSION DEADLINE: Until April 17, 2012<br />
	JURY EVALUATION PERIOD: During April-May 2012<br />
	WINNERS ANNOUNCEMENT: May, 2012<br />
	AWARDING OF PRIZES: June, 2012</p>
<p>
	<strong>Registration fees: </strong></p>
<p>
	1ST PERIOD (from 12/DEC/2011 to 10/JAN/2012): 29,00 euro<br />
	2ND PERIOD (from 11/JAN/2012 to 07/FEB/2012): 50,00 euro<br />
	3RD PERIOD (from 08/FEB/2012 to 06/MAR/2012): 65,00 euro<br />
	3RD PERIOD (from 07/MAR/2012 to 10/APR/2012): 80,00 euro</p>
<p>
	<strong>Competition Language </strong></p>
<p>
	English and Spanish</p>
<p>
	<strong>More info: </strong></p>
<p>
	<a href="http://www.opengap.net " target="_blank">www.opengap.net </a></p>
<p>
	<a href="mailto:competitions@opengap.net">competitions@opengap.net</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Core77 2012 Design Awards</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/core77_2012_design_awards/" />
      <id>tag:bustler.net,2012:/1.10953</id>
      <published>2012-04-11T06:55:16Z</published>
      <updated>2012-01-19T18:00:17Z</updated>
      <author>
            <name>Alexander Walter</name>
            <email>alexander@bustler.net</email>
            <uri>http://www.bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	After a successful inaugural launch last year, <a href="http://www.core77.com/" target="_blank">Core77</a> - the world&#39;s first online design resource - is now accepting entries for the Core77 2012 Design Awards. With progressive categories, professional and student entry fields, globally distributed juries, in-depth video testimonials, live jury announcements and a unique trophy that honors teamwork, the Core77 Design Awards continues to be the most inclusive, transparent and web-savvy award platform in the design industry. Adding to the wide breadth of categories, this year&#39;s awards will feature two new areas - Food Design and Writing &amp; Commentary - plus a new jury of leading design minds from around the world.<br />
	<br />
	According to Allan Chochinov, Partner and Editor-In-Chief of Core77, &quot;We created the Core77 Design Awards to reflect the diversity of design practice today and to offer more opportunities to honor design enterprise in all forms.&quot; Jacqueline Khiu, Director of the Core77 Design Awards adds, &quot;One of the interesting points of departure with this program is the greater transparency it brings to the process of entering and judging awards. It provides faces and voices to makers and jurors, and creates a more revealing and rewarding platform to participate in.&quot;<br />
	<br />
	Open for entry starting January 17, the Core77 2012 Design Awards features 17 categories ranging from established fields to new emerging practices. Of these, 15 categories offer separate entry fields for professionals and students. Entrants are also encouraged to upload video to accompany their submission, providing a personal testimony about their entry to the jury. In addition to the sliding scale of entry fees, Core77 is offering a 20% Earlybird discount to people who enter by March 13. The final deadline for entries is April 10, 2012.<br />
	<br />
	The Core77 Design Award&#39;s unique judging process combines global perspectives with local expertise. For each category, Core77 handpicked Jury Captains from 13 cities and 8 countries and invited them to choose their own jury from local experts in their field. The results will be broadcast live from the home cities of each jury team, revealing their choices via online video announcements.<br />
	<br />
	Winners in each category will be awarded a trophy created by the New York design studio Rich Brilliant Willing. Recognizing design as a team sport, the trophy is a metallic mold that allows multiples to be produced - allowing contributors and clients to share in the glory.<br />
	<br />
	The full list of categories, Jury Captains and judging locations for the Core77 2012 Design Awards includes:<br />
	<br />
	<strong>CONSUMER PRODUCTS</strong><br />
	Products designed for personal use (home, work, leisure, health, sports, etc.). Examples include electronics and accessories, household goods and appliances, tabletop and personal care.<br />
	Jury Captain: Nicolas Roope<br />
	Founder and Owner of HULGER / PLUMEN<br />
	Founder and Owner of Poke<br />
	Judging Location: London, United Kingdom<br />
	<br />
	<strong>EQUIPMENT</strong><br />
	Equipment and systems designed for public, commercial, industrial, medical and scientific use. Examples include machinery, medical instruments and devices, construction tools, transaction kiosks and weather instruments.<br />
	Jury Captain: Renke He<br />
	Dean and Professor at School of Design at Hunan University<br />
	Judging Location: Changsha City, China<br />
	<br />
	<strong>SOFT GOODS</strong><br />
	Apparel and products made from soft materials for personal, recreational, outdoor or work use. Examples include clothing, shoes, bags, backpacks, hats, uniforms, sleeping bags, tents and textiles.<br />
	Jury Captain: Michael DiTullo<br />
	Creative Director of frog design<br />
	Judging Location: San Francisco, CA, USA<br />
	<br />
	<strong>FURNITURE &amp; LIGHTING</strong><br />
	Furniture and lighting products or systems for private, public, commercial or industrial use. Examples include home or public seating, office systems, lighting, street lighting and workstations.<br />
	Jury Captain: Zo&euml; Ryan<br />
	Chair and Curator of Architecture &amp; Design at the Art Institute of Chicago<br />
	Judging Location: Chicago, IL, USA<br />
	<br />
	<strong>INTERIORS &amp; EXHIBITIONS</strong><br />
	Spatial design as it relates to physical interiors, exhibitions or installations, either permanent or temporary, and to any context (private, commercial, public or institutional). Examples include public installations, restaurant/hospitality interiors, office or medical interiors, set designs, retail displays and exhibition booths.<br />
	Jury Captain: TBD<br />
	<br />
	<strong>VISUAL COMMUNICATION</strong><br />
	All graphic design, branding and identity projects for print, online or physical environments. Examples include logos and identity systems, environmental graphics and signage, typefaces, infographics, motion graphics, print design and advertising.<br />
	Jury Co-Captains: Min and Sulki Choi<br />
	Co-Directors of Sulki and Min<br />
	Professors at University of Seoul and Kaywon School of Art &amp; Design<br />
	Judging Location: Seoul, South Korea<br />
	<br />
	<strong>PACKAGING</strong><br />
	All graphic design, branding and structural designs related to the packaging of products. Examples include primary or secondary packaging for FMCG (Fast Moving Consumer Goods) or premium brands, promotional packaging and gifting programs, and limited editions.<br />
	Jury Captain: Laurent Hainaut<br />
	Co-Founder and Partner of Raison Pure Design Group<br />
	Founder, President and CEO of Raison Pure NYC<br />
	Judging Location: Paris, France<br />
	<br />
	<strong>INTERACTION</strong><br />
	Interactive multimedia and user interface design for websites, mobile devices and experiential installations. Examples include software, mobile apps, interactive projections, animations, simulations, and robotics.<br />
	Jury Co-Captains: Matt Webb<br />
	CEO and Principal of BERG<br />
	Jack Schulze and Matt Jones<br />
	Principals of BERG<br />
	Judging Location: London, United Kingdom<br />
	<br />
	<strong>SERVICE</strong><br />
	All projects entailing the organization of users, communications, transactions, infrastructure, institutions and service. Examples include distribution or delivery systems, ways of connecting people or enabling transactions, funding platforms and web-based communities.<br />
	Jury Captain:<br />
	Panthea Lee<br />
	Co-Founder and Principal of Reboot<br />
	Judging Location: New York, NY, USA<br />
	<br />
	<strong> TRANSPORTATION</strong><br />
	Vehicles or modes of transportation used to get people or objects from one place to another, in any context (private, public, commercial or industrial use). Examples include planes, trains, automobiles, bikes, boats, mass transit systems and transportation infrastructure.<br />
	Jury Captain: Jay Rogers<br />
	President, CEO and Co-Founder of Local Motors, Inc.<br />
	Judging Location: Chandler, AZ, USA<br />
	<br />
	<strong>SOCIAL IMPACT</strong><br />
	Projects specifically designed to directly benefit social, humanitarian, community or environmental causes. Examples include community or environmental impact initiatives, products for underrepresented communities, distribution systems and disaster relief toolkits.<br />
	Jury Captain: Tasos Calantzis<br />
	CEO of Terrestrial<br />
	Judging Location: Pretoria, South Africa<br />
	<br />
	<strong>EDUCATIONAL INITIATIVES</strong><br />
	Any educational class project, curriculum or institutional level program or tool that furthers the practice of design education or education about design. Examples include curricula, class programs, teaching systems or toolkits, and mobile educational platforms.<br />
	Jury Captain: Mariana Amatullo<br />
	Founder of Designmatters at Art Center College of Design<br />
	Judging Location: Pasadena, CA, USA<br />
	<br />
	<strong>STRATEGY &amp; RESEARCH</strong><br />
	Design projects that predominantly utilize research or strategy in their product or project. Examples include brand strategies, product and project strategies, research methodologies such as surveys, interviews, studies, observations and varied research throughout projects.<br />
	Jury Captain: Lorraine Justice<br />
	Dean of College of Imaging Arts and Sciences at Rochester Institute of Technology<br />
	Judging Location: Rochester, NY, USA<br />
	<br />
	<strong>WRITING &amp; COMMENTARY (new!)</strong><br />
	Writing and critical commentary about designed objects, spaces or systems. Examples include reviews, essays, profiles, articles, columns, blog posts and manifestos.<br />
	Jury Captain: Alice Twemlow<br />
	Chair of MFA in Design Criticism at School of Visual Arts<br />
	Judging Location: New York, NY, USA<br />
	<br />
	<strong> SPECULATIVE</strong><br />
	Projects that are pure concepts or proposals, whether self-initiated for fiction, discourse, intervention or exploration, or created as exploratory/speculative designs for a client or educational institution. Examples include future scenarios, design explorations, provocations and visionary concepts.<br />
	Jury Captain: Bruce Sterling<br />
	Author of &quot;Beyond the Beyond&quot; at Wired<br />
	Judging Location: TBD<br />
	<br />
	<strong>DIY</strong><br />
	Any personal project that is self-directed, self-produced and self-funded, whether it&#39;s the modification of an existing system or artifact or the creation of something new Examples include hacks, mods, upcycles, recycles, crafts and digital fabs.<br />
	Jury Captain: Becky Stern<br />
	Founder of Sternlab<br />
	Judging Location: Brooklyn, NY, USA<br />
	<br />
	<strong>FOOD DESIGN (new!)</strong><br />
	Design at the service of eating, cooking, serving, distributing or experiencing food. Examples include edible materials, culinary design, delivery systems or architectures, urban gardening, educational programs, multi-sensory gastronomic experiences, kitchens and food trucks.<br />
	Jury Captain: Marc Br&eacute;tillot<br />
	Food Designer<br />
	Judging Location: Paris, France<br />
	<br />
	For more information about the Core77 2012 Design Awards or to register for the free 2012 Call for Entries poster, visit <a href="http://www.core77designawards.com/" target="_blank">www.core77designawards.com/</a>. For constant news updates, follow them on Twitter <a href="http://twitter.com/Core77Awards" target="_blank">@Core77Awards</a> or Facebook at <a href="http://www.facebook.com/Core77DesignAwards" target="_blank">www.facebook.com/Core77DesignAwards</a>.</p>
 
      ]]></content>
    </entry>

    <entry>
      <title>3Dimensional front &#45; Exhibition structure/Installation</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/3dimensional_front_-_exhibition_structureinstallation/" />
      <id>tag:bustler.net,2012:/1.10922</id>
      <published>2012-04-09T06:54:59Z</published>
      <updated>2012-01-14T01:04:01Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	<strong>The challenge &ndash; &ldquo;3Dimensional front&rdquo; </strong></p>
<p>
	Due to the urban structure of New York city, most buildings don&#39;t have more than 2 visible and livable facades; the front and the back, which makes the fa&ccedil;ade one of the most important element of the building. The choice of having the facade treated in one way or another determines the qualities of the interior and exterior experience (Opaque, transparent, hollowed..) but we wonder: and WHAT ABOUT THE IN BETWEEN?</p>
<p>
	The challenge of this competition is to design a temporary structure/installation that will challenge the common purpose and use of a fa&ccedil;ade. A traditional facade is usually experienced as a flat 2 dimensional element where the quality it generates is mostly about visibility/transparency and aesthetics. We would like to transform the facade into a 3dimensional element. We want the proposed projects to enhance the experience of entering a space beyond just opening a door. We are interested in the &quot;in between&quot; experience created between the exterior and interior part of the structure.</p>
<p>
	<strong>The site </strong></p>
<p>
	The proposed site is located outside of the <a href="http://www.milavechakimiart.com/" target="_blank">milavec Hakimi Gallery</a> at 51 cooper square in NYC. (the new cooper union building) We wish the proposed project to be inspired by this amazing building showcasing how a facade can be way more than just a bi dimensional element. The MIlavec Hakimi Gallery is an art gallery showing fun contemporary art and therefore we ask you to relate your work with a progressive contemporary thinking. The starting point of your work should be the conception of a 3dimensional front to the gallery`s existing glass wall. This 3dimensional front must have a certain depth in which different experiences can take place. The experiences we are seeking are related to the activities of the gallery. Your proposed structure/s can either integrate art pieces into it (Outdoor exhibition space) or simply offer an experience where it`s the art piece itself.</p>
<p>
	<strong>The Program </strong></p>
<p>
	The program set for this challenge is comprised of a 550 Sq. feet (50 M2) of exhibition structure/installation. The structure&#39;s purpose is either the serve as an experimental installation positioned outside of a gallery and play a role in the ongoing exhibition or to provide the gallery with an outdoor exhibition space that will show up to 6 works of different nature. The structure may have an interior space but should be conceived as an on open public space. Your work can also be conceived as several independent objects/structures that will form a front to the gallery. You are not obliged to use the whole foot print allocated in the plan nor use the maximal height. The conception of lighting and sound are welcome and will be considered a + for the project.</p>
<ul>
	<li>
		550 feet of structure / Installation space. (50 M2)</li>
	<li>
		Maximal height of the structure is set to 17 feet. (500 cm) See elevation</li>
	<li>
		No restrictions on width or length for the structure (Within the site boundaries).</li>
	<li>
		The structure has to be structurally independent and must not touch the adjacent walls or any of the building&#39;s elements. It can be anchored to the ground.</li>
</ul>
<p>
	<strong>What we look for </strong></p>
<p>
	anonymous.d is looking for original responses... We are looking for something simple but powerful enough to intrigue the passer by. We want people who see the work to question the visual but to be even more surprised the unique architectural/human experience this work will offer. We are also looking for the technical intelligence of mounting a relatively small structure by the use of simple materials assembled together in a sophisticated way leading to a unique aesthetic expression. Parametric design methods are encouraged.</p>
<p>
	More information on <a href="http://www.anonymousd.com" target="_blank">www.anonymousd.com</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Dizining Innovative Design Competition</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/dizining_innovative_design_competition/" />
      <id>tag:bustler.net,2012:/1.10898</id>
      <published>2012-04-07T06:55:57Z</published>
      <updated>2012-01-14T00:38:58Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	Dizining is pleased to invite architects, students, engineers, designers, and architecture fans from around the world to take part in the Dizining Spring 2012 Innovative Competition. Established in 2012, the annual Innovative Competition is one of the world&#39;s most prestigious awards for ecological-multi-function program buildings. It recognizes exceptional ideas that redefine the ecological architectural design through the implementation of new fresh technologies, materials, programs, aesthetics, and spatial organizations along with studies on urban transformation, globalization, flexibility, adaptability, and the digital insurgency. It is an opportunity that examines the relationship between the ecological vs. functional combination and the natural world, architectural-design and the community, and the building and its relationship to the city and citizens.</p>
<p>
	The participants should take into consideration the advances in technology, the exploration of sustainable systems, and the establishment of new urban and architectural methods to solve economic, social, and cultural problems of the contemporary city including the scarcity of natural resources and infrastructure and the exponential increase of inhabitants, pollution, economic division, and unplanned urban collapse.</p>
<p>
	The competition is an investigation on the public and private space and the role of the individual and the collective in the creation of a dynamic and adaptive vertical/horizontal community. It is also a response to the investigation and adaptation of new habitats and territories based on a dynamic equilibrium between man and nature &ndash; a new kind of responsive and adaptive design capable of intelligent growth through the self-regulation of its own systems.</p>
<p>
	There are no restrictions in regards to site, program or size. The objective is to provide maximum freedom to the participants to engage the project without constraints in the most creative way. What is an ecological multi-functional building in the 21st century? What are the historical, contextual, social, urban, and environmental responsibilities of these mega-structures?</p>
<p>
	Dizining is committed to continue stimulating the imagination of designers around the world &ndash; thinkers that initiate a new architectural discourse of economic, environmental, intellectual, and perceptual responsibility that could ultimately modify what we understand as a contemporary skyscraper, its impact on urban planning and on the improvement of our way of life.</p>
<p>
	<a href="http://dizining.com/contest" target="_blank">http://dizining.com/contest</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>ARCHITECTURE PAVILION COMPETITION</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/architecture_pavilion_competition/" />
      <id>tag:bustler.net,2012:/1.10870</id>
      <published>2012-04-07T06:54:15Z</published>
      <updated>2012-01-06T00:59:16Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	International competition for preliminary design of Architecture Pavilion General</p>
<p>
	Sponsor of the competition: <a href="http://www.kingspan.rs" target="_blank">Kingspan company </a></p>
<p>
	Competition organizer: <a href="http://www.arhitekton.net" target="_blank"><em>Magazine Arhitekton </em></a></p>
<p>
	Opening date: December 30, 2011; Closing date: April 6, 2012</p>
<p>
	Awards:</p>
<p>
	1st Prize: 2000 Euro<br />
	2nd Prize: A three day trip to Austria, professional tour and visit to the Zumtobel factory<br />
	3rd Prize: Free one-year magazine subscription, publishing of the awarded work, public promotion of the work and possibility of publishing one more project in the following year</p>
<p>
	Competition is in the international category. It is open to architects and students of architecture. The subject of this competition is the preliminary design of the Architecture Pavilion. Approximate dimensions of the Pavilion should be 3.6 x 12m and the height of the pavilion should not exceed 4.2m. The pavilion design should include materials such as sandwich panels of Kingspan product range. Location and other parameters of the project are optional. It is required to design interior and exterior lighting solutions. Creative usage of different panels should result in a project that realistically reflects the idea of contemporary architecture and affirms architecture itself. Similar to Mies van der Rohe&#39;s pavilion for the Exhibition in Barcelona, the Architecture Pavilion should represent a &quot;universal, timeless and spaceless building&quot;. Special attention should be paid to facade and light. By diverse usage of interior and exterior light project should generate high-quality ambience in compliance with its purpose.</p>
<p>
	All entries must be submitted in digital format - two posters (w/h: 68cm/84cm) at 240dpi. Discs with .pdf, .psd, .eps or .jpg files should be sent to: Magazine Arhitekton, 18 Svetogorska, 11000 Belgrade (Serbia), or you can contact: <a href="mailto:office@casopisarhitekton.com">office@casopisarhitekton.com</a> for internet submission instructions.</p>
<p>
	Deadline for submission is April 6, 2012.</p>
<p>
	<em>Magazine Arhitekton</em> will organize printing and prepare prints for the exhibition &quot;The 2nd Annual Magazine Award&quot; which will be held in Belgrade. In addition to the winning projects, other selected projects will be presented at the exhibition. The segment of the pavilion will be built and assembled in the exhibition area.</p>
<p>
	The winners of the competition will be announced in one of the issues of <em>Arhitekton Magazine</em> and at <a href="http://www.arhitekton.net" target="_blank">www.arhitekton.net</a>, after the competition closure.</p>
<p>
	For more information about the Kingspan products visit <a href="http://www.kingspan.rs" target="_blank">www.kingspan.rs</a> or contact: <a href="mailto:info@kingspan.rs ">info@kingspan.rs </a></p>
<p>
	For more information about the competition contact: <a href="mailto:office@casopisarhitekton.com">office@casopisarhitekton.com</a> or visit <a href="http://www.arhitekton.net" target="_blank">www.arhitekton.net</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Competition for the urban&#45;architectural concept design for the BADEL SITE redevelopment</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/competition_for_the_urban-architectural_conceptual_design_for_the_badel_sit/" />
      <id>tag:bustler.net,2012:/1.10920</id>
      <published>2012-04-06T06:55:33Z</published>
      <updated>2012-01-14T00:48:34Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	The City of Zagreb as promotor, and Zagreb Society of Architects (DAZ) as organizer, are launching an open, on-line, one-stage, anonymous, ideas Competition for the urban-architectural conceptual design for the Zagreb Badel Site redevelopment.</p>
<p>
	Competition purpose and goal: to obtain a quality urban design concept that meets all the functional and economic criteria required to create a new and modern segment of the city centre, while both adding value to the wider urban area and providing a reminder of the historical development of the site. The site area should become a new factor in the definition of identity of this part of the city as well as the central point for the most relevant activities in the fields of business, tourism, hospitality, culture and art, while remaining a location providing quality everyday life environment for its inhabitants both today and tomorrow.</p>
<p>
	The competition is open to all professionals, who hold a master&#39;s degree in architecture or have completed a five-year course of study and are graduate engineers in the field of architecture and urban planning.</p>
<p>
	<strong>Deadlines </strong></p>
<p>
	Competition start date: Tuesday, 10 Jan 2012<br />
	Inquiries deadline: Wednesday, 22 Feb 2012<br />
	Entry submission deadline: Thursday, 5 April 2012, 12:00 CET</p>
<p>
	Competition brief is available at the DAZ web page: <a href="http://www.d-a-z.hr/en/competition/badel " target="_blank">www.d-a-z.hr/en/competition/badel </a></p>
<p>
	<strong>Contact: </strong></p>
<p>
	Phone. +385 1 4816151, Fax +385 1 4816197, E-mail: <a href="mailto:badel@d-a-z.hr ">badel@d-a-z.hr </a></p>
<p>
	<strong>Awards </strong></p>
<p>
	Provided that at least ten (10) competition entries, that meet all the competition and profession criteria, are received by the closing date specified above, the Competition Jury will award the following prizes, accompanied by the gross amounts specified below:</p>
<p>
	First prize: 226,800.00 HRK (approx 30,240.00 &euro;)<br />
	Second prize: 170,100.00 HRK (approx 22,680.00 &euro;)<br />
	Third prize: 113,400.00 HRK (approx 15,120.00 &euro;)<br />
	Fourth prize: 56,700.00 HRK (approx 7,560.00 &euro;)</p>
<p>
	<strong>Competition Jury </strong></p>
<p>
	These are the seven (7) members of the Competition Jury, who have been appointed to evaluate the competition entries:</p>
<ol>
	<li>
		Zoran Bo&scaron;evski architect, Croatia, President of the Competition jury</li>
	<li>
		Jadranka Veseli&#263; Bruvo, architect, Croatia, Vice president of the Competition jury</li>
	<li>
		Prof. Tadej Gla&#382;ar, architect, Slovenia</li>
	<li>
		Prof. Ir. Francine Houben, architect, the Netherlands</li>
	<li>
		Irena Matkovi&#263;, Msc, architect, Croatia</li>
	<li>
		Silvije Novak, professor, Croatia</li>
	<li>
		Toma Pleji&#263;, architect, Croatia</li>
</ol>
<p>
	Deputy of a Competition Jury member: Robert Jonathan Loher, architect, Croatia</p>
<p>
	Expert advisors:</p>
<ol>
	<li>
		Prof Anka Mi&scaron;eti&#263;, PhD, sociologist, Croatia</li>
	<li>
		Tamara Rogi&#263;, PhD, architect, Croatia</li>
</ol>
<p>
	Technical Committee:</p>
<ol>
	<li>
		Ana Dana Bero&scaron;, architect, Croatia</li>
	<li>
		Azra Sulji&#263;, architect, Croatia</li>
	<li>
		Marko Trzun, architect, Croatia</li>
</ol>
<p>
	Competition secretary: Sanja Cvjetko Jerkovi&#263;, architect, Croatia</p>
<p>
	For additional information, see the DAZ web page: <a href="http://www.d-a-z.hr/en/competition/badel" target="_blank">www.d-a-z.hr/en/competition/badel</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>SKY CONDOS Professional Architecture Competition</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/sky_condos_professional_architecture_competition/" />
      <id>tag:bustler.net,2012:/1.10891</id>
      <published>2012-04-03T06:45:42Z</published>
      <updated>2012-01-14T00:30:43Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	<strong>THE CHALLENGE </strong></p>
<p>
	ARQUIA, an international development firm interested in conducting architectural contests at a worldwide level, requires a new kind of &ldquo;Condominium Tower&rdquo; for one of the most beautiful residential zones in Lima. The architecture of this new building should reflect contemporary design tendencies, standing out for the uniqueness of its architectural design, while meshing in with the surrounding San Isidro urban tissue.</p>
<p>
	<strong>THE PROJECT SKY CONDOS </strong></p>
<p>
	The desired residential condos strive to become a new prototype for one of the key residential areas in Lima, Peru. In other words, this project should be think for a single person (single, divorced, widow or a newly wedding couple) who wish to live in the coolest zone of San Isidro. This is why ARQUIA, wishes not just to adapt national parameters and regulations, but also to subscribe to sterling international quality, renewable energy and green design criteria in an effort to set a precedent in local standards, whilst helping to revitalize the inner market and setting a precedent in residential buildings.</p>
<p>
	<strong>ARCHITECTURAL CONTRIBUTION </strong></p>
<p>
	ARQUITECTUM considers contests to be an excellent means for architectural experimentation, discussion and speculation. To this avail, our client ARQUIA has expressed its openness to experiment, given its interest in motivating architects to surprise them with a better idea than that initially expected. They are aware that this &ldquo;surprise factor&rdquo; may involve the undermining of some of the contest&acute;s rules. ARQUIA invites each architect to explore as far as he/she can, even if that entails the overlooking or the breaking of the rules, making it clear, as well, that the risk also involves the possibility of being disqualified.</p>
<p>
	<strong>DESCRIPTION OF THE SITE: THE LIMA GOLF CLUB </strong></p>
<p>
	The plot is located on Avenida Pezet, in the heart of the most exclusive, leisurely and residential zone of Lima, with visuals to the Lima Golf Club. It is found within the District of San Isidro. The plot is not just strategically located with regard to its N-S orientation, but also has an excellent view to the best side of the golf course.</p>
<p>
	<strong>PRIZES </strong></p>
<p>
	Prizes will be as follows:</p>
<p>
	1st PRIZE: US$ 250,000 (TWO HUNDRED AND FIFTY THOUSAND AMERICAN DOLLARS) for development of the project + US$ 5,000 for winning the first prize.</p>
<p>
	2nd PRIZE: US$ 1,000 (ONE THOUSAND AMERICAN DOLLARS)</p>
<p>
	3rd PRIZE: Free membership for participate in all ARQUITECTUM competitions for a year.</p>
<p>
	Plus 9 honorable mentions.</p>
<p>
	<strong>FEES </strong></p>
<p>
	Release: From December 1st 2011 to January 5th 2012: US$ 75.00</p>
<p>
	Special Registration: From January 6th to February 6th 2012: US$ 150.00</p>
<p>
	Early registration: From February 7th to March 5th 2012: US$ 200.00</p>
<p>
	Late registration: From March 6th to April 2nd US$ 250.00</p>
<p>
	<strong>JURY</strong></p>
<p>
	Juvenal Baracco, Architect</p>
<p>
	Miguel Rodrigo Mazur&eacute;, Architect</p>
<p>
	Enrique Espinosa, Architect</p>
<p>
	Marcos Tinman, Engineer</p>
<p>
	<a href="http://www.skycondos.net" target="_blank">www.skycondos.net</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>OPPTA Competition Emergency Interventions</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/oppta_competition_emergency_interventions/" />
      <id>tag:bustler.net,2012:/1.10824</id>
      <published>2012-04-03T03:00:22Z</published>
      <updated>2011-12-20T23:45:23Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	The <a href="http://oppta.org/" target="_blank">OPPTA</a> Competition 2011-2012 is an international idea competition, launched simultaneously in 5 sites and under a common theme to propose solutions at a technical, territorial, infrastructural or architectural level. In this first edition, the chosen theme is Emergency Interventions, and the location for the convening is the American continent. It has suffered successive disasters, natural or anthropic, over the last two years and with solutions still pending.</p>
<p>
	The site locations chosen for this convening of proposals are:</p>
<ul>
	<li>
		Petropolis. State of Rio de Janeiro. Brazil</li>
	<li>
		Puerto Saavedra. Araucan&iacute;a Region. Chile</li>
	<li>
		San Cristobel. Bolivar Department. Colombia</li>
	<li>
		Chimalhuac&aacute;n. State of Mexico. Mexico</li>
	<li>
		Lima District. Lima. Peru</li>
</ul>
<p>
	Under the common theme Emergency Interventions, each site will propose a strategy to be debated. The winning teams will be invited to participate in the conference Active Debates where they will publicly present their proposal. They will attend the Project Conference Table where there will be agents related to the possible development, management and financing of the selected proposals.</p>
<p>
	<strong>Who can participate </strong></p>
<p>
	Multidisciplinary teams of professionals linked to architecture, landscape, urban design, urban planning, engineering, art, economy, geography, ecology and all the fields of knowledge related to the development of strategies and proposals regarding Emergency Interventions.</p>
<p>
	<strong>Dates </strong></p>
<p>
	Registration period from 19 December 2011 to 2 April 2012 at 20:00 hours (Central European Time (CET) = UTC/GMT + 1:00)</p>
<p>
	Proposal submission deadline: 16 April 2012 at 20:00 hours (Central European Time (CET) = UTC/GMT + 1:00)</p>
<p>
	Jury assessment: May 2012</p>
<p>
	<strong>Jury Confirmed</strong></p>
<p>
	Giancarlo Mazzanti (Colombia)<br />
	Derek Dellekamp (Mexico)<br />
	Kazuo Iwamura (Japan)<br />
	Raquel Barrionuevo (Peru)<br />
	Juan Freire (Spain)<br />
	Roberto Segre (Brazil)</p>
<p>
	<strong>Prizes </strong></p>
<p>
	A maximum of 3 proposals will be selected per site and for each one of the 5 sites. The jury reserves the right to limit the number of prizes if it is deemed that the number of quality proposals is not enough, depending on their evaluation criteria. The three winning teams will receive an equal prize of 2.500&euro; each.</p>
<p>
	<strong>Registration Fees </strong></p>
<p>
	There are three different registry fees:</p>
<p>
	Non-affiliated with the Pan-American Observatory</p>
<p>
	-Registry in 1 site location: 100 Euros.<br />
	-Registry in 2 or more site locations: 50 Euros (per new site).</p>
<p>
	Affiliated with the Pan-American Observatory</p>
<p>
	- Registry in 1 site location until 20 February 2012: 70 Euros.<br />
	- Registry in 1 site location from 21 February until 02 April 2012: 85 Euros.<br />
	- Registry in 2 or more site locations: 40 Euros (per new site).<br />
	- Other languages apart from Spanish.</p>
<p>
	The texts will be written in any of these three official languages, Portuguese, English or Spanish.</p>
<p>
	The full contents of the Competition&#39;s administrative and technical Rules and Regulations, as well as each site location&#39;s Rules and Regulations can be viewed at <a href="http://concurso.oppta.org" target="_blank">concurso.oppta.org</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Modern House Ideas Competition</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/modern_house_ideas_competition/" />
      <id>tag:bustler.net,2012:/1.9159</id>
      <published>2012-04-02T00:00:43Z</published>
      <updated>2011-03-07T19:58:44Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	<em>Modern in Denve</em>r Magazine and the founding members of The Denver Architectural League invite you to share your ideas on how we should house ourselves in the new century. This is an ideas competition seeking new definitions for modern language, modern living and modern lifestyle.<br />
	<br />
	The competition is open to all designers and architects who are presently in school or who have been out of school for less than 10 years. There will be approximately $1000 - $1500 in cash awards and the winner will be published in <em>Modern in Denver</em> Magazine. The sites are 44&#39; W x 68&#39; L.</p>
<p>
	More information? Competition website is: <a href="https://sites.google.com/site/modernhousecompetition" target="_blank">https://sites.google.com/site/<wbr>modernhousecompetition</wbr></a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Thresholds 41: REVOLUTION!</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/thresholds_41_revolution/" />
      <id>tag:bustler.net,2012:/1.10676</id>
      <published>2012-04-01T22:08:25Z</published>
      <updated>2011-11-11T00:08:26Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	Cairo, Madrid, London, Santiago, New York, Homs&mdash;these cities have become sites for riots, political upheavals, prolonged encampments, and violent protests. The fact that so many revolutions take place on public urban space prompts the analysis between the forces of revolt and those of renewal. Some have argued that the 1871 Paris Commune resulted in a disillusionment with the city, a loss that has haunted modern writing from Friedrich Engels&rsquo; analysis of housing in England to the dispersion theories of Moisei Ginsburg and Frank Lloyd Wright. One century later, the protests of 1968 tried to reclaim the city with often tragic results. <span class="il">Revolution</span>&mdash;defined as a sudden, radical change&mdash;subverts, manipulates, distorts, and reacts against the built environment as much as it is shaped by it.<br />
	<br />
	While Le Corbusier once posed the choice between &ldquo;Architecture or <span class="il">Revolution</span>,&rdquo; it might be more accurate to ask whether architecture can ever be without <span class="il">revolution</span>. In other words, can the design of the built environment ever be neutral, or does it inevitably imply taking a position, holding ground, staking out claims? Conversely, how does political action redefine art, architecture, city planning, and other practices in terms of agency, temporality, and regulation?<br />
	<br />
	<span class="il">Thresholds</span> <span class="il">41</span>: <span class="il">REVOLUTION</span>! seeks contributions that historicize and complicate positions on the futility or imperative of design in the public realm. We welcome histories of occupied urban spaces, analysis on the intersection of aesthetic and political practices, and critical interventions that prompt political action in the commons. As an interdisciplinary journal, we aim to publish both scholarly papers and cultural practices.<br />
	<br />
	Please email submissions by 1 April 2012 to <a href="mailto:thresholds@mit.edu"><span class="il">thresholds</span>@mit.edu</a><br />
	<br />
	<span class="il">Thresholds</span> is a scholarly, peer-reviewed journal that aims to publish only original material. Text should be in American English, limited to 3,000 words, and formatted in accordance with The Chicago Manual of Style. Images should be included separately at 300 dpi print quality. Submissions should include a cover letter with author&rsquo;s name, affiliation, telephone number and email address, and a brief bio. All submissions should be sent in digital format, with text as MS Word or RTF files and images as uncompressed TIFF files.<br />
	<br />
	For more information, please visit <span class="il">Thresholds</span> online at <a href="http://thresholds.mit.edu/" target="_blank">http://<span class="il">thresholds</span>.mit.edu/</a>.<br />
	<br />
	Please send correspondence and inquiries to:<br />
	<br />
	Ana Mar&iacute;a Le&oacute;n, Editor<br />
	<span class="il">Thresholds</span>, MIT Architecture<br />
	77 Massachusetts Ave, Room 7-337<br />
	Cambridge, MA 02139<br />
	<a href="mailto:thresholds@mit.edu"><span class="il">thresholds</span>@mit.edu</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Nestiv.com&#8217;s Housing Values</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/nestiv.coms_housing_values/" />
      <id>tag:bustler.net,2012:/1.10591</id>
      <published>2012-04-01T06:59:53Z</published>
      <updated>2012-01-23T18:07:55Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	No fees to enter, and you can earn money even if you don&#39;t win! Sick of working hard on competitions you have to pay to enter, with only a narrow chance that all your work will pay off? With Nestiv&#39;s Housing Values competition you can still earn money, get your design built, and grow your reputation, even if you don&#39;t win.</p>
<p>
	<b>Housing and Values</b></p>
<p>
	The housing market crash and current architectural market should give us pause. We need to rethink housing by reexamining our values. Over time homes have gotten larger even as the average household size has fallen. Architects have had less and less influence on the designs. Most new home are only design for a 30 year lifespan. The result has been over-sized homes of low quality that are viewed as commodities rather than part of our neighborhood fabric. Homes express our values, and in retrospect it is obvious that we prioritized poorly. So what do we mean by &quot;Housing Values&quot;? Economic value is an important component in expanding the architectural housing market. But we also think community, the environment, design and construction quality, lifestyle needs, and more are all important criteria.</p>
<p>
	<b>Nestiv Values Architects and Design</b></p>
<p>
	Nestiv wants to provide opportunities for young architects having a hard time finding work, newly formed firms looking to establish a reputation, and for established firms who are struggling in this economy. As we grow, we will be looking for ways to promote the value of good design to the public, including donating 5% of profits towards groups that brings good design to low income and disadvantaged communities. Competition To enter submit your housing designs to Nestiv. They can be new or old designs, so long as you own the rights to the design. Plans must be complete enough for builders to finish construction. While Nestiv won&#39;t be judging the plans, we do have minimal design standards for plans to be accepted. Learn more about submitting designs here.</p>
<p>
	<b>Details</b></p>
<p>
	We are currently only operating in the United States, so all plans must meet Unites States building standards. You must either be licensed in the United States (any state), or have graduated with at least a Bachelor&#39;s of Architecture. Any entries made March 31st will automatically be entered. The judging panel will be made up of potential customers. There will be prizes given to the judges&#39; top picks, regionally and nationally. There will also be honorable mentions for the best locally influenced, and best sustainable design in each region. The national winner will receive $1200, each of 9 regional winners will receive $150, for a total pot of $2550. All or a portion of this money will be raised through a Kickstarter campaign.</p>
<p>
	<a href="http://nestiv.com/content/nestivs-housing-values-competition" target="_blank">http://nestiv.com/content/nestivs-housing-values-competition</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>APPLIED: Research through Fabrication</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/applied_research_through_fabrication/" />
      <id>tag:bustler.net,2012:/1.10619</id>
      <published>2012-04-01T06:59:36Z</published>
      <updated>2012-01-23T23:35:37Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	<strong>OVERVIEW</strong></p>
<p>
	Within the field of architecture, exploration involving parametric modeling and digital fabrication &ndash; what we will call computational fabrication &ndash; is both wide and varied. There is no standard of how the technology is developed or no singular focus on how it will impact the design process or the construction of buildings. And yet there is growing evidence the application is quickly evolving in a variety of unique directions. From novel geometries and innovative structures to improved material and environmental performance it is clear there is a focused agenda towards a more rigorous implementation of the digital toolset.<br />
	<br />
	The impetus for this development is coming simultaneously from three positions that collectively provide a critical nexus in the field of computational fabrication: First, the professional demands for buildings to have greater performance capacity, stylistic coherence, and economic efficiency; second the academic realm where experimentation, research, and theory, continue to push technological exploration forward; and third, industry where innovative development is both an economic imperative and a generative vehicle for technical application and testing. From each of these positions, applied research is gaining traction as a critical and vital part of connecting the design process into a deeper knowledge base of information that is raising the intelligence and thus efficacy of architectural design. Whether following traditional models of research or pioneering new forms of hybridized working models between these three categories, those working within this field are now able to activate a broader and more fully coordinated spectrum of information about the design decision making process.<br />
	<br />
	We seek research proposals that actively connect academia, the profession and the fabrication industry. As a center of gravity the proposals must illustrate work of designers who are forming an integrated relationship between disciplines in the area they practice and build. As this is a &ldquo;design to fabricate&rdquo; competition, TEX-FAB will match our network of fabricators and consultants with the projects that best manifest research through computational fabrication and apply it toward more intelligent integers of materiality and construction. Through a panel of experts we propose to identify projects that warrant a higher degree of realization and exhibit them to foster a discussion that engages an audience in our region and beyond. From this selection a final project will be selected and optimized with a team of experts for the purpose of full-scale production.<br />
	<br />
	APPLIED is a two-stage international design competition established to foster the deeper developments within the field of computational fabrication. We are soliciting design proposals that further existing research, by enabling prototyping at a larger scale or full scale, and proposals to jumpstart new research and design concepts<br />
	<br />
	<strong>CRITERIA</strong></p>
<p>
	You are encouraged to submit your design proposal in either of two categories: Continuing Research or Speculative Proposals.<br />
	<br />
	Continuing Research is a category that seeks to enable a more specific and regimented design research project already underway. Encompassing all works that are at a significant stage within their development that warrant a substantial shift in the scale and or material usage to further the research. This includes any and all previously funded work at any stage of development.<br />
	<br />
	Speculative Proposals is a broad based category with the intent to kickstart a design research project. It is an open category and freely interpretable. New ideas, or concepts are welcome and present the entrant an opportunity to further develop their &lsquo;flash of genius&rsquo;. Furniture, structures, products or any other project qualifies for this category with or without a specific site. No previously funded research work may be submitted.<br />
	<br />
	<strong>WINNERS + MENTIONS</strong></p>
<p>
	APPLIED is a two-stage competition. In the first stage a total of 4 selections that will be awarded a 1000 USD stipend to further develop their project in a scale model (2 selections from the Continuing Research category and 2 from Speculative Proposals category). For the second stage, the models with revised boards will be juried in Dallas, Texas August 2012 (a shipping fee stipend of 250 USD will be provided) with the announcement of a winner made public in August 20.<br />
	<br />
	The final winning entry will be built, exhibited in Dallas/ Ft. Worth, Texas for the 4th annual TEX-FAB event and subsequently given to the Winner. The design and fabrication of the piece will be commissioned by TEX-FAB with the support of our competition sponsors. No additional design fee will be paid, however a 1,500 USD stipend will be awarded for travel to Dallas/ Ft. Worth to partake in the installation of their work, present the design on the day of the opening. Approximate value of winning proposal in materials, fabrication and labor is set at 10,000 USD.<br />
	<br />
	Honorable mentions will be awarded at the discretion of the Jury. All mentions will be exhibited at the APPLIED exhibition in San Antonio, Texas in April 2012 and the following year in Arlington, Texas February 2013.<br />
	<br />
	<strong>REGISTRATION FEE </strong></p>
<p>
	Continuing Research 100 USD per design proposal Speculative Proposal 100 USD per design proposal</p>
<p>
	<strong>REGISTER</strong> - <a href="http://tex-fab.net/category/compete-applied/" target="_blank">http://tex-fab.net/category/compete-applied/</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>[un]restricted access from military space to civic space</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/unrestricted_access_from_military_space_to_civic_space/" />
      <id>tag:bustler.net,2012:/1.10616</id>
      <published>2012-04-01T01:11:32Z</published>
      <updated>2011-10-27T01:16:33Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	Dotting the global landscape, decommissioned military installations are leaving their mark &ndash; symbols of triumph, pride, pain and the unforeseen consequences of military aggression. These abandoned structures and ghost towns disrupt neighborhoods and split entire communities.</p>
<p>
	Architecture for Humanity is hosting the 2011 Open Architecture Challenge &ndash; <strong>[un]restricted access</strong> &ndash; a design competition that will re-envision the future of decommissioned military space. This is an open invite to the global design and construction community to identify retired military installations in their own backyard, to collaborate with local stakeholders, and to reclaim these spaces for social, economic, and environmental good.</p>
<hr />
<h3>
	Learn More and Register</h3>
<ul>
	<li>
		<a href="http://openarchitecturenetwork.org/competitions/challenge/2011/requirements">Competition Requirements</a></li>
	<li>
		<a href="http://openarchitecturenetwork.org/competitions/challenge/2011/resources">Competition Resources</a></li>
</ul>
<p>
	<a href="http://openarchitecturenetwork.org/competitions/challenge/2011/enter"><img src="http://openarchitecturenetwork.org/sites/default/files/active/32/register_oan.jpg" /></a></p>
<p>
	&nbsp;</p>
<h3>
	The Challenge</h3>
<p>
	The Open Architecture Challenge reaches beyond traditional bounds of architecture by challenging designers and architects to partner with community groups and to develop together innovative solutions that improve the built environment.</p>
<p>
	The 2011 Open Architecture Challenge invites architects, designers and creatives around the world to re-design retired military sites. This competition asks designers to partner with communities surrounding these former places of conflict to transform hostile, and oftentimes painful, locations into sites where groups can create civic change.</p>
<hr />
<h3>
	How Many Decommissioned Sites are There?</h3>
<p>
	Good question. Help us build a global count of decommissioned military sites. <a href="http://openarchitecturenetwork.org/projects/2011_oac_site-submittal-form">Click here</a> to add a site to the map. They can be any kind from any place.</p>
<p>
	The only rule is: <strong>It must be an abandoned, closed or decommissioning military site.</strong></p>
<hr />
<p>
	<br />
	We are asking you to work on a site near you but it you can&#39;t find one, you can choose one of the following:</p>
<p>
	Site 1: Guantanamo Bay Detention Center, Guant&aacute;namo Bay (Cuba)* <a href="http://openarchitecturenetwork.org/projects/2011_oac_gtmo">Gitmo Here</a><br />
	Site 2: <a href="http://openarchitecturenetwork.org/projects/2011_oac_nsa">NSA &quot;East Bank&quot;</a>, New Orleans, LA (USA)<br />
	Site 3: <a href="http://openarchitecturenetwork.org/projects/2011_oac_johnston">Johnston Atoll</a>, Pacific Remote Islands Marine National Monument<br />
	Site 4: <a href="http://openarchitecturenetwork.org/projects/2011_oac_mcas">Marine Corps Air Station (MCAS)</a>, Tustin, CA (USA)<br />
	Site 5: <a href="http://openarchitecturenetwork.org/projects/2011_oac_flaktowers">Flak Towers</a>, Vienna (Austria)</p>
<p>
	*Currently not decommissioned <a href="http://en.wikipedia.org/wiki/Guantanamo_Bay_detention_camp#Obama.27s_plan_to_close_the_camps">yet scheduled for closure</a>.</p>
<hr />
<h3>
	Schedule</h3>
<table>
	<tbody>
		<tr>
			<th>
				Dates</th>
			<th>
				Competition Schedule*</th>
		</tr>
		<tr>
			<td>
				October 18 2011</td>
			<td>
				Challenge Launch</td>
		</tr>
		<tr>
			<td>
				March 31 2012</td>
			<td>
				Registration Ends</td>
		</tr>
		<tr>
			<td>
				May 01 2012</td>
			<td>
				Submission Deadline</td>
		</tr>
		<tr>
			<td>
				June 01 2012</td>
			<td>
				Semi-Finalists Announced</td>
		</tr>
		<tr>
			<td>
				June 29 2012</td>
			<td>
				Winner + Finalists Announced</td>
		</tr>
		<tr>
			<td>
				Fall 2012</td>
			<td>
				Exhibition of Entries</td>
		</tr>
	</tbody>
</table>
<p>
	<small>*Dates subject to change. All registered teams will be notified, and promotional documents and media channels will be updated to appropriately reflect updates.</small></p>
<hr />
<h3>
	Why This Challenge</h3>
<p>
	Every other year, Architecture for Humanity&#39;s Open Architecture Challenge brings international attention to issues in the built environment affecting the health, prosperity and well being of under-served communities. The Open Architecture Challenge will focus on helping communities reclaim abandoned, closed and decommissioned military sites.</p>
<p>
	Few places on earth are void of defense infrastructure. Military bases have been identified in more than 100 countries and territories worldwide. Even Antarctica is home to at least three military installations. Built in the service of public protection, when these spaces become inactive and no longer serve their intended use, how can they be re-enlisted for civilian purposes?</p>
<p>
	<b>This year marks a milestone</b>: In the United States alone more than 235 military sites are scheduled for closure or realignment. The U.S. military is under orders to downsize 5% of its entire infrastructure on or before September 15, 2011 in accordance with the 2005 Base Realignment and Closure (BRAC) ruling. The ruling will force the relocation of more than 125,000 military personnel and their families.</p>
<p>
	Base closures have a huge adverse affect on the surrounding community. In addition to complex environmental remediation, civilians must address the consequences of unemployment and disinvestment. According to the final report submitted to the President of the United States, BRAC estimates that 12 million square feet of leased space will be vacated resulting in the loss of an estimated 18,000 civilian jobs in this round of closures alone. Interestingly, many of these same sites are for sale.</p>
<p>
	Decommissioned military sites have tremendous potential if impediments to access can be overcome. This open, international competition will invite designers to identify an <strong>inactive</strong> military installation in or near their community and develop a design concept and plan for it&rsquo;s remediation and re-use.</p>
<p>
	Three designs will place and one design will be awarded the prestigious Founders Award. All of the entries will be available for download on the Open Architecture Network, an online community developed by Architecture for Humanity to provide open source access to design solutions. By sharing design solutions&mdash;including CAD files&mdash;freely, we aim to give communities around the world the ideas and tools they need to make decisions where it matters most&mdash;locally.</p>
<hr />
<h3>
	&#39;Take Your Base&#39; and Sponsorship Opportunities</h3>
<p>
	We&#39;re continuing our recruitment of individuals and organizations who are ready to accept the mission of sponsoring the complex yet rewarding task of successfully transforming previously conflicted sites into civic spaces. If you are ready to enlist your financial resources in service of this greater good, please give us a call at 415.963.3511 or send us an email to challenge_at_architectureforhumanty.org</p>
<hr />
<h3>
	About the Open Architecture Challenge</h3>
<p>
	The Challenge is hosted once every two years on the Open Architecture Network, an open-source community developed by Architecture for Humanity. Design teams from all over the world compete to design and build the winning scheme. Support from sponsors and implementing partners funds the construction of selected designs. All of the designs are shared freely via the Open Architecture Network and made available for future use.</p>
<h3>
	Past Challenges</h3>
<p>
	<a href="http://openarchitecturenetwork.org/competitions/challenge/2009">2009 Open Architecture Challenge: Classroom of the Future</a></p>
<p>
	<a href="http://openarchitecturenetwork.org/competitions/challenge/2007">2007 AMD Open Architecture Challenge: Digital Inclusion</a></p>
<hr />
<h3>
	About Architecture for Humanity</h3>
<p>
	Architecture for Humanity is a charitable organization that seeks architectural solutions to humanitarian crises and brings design services to communities in need.</p>
<p>
	For more information, please visit: <a href="http://architectureforhumanity.org/" title="http://architectureforhumanity.org">http://architectureforhumanity.org</a></p>
<hr />
<p>
	<strong>Logo by Habi Girgis</strong>, winner of the [un]restricted access Identity RFP</p>
<p>
	<a href="http://openarchitecturenetwork.org/competitions/unrestricted_identity">[un]restricted access Identity RFP</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Robot Workshop Competition</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/robot_workshop_competition/" />
      <id>tag:bustler.net,2012:/1.10934</id>
      <published>2012-03-30T17:51:37Z</published>
      <updated>2012-01-18T20:54:38Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	///<span class="il">theCOMPETITION</span></p>
<div id=":1yv">
	<span class="il">The</span> <span class="il">past</span> <span class="il">few</span> <span class="il">years</span> <span class="il">have</span> <span class="il">seen</span> <span class="il">an</span> <span class="il">exciting</span> <span class="il">rise</span> <span class="il">in</span> <span class="il">the</span> <span class="il">fascination</span> <span class="il">with</span> <span class="il">robotics</span>. Simultaneously, <span class="il">the</span> ability to develop and build robots capable of complex and experimental applications has become easier and more accessible to <span class="il">the</span> general public. From hardware like Arduino to open source programming like Processing, there now exist inexpensive and even free ways to dabble <span class="il">with</span> <span class="il">robotics</span>. <span class="il">An</span> amazing amount of resources and exchange points on <span class="il">the</span> Internet also exist to answer questions and develop new ideas. <span class="il">In</span> Brooklyn, groups <span class="il">have</span> begun regular meet ups <span class="il">in</span> makeshift spaces to talk about their robots and gain insight from others and <span class="il">the</span> challenges they face.<br />
	<span class="il">The</span> Robot Workshop will be a place people can come to work on their projects, utilizing shop facilities while simultaneously interacting <span class="il">with</span> fellow robot enthusiasts. <span class="il">The</span> Workshop should be a place for <span class="il">the</span> exchange of ideas and for harnessing <span class="il">the</span> collective intelligence of designers and builders. There will be several types of experimentation spaces, from communal studios to private labs. Teaching spaces will allow for workshops and community activities, including classes for children. A large area will also be devoted to storing a stockpile of parts for purchase and use on site. <span class="il">The</span> Workshop will also serve as a social gathering place within <span class="il">the</span> neighborhood through a storefront gallery and bar.<br />
	<br />
	///theSITE<br />
	<br />
	<span class="il">The</span> site is <span class="il">an</span> open lot <span class="il">in</span> Clinton Hill, Brooklyn. <span class="il">The</span> neighborhood is situated between <span class="il">the</span> gentrified zones of Fort Greene, Pratt Institute, and <span class="il">the</span> rapidly developing neighborhood of Bed-Stuy. Also nearby is <span class="il">the</span> mixed-use commercial and residential development at <span class="il">the</span> Atlantic Yards. Clinton Hill is <span class="il">in</span> <span class="il">the</span> midst of a population influx and rapid commercial and residential growth. <span class="il">The</span> lot is on a street that has added several key restaurants and shops to <span class="il">the</span> neighborhood <span class="il">in</span> <span class="il">the</span> <span class="il">past</span> <span class="il">years</span>; these include Choice Greene, Salva Vida, Pilar, and Speedy Romero. <span class="il">The</span> neighborhood&rsquo;s adjacency to <span class="il">the</span> Pratt Institute&mdash;<span class="il">the</span> school boasts strong arts, engineering, and architecture departments&mdash;and its growing number of residential units has made it attractive to students. <span class="il">The</span> neighborhood is also full of creative artists and young professionals. This is a dynamic, fast-growing population that would be interested <span class="il">in</span> engaging <span class="il">in</span> <span class="il">the</span> activities of <span class="il">the</span> center and frequenting <span class="il">the</span> much needed<br />
	&nbsp;neighborhood social space.<br />
	<br />
	///PROGRAM<br />
	<br />
	Gallery/Bar 4000SF<br />
	Store &nbsp; &nbsp; 2000SF<br />
	Lecture room &nbsp; &nbsp; 5000SF<br />
	Classrooms &nbsp; &nbsp; 6 @1000SF<br />
	Meet up rooms 3 @ 800SF<br />
	Labs/Studios 10@ 500SF<br />
	Part storage &nbsp; &nbsp; 1000 SF<br />
	Restrooms 100SF minimum per floor<br />
	Administration/Office 5000SF<br />
	This is <span class="il">an</span> open, international ideas competition hosted by suckerPUNCH to generate progressive contemporary designs. There are no plans for <span class="il">the</span> Workshopto be built at this time. <span class="il">The</span> site is not owned by or affiliated <span class="il">with</span> suckerPUNCH.</div>
<div>
	&nbsp;</div>
<div>
	///jury/AWARDS</div>
<div>
	<br />
	abigail COOVER (hume coover studio, suckerPUNCH)<br />
	nathan HUME (hume coover studio, suckerPUNCH)<br />
	simon KIM (IK studio)<br />
	carla LEITAO (AUM Studio)<br />
	chris PERRY (pneumastudio)<br />
	dave PIGRAM (supermanoeuvre)<br />
	nick PUCKETT (AltN Research)<br />
	mike SZIVOS (SOFTlab)<br />
	skylar TIBBITS (SJET)<br />
	$2500 <span class="il">in</span> prizes will be awarded and <span class="il">the</span> winning designs will be published on suckerPUNCH.<br />
	<br />
	///entryREQUIREMENTS<br />
	<br />
	This is <span class="il">an</span> open ideas competition. entrants will be required to digitally submit two [2] boards at 18&rdquo; high x 24&rdquo;wide and 150dpi <span class="il">in</span> tiff format <span class="il">with</span> <span class="il">the</span> provided 5 digit code <span class="il">in</span> a 1&rdquo;x1&rdquo; square <span class="il">in</span> <span class="il">the</span> lower right hand corner of each board. Image requirements are as follows:</div>
<div>
	<br />
	PLANS<br />
	all necessary site and floor plans to describe <span class="il">the</span> project including at <span class="il">the</span> minimum a ground level plan describing <span class="il">the</span> form, integration of program, and relationship to <span class="il">the</span> site<br />
	*scale is at <span class="il">the</span> discretion of <span class="il">the</span> entrant</div>
<div>
	<br />
	SECTIONS<br />
	one [1] north/south section<br />
	one [1] east/west section<br />
	*scale is at <span class="il">the</span> discretion of <span class="il">the</span> entrant</div>
<div>
	<br />
	RENDERINGS<br />
	one [1] aerial view<br />
	one [1] street level view<br />
	one [1] interior view<br />
	*one rendering best describing <span class="il">the</span> formal and atmospheric intent of <span class="il">the</span> project must be rendered at 10&rdquo; high x 13&rdquo; wide and 150dpi <span class="il">in</span> tiff format. This image is to be included on <span class="il">the</span> boards as one of <span class="il">the</span> above views.</div>
<div>
	<br />
	///competitionSCHEDULE</div>
<div>
	<br />
	30 December 2011 competition launch<br />
	03 February 2012 deadline for questions<br />
	06 February 2012 answers to questions will be posted on suckerPUNCH<br />
	17 February 2012 early registration deadline<br />
	30 March 2012 registration deadline<br />
	02 April 2012 project submission deadline<br />
	16 April 2012 winners will be posted over <span class="il">the</span> course of <span class="il">the</span> week on suckerPUNCH<br />
	<br />
	///registration/FEES<br />
	<br />
	Entrants may register by submitting payment to suckerPUNCH via paypal and contact info to competitions@suckerPUNCHdaily.<wbr>com. Once payment and contact info is received, <span class="il">an</span> email will be sent containing all project documentation (including dimensioned cad plan, 3d model, aerial photo, site photos, and zoning information) and a 5 digit identification number to be placed <span class="il">in</span> a 1&rdquo;x1&rdquo; square on <span class="il">the</span> bottom right corner of each board. <span class="il">The</span> submission procedure will also be outlined <span class="il">in</span> this email.</wbr></div>
<p>
	<wbr>
	<div>
		&nbsp;</div>
	<div>
		early registration fee &ndash; $35<br />
		registration fee &ndash; $65</div>
	<div>
		&nbsp;</div>
	<div>
		please email any questions to <a href="mailto:competitions@suckerPUNCHdaily.com">competitions@suckerPUNCHdaily.com</a></div>
	<p>
		&nbsp;</p>
	</wbr></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>The Solutia World of Color Awards 2012</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/the_solutia_world_of_color_awards_2012/" />
      <id>tag:bustler.net,2012:/1.10556</id>
      <published>2012-03-17T06:55:08Z</published>
      <updated>2011-10-18T21:57:09Z</updated>
      <author>
            <name>Alexander Walter</name>
            <email>alexander@bustler.net</email>
            <uri>http://www.bustler.net</uri>      </author>

      <category term="FEATURED"
        scheme="http://www.bustler.net/index.php/description/C/"
        label="FEATURED" />
      <content type="html"><![CDATA[
         <p>
	<strong>A History of Design Recognition</strong></p>
<p>
	In 2000, the Solutia Design Awards was born to honor architects and automotive designers whose use of laminated colored glass, made with Vanceva<small><sup>&reg;</sup></small> interlayers, was deemed the best among entrants with special consideration for the following criteria:</p>
<ol>
	<li>
		Creative use of laminated color glass</li>
	<li>
		Relation to new and developing applications of laminated glass</li>
	<li>
		Overall aesthetics of project</li>
	<li>
		Degree of attention paid to laminated glass benefits</li>
</ol>
<p>
	Today, as the creative use of color in design continues to grow, Solutia is proud to host the World of Color Awards<small><sup>TM</sup></small> &ndash; Inspired by Vanceva. Focusing on architects, interior designers, glass fabricators, glazing engineers and other industry professionals for their innovative use of colored laminated safety glass in building design and interior spaces, the contest and the conversations around it are meant to inspire, educate and showcase greatness in architectural design around the world.</p>
<p>
	<strong>An Open Call for Entries</strong></p>
<p>
	The World of Color Awards<small><sup>TM</sup></small> &ndash; Inspired by Vanceva is open to all professional architects, interior designers, glass fabricators, engineers and other industry professionals.</p>
<p>
	Any individual or group of individuals contributing to the design of a project may submit a nomination.</p>
<p>
	Multiple entries from an individual or group are acceptable.</p>
<p>
	Solutia employees and Solutia customers may also make nominations.</p>
<p>
	Winning projects or honorable mentions from previous Solutia competitions are not eligible for consideration.</p>
<p>
	Solutia reserves final decision on eligibility and accepts no liability in this regard.</p>
<p>
	<strong>Important Dates for Your Entry&nbsp;</strong></p>
<p>
	Design and architectural projects must have been completed between January 1, 2008 and December 31, 2011 to be considered for this contest.&nbsp;</p>
<p>
	Entry Deadline &ndash; Submissions will close on March 16, 2012 at 11:59 p.m. CST</p>
<p>
	<strong>Entry Rules and Requirements</strong></p>
<p>
	All entries must include the liberal use of Vanceva laminated color glass products.</p>
<p>
	When submitting a nomination, please include a descriptive overview explaining the inspiration and vision for the project.</p>
<p>
	Include detailed photography of the glazing used in the project, as well as several additional photos that portray the overall scope of the project. Interior and exterior views are preferred, if possible.</p>
<p>
	Design studio sketches, drawings and renderings that help communicate the location, form and function of the glazing in the overall design are also strongly encouraged.</p>
<p>
	Winners will be determined by a <a href="http://worldofcolorawards.com/jury/" target="_blank">jury panel</a> made up of leaders from the international architectural and design industry.</p>
<p>
	No entry fees are required.</p>
<p>
	Solutia reserves the right to publish submitted materials at their discretion. Winners must agree to transfer to Solutia and/or its assignees the rights to use these materials by accepting the Submitted Materials Use License in the registration section.</p>
<p>
	<a href="http://worldofcolorawards.com/" target="_blank">worldofcolorawards.com</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Pruitt Igoe Now</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/pruitt_igoe_now/" />
      <id>tag:bustler.net,2012:/1.10100</id>
      <published>2012-03-17T01:00:39Z</published>
      <updated>2011-07-08T23:33:40Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	<span class="il">Pruitt</span> <span class="il">Igoe</span> <span class="il">Now</span> is an ideas competition launched by a non-profit organization of the same name. The subject is the 57-acre site of the long-mythologized <span class="il">Pruitt</span> and <span class="il">Igoe</span> housing projects in St. Louis, Missouri, USA -- a site whose future is intertwined with emerging ideas about urban abandonment, the legacy of modernism, brownfield redevelopment and land use strategies for shrinking cities. This competition seeks the ideas of the creative community worldwide: we invite individuals and teams of professional, academic, and student architects, landscape architects, urban planners, designers, writers, historians, and artists of every discipline to re-imagine the site and the relationship between those acres to the rest of the city.<br />
	<br />
	March 2012 will mark the 40th anniversary of the demolition of the first of the <span class="il">Pruitt</span>-<span class="il">Igoe</span> high-rises, designed by architects, Helmuth, Yamasaki and Leinweber, who have long been blamed for the troubled legacy of these towers--problems that are <span class="il">now</span> known to be the result of complex political and economic circumstances. &nbsp;Although later maligned by historians, the <span class="il">Pruitt</span> and <span class="il">Igoe</span> housing projects were the embodiment of modern architectural ideals for public housing, and as powerfully symbolic of St. Louis&#39; urban renewal as the Gateway Arch would become. For forty years, the site of this complex has been largely untouched, and today the site is an overgrown brownfield forest. As countless other social housing projects across the country are torn down, and rebuilt in the idiom of new urbanism, the site of <span class="il">Pruitt</span>-<span class="il">Igoe</span> remains untouched. What is <span class="il">Pruitt</span>-<span class="il">Igoe</span> <span class="il">now</span>? Can this site be liberated from a turbulent and mythologized past through re-imagination?<br />
	<br />
	This call seeks bold ideas that re-invigorate the abandoned site: ideas from sources as diverse in media and background as possible. This competition imagines the site of <span class="il">Pruitt</span>-<span class="il">Igoe</span> as a frontier: the threshold between North St. Louis, which is showing signs of stabilization after decades of decline, and the new design for the Jefferson National Expansion Memorial by Michael Van Valkenburgh Associates.<br />
	<br />
	Our jurors will select the first, second and third most inspiring proposals and award them $1,000, $750 and $500 respectively. A broad selection of entries will receive honorable mention and inclusion in an online gallery. In April 2012, a symposium on urban dwelling and creative intervention will be held at Portland State University; the advisory committee plans to curate all proposals, and exhibit these at the symposium. The advisory committee also plans to curate select competition submissions into a traveling exhibition that will tour beginning in Summer 2012, starting in St. Louis. The initial setting for display will be publicly accessible and either on or near the <span class="il">Pruitt</span>-<span class="il">Igoe</span> site itself.<br />
	<br />
	<a href="http://www.pruittigoenow.org/" target="_blank">http://www.pruittigoenow.org</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>eCAADe Poster Competition</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/ecaade_poster_competition/" />
      <id>tag:bustler.net,2012:/1.10765</id>
      <published>2012-03-13T06:55:46Z</published>
      <updated>2011-12-07T18:23:47Z</updated>
      <author>
            <name>Alexander Walter</name>
            <email>alexander@bustler.net</email>
            <uri>http://www.bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	Open to all students, the winning design will be printed and send out to architectural schools around Europe, to help raise the&nbsp;visibility&nbsp;of eCAADe. &nbsp;In addition to their designs being published the&nbsp;winners will also receive a prize of either 300 euros for first place, 200 for second and 100 for third.&nbsp;The winners will be chosen by the entire eCAADe community &ndash; you will be able to vote online for the best designs.</p>
<p>
	The final poster must be able to be printed out a size of A1, however we will accept smaller sizes (A3/A4) for the purposes of review and voting.</p>
<p>
	The poster must also feature the eCAADe logo, which is available to download [<a href="http://www.ecaade.org/poster/downloads/ecaade-logo.zip">here</a>].</p>
<p>
	Click [<a href="http://www.ecaade.org/pdfs/eccade_poster_competition.pdf">here</a>] to download the call for posters.</p>
<p>
	<strong>Timetable</strong></p>
<p>
	Entry from 01/12/2011 to &ndash; 12/03/2012</p>
<p>
	Judging from 13/03/2012 to 30/03/2012</p>
<p>
	Announcement of the winners on 02/04/2012</p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Immortal Architecture</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/immortal_architecture/" />
      <id>tag:bustler.net,2012:/1.10958</id>
      <published>2012-03-12T06:59:36Z</published>
      <updated>2012-01-19T21:54:37Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	<strong>TESSERACT HUMANITARIAN DESIGN</strong></p>
<p>
	All around the world people visit and admire humanity&rsquo;s oldest architectural achievements- those which came at a cost but which have remained significant, have weathered and decayed gracefully, and have defied the march of time. And it&rsquo;s not just the iconic buildings of ancient civilizations, but the hidden gems in every city which add richness and history to our everyday lives.</p>
<p>
	The best sustainable humanitarian projects are those which can equip communities to become self sufficient, continuing to reach out to people for generations. Temporary pavilions and installations can be an amazing chance for emerging architects to gain a name for themselves, but we are asking you to think of the generations to come by designing a building which will not become obsolete, but will stand through the ages ahead.</p>
<p>
	<strong>THE CHALLENGE</strong></p>
<p>
	We are asking you to design a building with an extremely long lifespan. The design must meet some special social need in its setting- in keeping with our interest in humanitarian architecture and design. You may want to consider how materials decay and erode over time and how this is managed or even encouraged, and how your design will remain useful and significant in centuries and perhaps millennia to come. What story will your design tell to future generations?</p>
<p>
	<strong>ENTRY FORMAT</strong></p>
<p>
	This is a concept competition - we are asking for just ONE image (A3 sized) which explains your idea, with minimal written explanation.</p>
<p>
	<strong>ENTRY FEE &amp; PRIZE</strong></p>
<p>
	The entry fee is &pound;4 Part of the entry (&pound;1.50) goes into the prize fund, with a further part (&pound;1.50) goes towards <a href="http://www.savethechildren.org.uk/what-we-do/emergencies/east-africa-appeal" target="_blank"><em>Save the Children&rsquo;s East Africa Appeal</em></a>.</p>
<p>
	For the full brief and details, visit our website- <a href="http://tesseractcompetitions.com/current/" target="_blank">http://tesseractcompetitions.com/current/</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Breaking Away | Changing the place of Mayo Island with the 2015 Road World Championships</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/breaking_away_changing_the_place_of_mayo_island_with_the_2015/" />
      <id>tag:bustler.net,2012:/1.10930</id>
      <published>2012-03-10T01:12:13Z</published>
      <updated>2012-01-18T20:45:14Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	The 2015 Road World Championships will bring nearly 500,000 spectators to Richmond and an estimated $135 million in revenue to the Commonwealth of Virginia.&nbsp;</p>
<p>
	As seen in other host-cities, large scale events can lead to disposable buildings and post-event dead zones in the urban environment. How can Mayo Island capitalize on the existing success of the James River Park System trails, adjacency to Richmond&rsquo;s urban centers, and the revenue and attendance from the 2015 Road World Championship races to create an accessible, recreational, and sustainable, space for Richmond and its visitors?&nbsp;</p>
<p>
	Entrants are asked to propose economically, culturally and environmentally responsible tourism and recreation-based solutions for Mayo Island that critically examine the lasting impact of the 2015 Road World Championships and the role Mayo Island plays in Richmond&rsquo;s past, present and future. Solutions can include both Mayo Island and the 14th Street Bridge.</p>
<p>
	<a href="http://jrgbc.org/events/green-spaces-competition/" target="_blank">http://jrgbc.org/events/green-spaces-competition/</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Learning Shed Design Competition</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/learning_shed_design_competition/" />
      <id>tag:bustler.net,2012:/1.11030</id>
      <published>2012-03-05T22:00:51Z</published>
      <updated>2012-02-03T18:30:52Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	As the numbers of neighbourhood gardens grow in the City of Greater Sudbury, so does the interest in community, learning and sustainability.&nbsp; The Delki Dozzi Community Garden, established in 2010, was designed to engage residents of all ages and abilities in learning activities about productive and innovative garden processes; and to be accessible and visually interesting.&nbsp; Containing elements such as elevated garden beds, a sunflower labyrinth and a sophisticated water catchment system, The Delki Dozzi Community Garden has grown into an element of immense pride for residents of Ward 1 of the City of Sudbury; one more often known for its industry than horticulture.</p>
<p>
	<strong>The Competition</strong></p>
<p>
	The Garden, now in its third stage of development, is in need of a storage shed.&nbsp;&nbsp; Erecting a simple structure in what has already proved to be an innovative venture would be less than adequate and would not reflect the garden&rsquo;s mandate noted above.&nbsp; The committee leading the garden&rsquo;s development is seeking entrants to propose design ideas for a shed that is not only function, but is also an object-lesson, educating those using and visiting the site about various gardening, watering, and sustainability techniques.&nbsp; This &ldquo;Learning Garden Shed&rdquo;, like the garden, must be accessible making it available to people of all abilities.&nbsp; Lastly, design proposals for the Learning Shed are encouraged to make use of both recycled materials and locally-found materials.&nbsp; Creativity is absolutely encouraged.</p>
<p>
	Additional information can be found at either: &nbsp;<a href="http://www.ward1garden.com/" target="_blank">www.ward1garden.com</a> or <a href="http://www.ward1garden.com/wordpress" target="_blank">www.ward1garden.com/wordpress</a>.</p>
 
      ]]></content>
    </entry>

    <entry>
      <title>2012 Mock Firms International Skyscraper Challenge</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/2012_mock_firms_international_skyscraper_challenge/" />
      <id>tag:bustler.net,2012:/1.10190</id>
      <published>2012-03-04T02:31:31Z</published>
      <updated>2011-07-28T00:26:32Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	Entering its 4th year, the Chicago-based <span class="il">Mock</span> <span class="il">Firms</span> Architectural Competition is already highly regarded on the landscape of student-based design competitions. This competitive event continues to bring together some of the best and brightest talent from the U.S. and around the world. Additionally, these future design professionals are given the unique opportunity to interact with the industry&#39;s leading design\build professionals as they pitch their design concepts directly to them receiving immediate feedback and evaluation of their work.<br />
	&ldquo;Versatility&rdquo; is the theme for the <span class="il">2012</span> <span class="il">Mock</span> <span class="il">Firms</span> <span class="il">International</span> <span class="il">Skyscraper</span> <span class="il">Challenge</span>.. Beijing, China will be the site for the Collegiate Division. One of the most populous cities in the world, with a population of 19,612,368 as of 2010, Beijing is one of the Four Great Ancient Capitals of China. In the early 21st century, Beijing has witnessed tremendous growth of new building constructions, exhibiting various modern styles from <span class="il">international</span> designers Design teams will be challenged to produce a tall building concept for Beijing for the opportunity to win $1000.<br />
	<br />
	<a href="http://www.mockfirms.org/" target="_blank">www.mockfirms.org</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Prix Ars Electronica 2012 &#45; Call for Entries</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/prix_ars_electronica_2012_-_call_for_entries/" />
      <id>tag:bustler.net,2012:/1.10966</id>
      <published>2012-03-03T06:55:00Z</published>
      <updated>2012-01-21T00:21:01Z</updated>
      <author>
            <name>Alexander Walter</name>
            <email>alexander@bustler.net</email>
            <uri>http://www.bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	Since 1987, the Prix Ars Electronica has served as an interdisciplinary platform for everyone who uses the computer as a universal medium for implementing and designing their creative projects at the interface of art, technology and society.</p>
<p>
	The Prix Ars Electronica, the <a href="http://www.aec.at/festival/en/" target="_blank" title="Ars Electronica Festival">Ars Electronica Festival</a>, the <a href="http://www.aec.at/center/en/" target="_blank" title="Ars Electronica Center">Ars Electronica Center</a> &ndash; Museum of the Future and the <a href="http://www.aec.at/futurelab/en/" target="_blank" title="Ars Electronica Futurelab">Ars Electronica Futurelab</a> are the four divisions that comprise the Ars Electronica Linz GmbH, whose specific orientation and long-term continuity make it a unique platform for digital art and media culture.</p>
<p>
	The competition is organized by the Ars Electronica Linz GmbH and ORF&rsquo;s Upper Austria Regional Studio in collaboration with the OK Center for Contemporary Art and the Brucknerhaus Linz, and the prizes are awarded during the Ars Electronica Festival each year. The Prix Ars Electronica is one of the most important awards for creativity and pioneering spirit in the field of digital media.</p>
<p>
	The event calls for entries in seven categories, including a youth competition. And since internationally renowned artists from over 70 countries also participate in the Prix Ars Electronica, it has established itself as a barometer for trends in contemporary media art.</p>
<p>
	With 48,939 entries since 1987 and prize money in 2011 totalling 117,500 Euros, the competition offers the largest cash purse for cyberarts worldwide. Each year, six Golden Nicas, twelve Awards of Distinction and approximately 70 Honorary Mentions as well as a grant for the category [the next idea] voestalpine Art and Technology Grant are presented to participants.</p>
<p>
	Since media art is such a highly dynamic field, criteria for the categories have to be constantly modified and adjusted to societal and technological developments, and so updated to meet new demands.</p>
<p>
	The Prix Ars Electronica calls for entries and awards prizes in the following categories:</p>
<ul>
	<li>
		<a href="http://www.aec.at/prix/en/kategorien/computer-animation" target="_blank" title="Computer Animation / Film / VFX">Computer Animation / Film / VFX</a></li>
	<li>
		<a href="http://www.aec.at/prix/en/kategorien/interactive-art" target="_blank" title="Interactive Art">Interactive Art</a></li>
	<li>
		<a href="http://www.aec.at/prix/en/kategorien/digital-music" target="_blank" title="Digital Musics">Digital Musics &amp; Sound Art</a></li>
	<li>
		<a href="http://www.aec.at/prix/en/kategorien/hybrid-art" target="_blank" title="Hybrid Art">Hybrid Art</a></li>
	<li>
		<a href="http://www.aec.at/prix/en/kategorien/digital-communities" target="_blank" title="Digital Communities">Digital Communities</a></li>
	<li>
		<a href="http://www.aec.at/prix/en/kategorien/u19" target="_blank">u19&ndash;Create Your World</a></li>
	<li>
		<a href="http://www.aec.at/prix/de/kategorien/the-next-idea" target="_blank" title="[the next idea] voestalpine Art and  Technology Grant">[the next idea] voestalpine Art and Technology Grant</a></li>
</ul>
<p>
	The call for the Prix Ars Electronica goes out every year in December,&nbsp; submissions are accepted up into March. International juries select the winners for each category in April.</p>
<p>
	<a href="http://www.aec.at/prix/en/" target="_blank">Prix Ars Electronica</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>AZ Awards for Design Excellence</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/az_awards_for_design_excellence/" />
      <id>tag:bustler.net,2012:/1.10921</id>
      <published>2012-03-02T06:55:22Z</published>
      <updated>2012-01-24T19:35:23Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <category term="FEATURED"
        scheme="http://www.bustler.net/index.php/description/C/"
        label="FEATURED" />
      <content type="html"><![CDATA[
         <p>
	<strong>AZ AWARDS FOR DESIGN EXCELLENCE NOW OPEN FOR ENTRIES </strong></p>
<p>
	<em>AZURE Magazine</em>&#39;s international competition celebrating excellence in design is open for submissions. Now in its second year, the AZ AWARDS program is already regarded as an important distinction for emerging and established firms. Like the magazine itself, the awards are multi-disciplinary, recognizing the contemporary inter-connectedness of architecture, landscape, interiors and product design. Submissions are open to designers, architects, manufacturers and clients. Students of architecture and design can submit for the A+ Award, which carries with it a $5,000 prize. A high-calibre jury &ndash; to be announced in late January &ndash; meets to review the submissions and choose the winners. In the 2011 inaugural year, the jury selected 52 finalists from an impressive 600 entries arriving from more than 25 countries. Ultimately 14 winners received recognition for their outstanding projects. The public votes online to select the People&#39;s Choice winners in April, 2012. Winning designs and finalists will be featured in AZURE Magazine&#39;s AWARDS ANNUAL, on newsstands Summer 2012, and on <a href="http://www.azuremagazine.com/" target="_blank">azuremagazine.com</a>.</p>
<p>
	The 2012 AZ AWARDS program is open to work completed before December 31, 2011.</p>
<p>
	<strong>CATEGORIES </strong></p>
<p>
	Architecture: single-family and multi-unit residential, commercial and institutional, landscapes, temporary and demonstration spaces</p>
<p>
	Interiors: residential, commercial and institutional</p>
<p>
	Design: furniture, furniture systems, lighting, interior products</p>
<p>
	Concepts: unbuilt competition entries, other unrealized concepts</p>
<p>
	A+ Award: student work</p>
<p>
	<strong>KEY DATES </strong></p>
<p>
	January 2, 2012 &ndash; Competition launched</p>
<p>
	March 1, 2012 &ndash; Deadline for entries</p>
<p>
	April 2012 &ndash; Finalists notified</p>
<p>
	April 2012 &ndash; People&#39;s Choice voting</p>
<p>
	June 2012 &ndash; Awards ceremony</p>
<p>
	June 2012 &ndash; AWARDS ANNUAL issue of AZURE Magazine available</p>
<p>
	&nbsp;</p>
<p>
	FOR MORE INFORMATION OR TO REGISTER: <a href="http://awards.azuremagazine.com" target="_blank">awards.azuremagazine.com</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>International VELUX Award 2012</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/international_velux_award_2012/" />
      <id>tag:bustler.net,2012:/1.10675</id>
      <published>2012-03-02T05:00:20Z</published>
      <updated>2011-11-11T00:09:21Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	<span class="il">VELUX</span> LAUNCHES SEARCH FOR RISING STARS OF ARCHITECTURE<br />
	<br />
	- &pound;25,000 on offer for students in <span class="il">International</span> <span class="il">VELUX</span> <span class="il">Award</span> -<br />
	<span class="il">VELUX</span> has opened registration for entries to the 5th <span class="il">International</span> <span class="il">VELUX</span> <span class="il">Award</span>, which celebrates the best in student architecture across the world, with a prize fund of &euro;30,000 (approx &pound;25,000) for the selected winners.<br />
	<br />
	This year&rsquo;s <span class="il">International</span> <span class="il">VELUX</span> <span class="il">Award</span> for students of architecture challenges students to explore daylight in the built environment under the theme of &ldquo;Light of Tomorrow&rdquo;.<br />
	The role of daylight in architecture goes beyond its quality in design to sustainable development, and how it can influence human health and well-being.<br />
	<br />
	The biannual <span class="il">award</span> is a great opportunity for students to showcase their talent and creativity on an <span class="il">international</span> stage, whilst also giving them the opportunity to win a prestigious <span class="il">international</span> accolade, recognised among their peers and industry influencers.<br />
	<br />
	Any registered student of architecture &ndash; individual or team &ndash; from all over the world may participate in the <span class="il">Award</span>. To enter, all students must be backed and granted submission by a teacher from a school of architecture. Students will have from October 2011 until March <span class="il">2012</span> to submit their entry, with winners being announced at a prize giving ceremony in October <span class="il">2012</span>.<br />
	<br />
	The <span class="il">International</span> <span class="il">VELUX</span> <span class="il">Award</span> aims to celebrate and promote excellence across the globe. In 2010, the <span class="il">Award</span> attracted over 2,000 registrations from 85 countries. Out of 673 entries, 11 projects were awarded at a glittering ceremony in the French city of La Rochelle, with the winners and their teachers sharing the prize money.<br />
	<br />
	Competition is fierce with students from the Far East continuing to raise the bar. Six out of eleven projects were crafted by Chinese students at the last event, with first prize going to a team from South Korea. Winners of previous <span class="il">Award</span> in 2004, 2006 and 2008 have come from Norway, Denmark and the US respectively.<br />
	<br />
	Per Arnold Andersen, architect and head of Daylight, Energy and Indoor Climate in the <span class="il">VELUX</span> Group, said: &ldquo;The <span class="il">International</span> <span class="il">VELUX</span> <span class="il">Award</span> is really open to interpretation - in any scale or in conceptual ideas and explorations, taking advantage of students&rsquo; curiosity, willingness to take risks and thinking out of the box. It&rsquo;s such a fantastic opportunity for students to showcase their talent and be in with a chance of winning an internationally renowned <span class="il">award</span> which will undoubtedly look very attractive to any potential employers.&rdquo;<br />
	<br />
	For the full <span class="il">Award</span> brief and detailed information about registration and participation please visit <a href="http://iva.velux.com/" target="_blank">iva.<span class="il">velux</span>.com</a> or search for <span class="il">International</span> <span class="il">VELUX</span> <span class="il">Award</span> for Students of Architecture on Facebook for more information.<br />
	<br />
	&middot; &nbsp; &nbsp;For more details, visit <a href="http://iva.velux.com/" target="_blank">http://iva.<span class="il">velux</span>.com</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>2012 MNPG Arch Competition</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/2012_mnpg_arch_competition/" />
      <id>tag:bustler.net,2012:/1.10986</id>
      <published>2012-03-02T00:03:53Z</published>
      <updated>2012-01-26T17:47:55Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	Please refer to <a href="http://mnpgarch.com/" target="_blank">http://mnpgarch.com</a> for the full competition details</p>
<ul>
	<li>
		Design a Cultural Center for La Semilla de los Ingenios (Mexico)</li>
	<li>
		Building: 13 x 13 sq. meters</li>
	<li>
		100 sq. meters in surrounding landscape space</li>
	<li>
		Mathematically natural, in organic form (i.e. sea shells)</li>
	<li>
		Powered by PV, wind and passive solar</li>
</ul>
<p>
	Prize : Parcel of undeveloped land near the eco village of La Semilla de los Ingenios&#39; river (valued at $10,000 USD) and the opportunity to build your own ecological dream home on the steppes of Pacific Mexico!</p>
<p>
	La Semilla de los Ingenios is a 7 year old development located 20 minutes from La Manzanilla, Mexico and within the Los Ingenios community. An international airport is a hour away and close to the ocean shores, a thriving eco village is ready for the progression of construction to start within the next year.</p>
<p>
	Access to a sleepy, yet growing fishing town, La Semilla de los Ingenios combined with local sustainability allows for great minds from around the globe to come together for the purpose of the fusion of art, science, architecture and beyond.</p>
<p>
	Additional requirements for structure: Should be circular, ecological, contain a basement and a first floor, based on a stone foundation, houses living quarters (3 singles or 2 couples) and a main space for cultural events (20 person max occupancy) and uses other natural resources for the majority of the remainder of the structure. Must be economical and use local labor and materials. Things like solar panels can be from outside of Mexico.</p>
<p>
	The Cultural Center: The space will primarily used to showcase art (music performances, art showings), science (paper presentations, research meetings), and tech innovation (investor meetings, small conferences) while offering a place where a &ldquo;meeting of the minds&rdquo; can take place. It&rsquo;s important that there be a space in the cultural center that facilitates light hardware and computers that integrate with a small sound system.</p>
<p>
	Landscape: The outside landscape of the site of the cultural center, should not detract from the lower gardens, housing, and other eco buildings that are found in the steppes of the mountain that La Semilla de Los Ingenios rests on &ndash; it is up to the competing architect to decide how to use this outside space.</p>
 
      ]]></content>
    </entry>

    <entry>
      <title>ideacious $20,000 FREEform Competition Tier 1</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/ideacious_20000_freeform_competition_tier_1/" />
      <id>tag:bustler.net,2012:/1.10978</id>
      <published>2012-03-01T06:55:41Z</published>
      <updated>2012-01-23T21:57:42Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	In the spirit of supporting design innovation and creativity, ideacious is excited to announce that the $20,000 FREEform Competition is live!</p>
<p>
	Submit a sketch, finished design, or reach a preorder goal and win cash and prizes along the way. Dollar amounts and other incentives could increase as we hunt down co-sponsors. The competition is broken down into 3 tiers, so more people can win&mdash;or someone could take it all. Plus, all submissions will be posted on ideacious and could get produced. So grab your pencils and get to work.</p>
<p>
	Tier 1 begins as most ideas do, with a napkin sketch. Be sure to see the brief for details, but in short, come up with an awesome product that retails for $99 or more and send us a short description and a sketch. Any submissions sent before February 1st will be entered in a draw to win ideacious swag, including Penny Hockey Sets, Foreword shelves, Magpins, 4 Cities Coasters, and more.<br />
	<br />
	<a href="http://www.ideacious.com/freeform" target="_blank">http://www.ideacious.com/<wbr>freeform</wbr></a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Cor(nudie)r Collage Competition</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/cornudier_collage_competition/" />
      <id>tag:bustler.net,2012:/1.11036</id>
      <published>2012-03-01T01:51:10Z</published>
      <updated>2012-02-03T17:57:11Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	<a href="http://realitycues.com/" target="_blank">Reality Cues</a> is about making and addressing architecture in a new digital and interactive/social medium. Today, popular culture is the currency of architecture; we invite you to make a withdrawal with us!</p>
<p>
	<img alt="image" height="578" src="http://www.bustler.net/images/uploads/nude_corbusier.jpg" style="border: 0;" width="500" /></p>
<p>
	The Proposal is simple:<br />
	Make the most provocative image possible using the above photo of Le Corbusier.<br />
	Right click it.<br />
	Save it to your desktop.<br />
	Give us your best collage!<br />
	<br />
	<strong>Submission Requirements:</strong><br />
	This competition is open to all.<br />
	Please email your submissions to the Reality Cues Librarian in JPEG or GIF formats along with a title and your name, which will be posted along with the image.<br />
	<br />
	Submissions due by: February 29 2012<br />
	Winners will be announced: March 15 2012<br />
	<br />
	First Prize: Life-size cardboard cut out of Nude Le Corbusier<br />
	Second Prize: 10&quot; Lil&#39; Nude Le Corbusier<br />
	Third Prize: Pocket-size Nude Le Corbusier<br />
	<br />
	All entries will be posted right here on <a href="http://realitycues.com/" target="_blank">Reality Cues</a>!<br />
	<br />
	<strong>Jury:</strong></p>
<ul>
	<li>
		Ana Miljacki &amp; Lee Moreau of Project_</li>
	<li>
		Daniel Arsham &amp; Alex Mustonen of Snarkitecture</li>
	<li>
		Christopher Barley &amp; Troy Thierren of Th&mdash;ey</li>
	<li>
		Shelly &amp; Leo Johnson of GraffitiLab</li>
</ul>
 
      ]]></content>
    </entry>

    <entry>
      <title>ASLA Professional and Student Awards Competition</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/asla_professional_and_student_awards_competition/" />
      <id>tag:bustler.net,2012:/1.8704</id>
      <published>2012-02-25T23:58:01Z</published>
      <updated>2010-12-13T22:54:03Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	ASLA has released its 2011 professional and student awards <a href="http://www.asla.org/2011awards/rules_entries/">call for entries</a>.&nbsp;Award recipients receive featured coverage in the October issue of <em>Landscape Architecture</em> magazine and in many other design and construction industry and general-interest media.&nbsp;Award recipients, their clients, and student advisors will be honored at the awards presentation ceremony during the ASLA Annual Meeting and EXPO in San Diego, October 30 &ndash; November 2, 2011. The award winning projects will be featured in a video presentation at the ceremony and on the awards website following the event.</p>
<p>
	The prestige of the ASLA awards program relies on the high-caliber juries that are convened each year to review submissions.&nbsp; Members of the professional awards jury are:</p>
<p>
	&bull;&nbsp;David Yocca, FASLA, Jury Chair, Conservation Design Forum, Elmhurst, IL<br />
	&bull;&nbsp;Robert Campbell, FAIA, <em>The Boston Globe</em><br />
	&bull;&nbsp;Mark Hough, ASLA, Duke University, Durham, NC<br />
	&bull;&nbsp;Ilze Jones, FASLA, Jones &amp; Jones Architects and Landscape Architects, Ltd, Seattle<br />
	&bull;&nbsp;Elizabeth Meyer, FASLA, University of Virginia, Charlottesville, VA<br />
	&bull;&nbsp;Laurie Olin, FASLA, OLIN, Philadelphia<br />
	&bull;&nbsp;Pamela Palmer, ASLA, ARTECHO, Venice, CA<br />
	&bull;&nbsp;Christine Ten Eyck, FASLA, Ten Eyck Landscape Architects, Phoenix<br />
	&bull;&nbsp;Alex Washburn, AIA, Chief Urban Designer, New York City Department of City Planning<br />
	&bull;&nbsp;William H. Tishler, FASLA, representing the National Trust for Historic Preservation, will join the jury for selection of The Landmark Award.</p>
<p>
	Members of the student awards jury convening in June 2011 includes:</p>
<p>
	&bull;&nbsp;Mario Nievera, ASLA, Jury Chair, Mario Nievera Design, Palm Beach, FL, and New York City<br />
	&bull;&nbsp;Thomas Balsley, FASLA, Thomas Balsley Associates, New York City<br />
	&bull;&nbsp;Gary A. Brown, FASLA, University of Wisconsin&mdash;Madison<br />
	&bull;&nbsp;James Burnett, FASLA, The Office of James Burnett, Houston<br />
	&bull;&nbsp;Shane Coen, ASLA, Coen+Partners, Minneapolis<br />
	&bull;&nbsp;Diane Dale, FASLA, William McDonough + Partners, Charlottesville, VA<br />
	&bull;&nbsp;M. Elen Deming, ASLA, University of Illinois at Urbana-Champaign<br />
	&bull;&nbsp;John King, Hon. ASLA, <em>San Francisco Chronicle</em>, San Francisco<br />
	&bull;&nbsp;Karen Phillips, FASLA, New York City Planning Commission</p>
<p>
	The ASLA awards program features six categories: <a href="http://www.asla.org/2011awards/rules_entries/general.html">General Design</a>; <a href="http://www.asla.org/2011awards/rules_entries/residential.html">Residential Design</a>; <a href="http://www.asla.org/2011awards/rules_entries/planning.html">Analysis and Planning</a>; <a href="http://www.asla.org/2011awards/rules_entries/research.html">Research</a>, co-sponsored by the <a href="http://www.thecela.org/" target="_blank">Council of Educators in Landscape Architecture</a>;<a href="http://www.asla.org/2011awards/rules_entries/communications.html"> Communications</a>; and <a href="http://www.asla.org/2011awards/rules_entries/landmark.html">The Landmark Award</a>, co-sponsored by the <a href="http://www.preservationnation.org/" target="_blank">National Trust for Historic Preservation</a>.&nbsp;The student awards program also features the <a href="http://www.asla.org/2011awards/rules_entries/service.html">Student Community Service Award</a> and <a href="http://www.asla.org/2011awards/rules_entries/collaboration.html">Student Collaboration</a> categories.&nbsp;</p>
<p>
	Entry forms and payment must be received by:</p>
<p>
	&bull;&nbsp;Friday, February 25, 2011, for Professional Awards<br />
	&bull;&nbsp;Friday, May 6, 2011, for Student Awards</p>
<p>
	Submission binders must be received by:</p>
<p>
	&bull;&nbsp;Friday, March 11, 2011, for Professional Awards<br />
	&bull;&nbsp;Friday, May 20, 2011, for Student Awards</p>
<p>
	In need of inspiration?&nbsp;View the ASLA 2010 <a href="http://www.asla.org/2010awards">Professional</a> and <a href="http://www.asla.org/2010studentawards">Student</a> award-winning projects.</p>
<p>
	http://dirt.asla.org/2010/12/01/asla-2011-professional-and-student-awards-call-for-entries/</p>
 
      ]]></content>
    </entry>

    <entry>
      <title>BRACKET [at extremes]: Call for Submissions</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/bracket_at_extremes_call_for_submissions/" />
      <id>tag:bustler.net,2012:/1.10932</id>
      <published>2012-02-20T07:38:44Z</published>
      <updated>2012-01-18T21:48:45Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <category term="FEATURED"
        scheme="http://www.bustler.net/index.php/description/C/"
        label="FEATURED" />
      <content type="html"><![CDATA[
         <p>
	<a href="http://www.brkt.org"><span class="il">Bracket</span> 3</a> invites the submission of critical articles and unpublished design projects that investigate the potentials when situations extend beyond norms &ndash; into the extremities. We are conditioned, as designers of the built environment, towards the organization of people, programs and movement. Indeed the history of modern urbanism, architecture and building science has been predicated on an anti-entropic notion of programmatic and social order. But are there scenarios in which a state of extremity or imbalance is productive?<br />
	<br />
	Ulrick Beck, in &ldquo;Risk Society&rsquo;s Cosmopolitan Moment&rdquo; suggests that being <span class="il">at</span> risk is the human condition <span class="il">at</span> the beginning of the twenty-first century. While risk produces inequality and destabilization, he argues, it can be the catalyst <span class="il">for</span> the construction of new institutions. The term extreme is defined as outermost, utmost, farthest, last or frontier. <span class="il">Bracket</span> [<span class="il">at</span> <span class="il">Extremes</span>] seeks to understand what new spatial orders emerge in this liminal space. How might it be leveraged as an opportunity <span class="il">for</span> invention? &nbsp;What are the limits of wilderness and control, of the natural and artificial, the real and the virtual? What new landscapes, networks, and urban models might emerge in the wake of destabilized economic, social and environmental conditions?<br />
	<br />
	<span class="il">Bracket</span> [<span class="il">at</span> <span class="il">Extremes</span>] will examine architecture, infrastructure and technology as they operate in conditions of imbalance, negotiate tipping points and test limit states. In such conditions, the status quo is no longer possible; systems must extend performance and accommodate unpredictability. As new protocols emerge, new opportunities present themselves. <span class="il">Bracket</span> [<span class="il">at</span> <span class="il">Extremes</span>] seeks innovative contributions interrogating extreme processes (technologies, operations) and extreme contexts (cultural, climatic). What is the breaking point of architecture <span class="il">at</span> <span class="il">extremes</span>?<br />
	<br />
	<span class="il">Bracket</span> 3 will be published by Actar and designed by Thumb.</p>
<p>
	<br />
	<strong>Submissions should be project-based, or article-based.</strong></p>
<ul>
	<li>
		<strong>Article-based submissions should range in length from 2500 to 3500 words and be formatted in the Chicago Manual of Style with all sources clearly documented.</strong></li>
	<li>
		<strong>Project-based submission should have accompanying text no longer than 500 words with 6-8 jpeg images no larger than 1MB each.</strong></li>
	<li>
		<strong>Authors and designers should ensure, that if selected, high resolution, publication quality, images are available.&nbsp;</strong></li>
	<li>
		<strong>All authors and designers must have rights for all images submitted for publication, though this is not required for this first round.</strong></li>
</ul>
<p>
	<a href="http://brkt.org/index.php/extremes/submit/project">CLICK HERE TO SUBMIT A PROJECT</a></p>
<p>
	<a href="http://brkt.org/index.php/extremes/submit/article">CLICK HERE TO SUBMIT AN ARTICLE</a></p>
<p>
	<br />
	<strong><span class="il">Bracket</span> 3 [<span class="il">At</span> <span class="il">Extremes</span>] Jury</strong><br />
	Keller Easterling<br />
	Michael Hensel<br />
	Alessandra Ponte<br />
	Fran&ccedil;ois Roche<br />
	Hashim Sarkis<br />
	Julien De Smedt<br />
	Mark Wigley<br />
	<br />
	<strong><span class="il">Bracket</span> 3 [<span class="il">At</span> <span class="il">Extremes</span>] Editors</strong><br />
	Lola Sheppard<br />
	Maya Przybylski<br />
	<br />
	<strong><span class="il">Bracket</span> 3 [<span class="il">At</span> <span class="il">Extremes</span>] Schedule</strong><br />
	<span class="il">Call</span> <span class="il">for</span> <span class="il">Submissions</span> Launch: October 31, 2011<br />
	Electronic Submission System Launch: November 15,2011<br />
	Submission Deadline: February 20, 2012<br />
	Jury Review Process: March 20122<br />
	Jury Selections Announces: Mid March 2012<br />
	Publication Submission of Selected Projects: Mid April 2012<br />
	Publication date: Winter 2012</p>
 
      ]]></content>
    </entry>

    <entry>
      <title>stcRIO &#45; Sustainable transport center</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/stcrio_-_sustainable_transport_center/" />
      <id>tag:bustler.net,2012:/1.10708</id>
      <published>2012-02-20T06:55:11Z</published>
      <updated>2011-11-19T00:23:12Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	<strong>INTRODUCTION</strong></p>
<p>
	The contamination of our atmosphere is a problem that affects all countries of the world, without exception, and specially the big cities, due to the high concentration of combustion vehicles that are found in relatively small areas. Brazil is without doubt one the major emerging countries of the beginning of this century, and it is here to stay! Brazil wants to make things right this time and has developed a very ambitious development plan that will allow the country to keep growing at an incredible fast pace, but also in a way that is sustainable and ecofriendly. The transformation of Rio has already begun and the city is getting ready to receive millions of visitors that will come to follow the greatest sporting events in the world</p>
<p>
	<strong>THE SITE</strong></p>
<p>
	The site chosen to develop this Project is located in a privileged spot of Ipanema, one of the most representative and vanguard neighborhoods of Rio de Janeiro. It is famous for its beaches and seaside promenade, and also for being one the most progressive, open minded areas of the city. Ipanema is the place to be, and General Osorio being such a strategic point inside the neighborhood, the STC will be placed here aiming to become a hub for the activity that is already happening in the area, also adding the layer of the new electric infrastructure.</p>
<p>
	<strong>PROPOSAL</strong></p>
<p>
	STCenters proposes a strong bet for electric cars inside this plan, making them into one of the standard mediums of transportation, as opposed to the luxurious objects that they are usually seen as, and educating the people in terms of sustainability. In order for this to become a successful initiative there is a huge infrastructure that needs to be build first. This is a net of charging points for these vehicles around the metropolitan area of Rio, that will guarantee the effectiveness of electric cars a way of daily transportation. This new infrastructure will need a centralized operations center, from where the whole net of charging points will be controlled and managed. This operations center will be the project that this stcRIO competition will focus on. The overall objective of this initiative is not only to renew the fleet of the city but something much more ambitious; to achieve the total integration of the charging network with the current, and soon to be inaugurated, public transport lines. This will help the people of Rio to move from one part of the city to another quickly, safely and in a much more efficient way than they do today, making use of not one, but the various transport options and combinations that will be at their disposal.</p>
<p>
	<a href="http://en.stcenters.com" target="_blank">http://en.stcenters.com</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>2012 Ceramics of Italy Tile Competition</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/ceramics_of_italy_exhibit_design_challenge/" />
      <id>tag:bustler.net,2012:/1.10859</id>
      <published>2012-02-18T06:04:20Z</published>
      <updated>2012-01-05T19:46:21Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <category term="FEATURED"
        scheme="http://www.bustler.net/index.php/description/C/"
        label="FEATURED" />
      <content type="html"><![CDATA[
         <p>
	<span style="color:#FF0000">Design</span> inspired and imaginative architecture using Italian Ceramic Tiles<br />
	<span style="color:#FF0000">Enter</span> the 2012 Ceramics of Italy Tile Competition<br />
	<span style="color:#FF0000">Win</span> $15,000 in prizes and a trip to Italy<br />
	<br />
	<br />
	The Italian Trade Commission and Confindustria Ceramica, the Association of Italian Ceramics, are proud to announce the 2012 Ceramics of Italy Tile Competition Call for Entries. The competition, now in its 19th year, recognizes the exceptional work of North American architects and designers who feature Italian ceramic tiles in their institutional, residential or commercial/hospitality spaces.<br />
	<br />
	<br />
	<span style="color:#000000"><b>Prizes</b></span><br />
	Winners in each category will receive a cash prize of $4,000 and a five-day trip to Bologna, Italy to attend CERSAIE 2012 &ndash; the world&rsquo;s largest exhibition for ceramic tile and bathroom furnishings &ndash; joining a delegation of top consumer and design journalists. Ceramics of Italy will award an additional $1,000 to be shared by the winning contractor/distributor team.<br />
	<br />
	<br />
	<span style="color:#000000"><b>Rules</b></span><br />
	The competition is open to all North American architects and interior designers. Domestic and international new construction and renovation projects completed between January 2007 and January 2012 are eligible for entry.<br />
	<br />
	<br />
	<span style="color:#000000"><b>Categories</b></span><br />
	&bull; Institutional<br />
	&bull; Residential<br />
	&bull; Commercial/Hospitality<br />
	<br />
	<br />
	<span style="color:#000000"><b>Criteria</b></span><br />
	A panel of design experts will judge the projects based on their creativity, functionality and aesthetic appeal. The official criterion for the jury includes: overall design of the project, innovative use of tile, tile design, quality of installation, degree that tile enhances the setting and the project&rsquo;s sustainable attributes.<br />
	<br />
	<br />
	<span style="color:#000000"><b>Deadline</b></span><br />
	Submissions must be completed no later than February 17, 2012. Winners will be announced at the Ceramics of Italy Press Conference during Coverings, which will be held April 17-20, 2012, in the Orange County Convention Center, Orlando, Florida. In addition, a video of the winning projects will be on presented in the Italian pavilion during this internationally acclaimed tile and stone trade show.<br />
	<br />
	<br />
	<span style="color:#000000"><b>Contact</b></span><br />
	For more information contact Novit&agrave; Communications at 718-857-5389 or <a href="mailto:info@novitapr.com" style="color:#FF0000">info@novitapr.com</a><br />
	<br />
	<br />
	<span style="color:#000000"><b>Links</b></span><br />
	<a href="http://www.italiantiles.com/" target="_blank">www.italiantiles.com</a> - Portal to Italian tile industry<br />
	<a href="http://www.laceramicaitaliana.it/" target="_blank">www.laceramicaitaliana.it</a> - Institutional website for the Italian ceramic tile industry<br />
	<a href="http://www.italytile.com/" target="_blank">www.italytile.com</a> - ICE US-based website for Italian ceramic tile featuring dealer links<br />
	<br />
	<br />
	<span style="color:#000000"><b>FAQ</b></span><br />
	<span style="color:#292929">What do I win?</span><br />
	The winning architect receives a 5-day trip to Bologna, Italy to attend Cersaie 2012 as part of a delegation of design and lifestyle journalists.<br />
	PLUS a check for $4000 will be presented during the International Press Conference held annually at Coverings.<br />
	<br />
	The winning contractor/distributor team receives a check for $1000.<br />
	<br />
	<span style="color:#292929">When is the deadline for submission?</span><br />
	February 17, 2012<br />
	<br />
	<span style="color:#292929">What type of projects are eligible?</span><br />
	Commercial, Residential or Institutional new construction or renovation projects completed within the past 5 years. Projects can be domestic or international.<br />
	<br />
	<span style="color:#292929">How do I know if a manufacturer is a member of Ceramics of Italy?</span><br />
	Ceramics of Italy is an umbrella organization comprised of over 200 manufacturers of Italian tile. <a href="http://www.italytile.com/tilesearch_italian.php" target="_blank">Click here for a complete listing</a>.<br />
	<br />
	<span style="color:#292929">Since it is a ceramic tile competition, are projects featuring glass mosaic tiles eligible?</span><br />
	Projects must feature products produced by at least one company listed in association list above. As it is a competition celebrating CERAMIC/PORCELAIN, a percentage of the products featured should be CERAMIC/PORCELAIN tile.<br />
	<br />
	<span style="color:#292929">Does the project have to be exclusively Italian tile? Can I use mixed medium?</span><br />
	Yes, you can use mix-medium, but a significant portion of the project should include Italian CERAMIC/PORCELAIN tile.<br />
	<br />
	<span style="color:#292929">Can I enter the competition if I have submitted a project before?</span><br />
	Yes<br />
	<br />
	<span style="color:#292929">Can I enter the competition if I have won the project before?</span><br />
	Yes<br />
	<br />
	<span style="color:#292929">Can I submit more than one project?</span><br />
	Yes, there is no limit to the number of accepted entries.<br />
	<br />
	<span style="color:#292929">How much does it cost to submit?</span><br />
	There is no charge for entry.<br />
	<br />
	<span style="color:#292929">How do I submit?</span><br />
	Click Submission Form on the toolbar, then simply fill in the required fields, provide a detailed description and upload high-resolution images of the project. If completed correctly, you should receive an ID# that corresponds with your submission.<br />
	<br />
	<span style="color:#292929">Who can I contact with additional questions?</span><br />
	Our PR agency, Novita` Communications, is happy to assist in any way.<br />
	By phone: 718-857-5389<br />
	By email: <a href="mailto:info@novitapr.com" style="color:#000000">info@novitapr.com</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Suburbia Transformed 2.0, One Garden at a Time</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/suburbia_transformed_2.0_one_garden_at_a_time/" />
      <id>tag:bustler.net,2012:/1.10316</id>
      <published>2012-02-18T04:18:50Z</published>
      <updated>2011-08-26T04:32:51Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	<span class="il">SUBURBIA</span> <span class="il">TRANSFORMED</span> <span class="il">2.0</span>, <span class="il">ONE</span> <span class="il">GARDEN</span> <span class="il">AT</span> <span class="il">A</span> <span class="il">TIME</span>:<br />
	EXPLORING THE AESTHETICS OF LANDSCAPE EXPERIENCE IN THE AGE OF SUSTAINABILITY<br />
	<br />
	AN INTERNATIONAL COMPETITION FOR BUILT AND VISIONARY (UNBUILT) RESIDENTIAL LANDSCAPES sponsored by the James Rose Center for Landscape Architectural Research and Design; co-sponsored by the American Society of Landscape Architects, New Jersey Chapter; and Rutgers, The State University of New Jersey.<br />
	<br />
	ENTRY FORMS DUE: FEBRUARY 17, 2012.<br />
	<br />
	THE COMPETITION<br />
	The goal of <span class="il">Suburbia</span> <span class="il">Transformed</span> <span class="il">2.0</span> is to promote and celebrate residential designs that go beyond &ldquo;green&rdquo; by explicitly using sustainable strategies, tactics and technologies to enrich the aesthetic spatial experience of people. &nbsp;ST <span class="il">2.0</span> will assemble contemporary projects achieving this goal into an exhibition and catalogue. The emphasis is on how such sustainable landscapes can be beautiful, inspiring, perhaps profound; and serve as examples for transforming the suburban residential fabric, <span class="il">one</span> <span class="il">garden</span> <span class="il">at</span> <span class="il">a</span> <span class="il">time</span>.<br />
	Significantly, this year&rsquo;s version invites the submission of visionary (unbuilt) work, along with built projects, thus opening up the competition to students, as well as professionals.<br />
	<br />
	ELIGIBILITY<br />
	Open to all, including landscape architects, landscape designers, architects, individuals, teams or firms&hellip;and students of design whose work will be judged in <span class="il">a</span> separate category.<br />
	<br />
	SUBMISSION REQUIREMENTS<br />
	Submissions must be for two-acre or less residentially-zoned single-family properties. <span class="il">A</span> submission with <span class="il">a</span> newly built house is allowed as long as the lot was part of <span class="il">a</span> pre-existing subdivision or town property. &nbsp;Submission requirements are outlined in detail on the Call for Entries, available for download <span class="il">at</span> <a href="http://www.jamesrosecenter.org/" target="_blank">http://www.jamesrosecenter.org</a></p>
<div id=":5e3">
	<wbr>.<br />
	<br />
	JURORS<br />
	</wbr></div>
<p>
	<wbr><wbr>
	<p>
		<wbr>
		<ul>
			<li>
				Cornelia Oberlander OC, FASLA, FCSLA, LMBCSLA, Landscape Architect</li>
			<li>
				Meg Calkins, LEED AP, ASLA, Associate Professor of Landscape Architecture, Ball State University</li>
			<li>
				Matthew Urbanski, Principal, Michael Van Valkenburgh Associates, Inc., Landscape Architects, P.C.</li>
			<li>
				Joseph S. R. Volpe, Professor, University of Massachusetts, Amherst</li>
		</ul>
		<div>
			<br />
			SCHEDULE<br />
			August 15, 2011 &nbsp; &nbsp; &nbsp; &nbsp;Call for Entries posted<br />
			February 17, 2012 &nbsp; &nbsp; &nbsp; &nbsp;Entry Form and fee due<br />
			March 9, 2012 &nbsp; &nbsp; &nbsp; &nbsp;CD submission due<br />
			March 24, 2012 &nbsp; &nbsp; &nbsp; &nbsp;Jury convenes<br />
			May 19, 2012 &nbsp; &nbsp; &nbsp; &nbsp;Opening Reception <span class="il">at</span> James Rose Center<br />
			August 31, 2012 &nbsp; &nbsp; &nbsp; &nbsp;Exhibition travels<br />
			<br />
			TO ENTER<br />
			Fill out the Entry Form available on the website, <a href="http://www.jamesrosecenter.org/" target="_blank">http://www.jamesrosecenter.org</a><wbr>. &nbsp;An entry fee of $95 ($35 for students) must be received together with the Entry Form by February 17, 2012.<br />
			<br />
			FOR FURTHER INFORMATION GO TO &nbsp;<a href="http://www.jamesrosecenter.org/" target="_blank">HTTP://WWW.JAMESROSECENTER.ORG</a><wbr></wbr></wbr></div>
		</wbr></p>
	</wbr></wbr></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Architectural League Prize 2012: No Precedent</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/architectural_league_prize_2012_no_precedent/" />
      <id>tag:bustler.net,2012:/1.10841</id>
      <published>2012-02-16T06:55:45Z</published>
      <updated>2011-12-23T00:11:46Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	Young architects and designers are invited to submit work to the annual Architectural League Prize Competition under the rubric of this year&#39;s theme: <em>No Precedent</em>.</p>
<p>
	Projects of all types, either theoretical or real, and executed in any medium, are welcome. The jury will select work for presentation in public fora, an on-line installation, podcasts, and in an exhibition in June 2012. Winners will receive a cash prize of $1,000. A catalogue of winning work will be published by the <a href="http://archleague.org" target="_blank">Architectural League</a> and <a href="http://www.papress.com/html/our.home.page.tpl" target="_blank">Princeton Architectural Press</a>.</p>
<p>
	The Architectural League Prize is an annual competition, series of lectures, and exhibition organized by the Architectural League and its Young Architects + Designers Committee. The Prize (formerly known as the Young Architects Forum) was established to recognize specific works of high quality and to encourage the exchange of ideas among young people who might otherwise not have a forum.</p>
<p>
	<strong>Competition Deadline</strong><strong>: February 15, 2012</strong></p>
<p>
	For more information, visit: <a href="http://archleague.org/2012/02/call-for-entries-no-precedent/" target="_blank">http://archleague.org/2012/02/call-for-entries-no-precedent/</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>:output award 15</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/output_award_15/" />
      <id>tag:bustler.net,2012:/1.10856</id>
      <published>2012-02-16T06:55:21Z</published>
      <updated>2012-01-03T23:50:22Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	The :output award 15 is the biggest international competition for students works in design and architecture. All projects submitted to the :output competition will be eligible for the :output Grand Prix. An international jury will choose the Grand Prix winner who will reviece a scholarship of 3,000 EUR.</p>
<p>
	This scholarship is meant to support young talents in Design and Architecture and to present works from students to a broader design and architectural audience. Every year more than 1.000 students from more than 40 different countries submit their best projects to the competition. All works which have been submitted to the :output Award will be published on the open :output platform.</p>
<p>
	The Grand Prix together with about 80 selected works will not only be published in the :output year- book but also in the :output hall of fame on the portfolio-platform <a href="http://www.open-output.org" target="_blank">open:output.org </a></p>
<p>
	The jury for the 2012 award will be presented by the :output foundation in January 2012.</p>
<p>
	<strong>:output</strong> is a non-profit organisation in Amsterdam. The goal of the foundation is to support young talents and provide a platform for the exchange of ideas on design education and the design profession. We organize the :output Award, publish the yearbook :output with the best works of students around the world. and organize the biannual design conference &ldquo;What matters&rdquo; in cooperation with OTIS college of design.</p>
<p>
	contact: <a href="http://www.output-award.org" target="_blank">www.output-award.org</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>The Sustainable Home: A Habitat for Humanity Student Design Competition</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/the_sustainable_home_a_habitat_for_humanity_student_design_competition/" />
      <id>tag:bustler.net,2012:/1.10700</id>
      <published>2012-02-16T06:55:03Z</published>
      <updated>2011-11-19T01:32:04Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	The <a href="http://acsa-arch.org/" target="_blank">Association of Collegiate Schools of Architecture (ACSA)</a> is pleased to announce<em> The Sustainable Home: Habitat for Humanity Student Design Competition</em> for the 2011-2012 academic year. Administered by the Association of Collegiate Schools of Architecture (ACSA) and sponsored by the <a href="http://www.nea.gov/" target="_blank">National Endowment for the Arts (NEA)</a> and <a href="http://www.vinylinfo.org/" target="_blank">The Vinyl Institute (VI)</a>, the program is to engage young professionals in <a href="http://www.habitat.org" target="_blank">Habitat for Humanity</a>&rsquo;s effort to eliminate poverty housing by advancing the design of simple, decent, healthy, and affordable homes. Participants are strongly encourages to work in teams on the project. Vinyl building products and systems should be used in the design of The Sustainable Home whenever possible; a separate prize for the best use of vinyl building materials will be awarded.</p>
<p>
	Competition participants will design a Habitat house that is appropriate for their locale (East, South, Midwest, West). In doing so, the designers will face the stated criteria for a Habitat house: Simple, Decent, and Affordable.</p>
<p>
	The Sustainable Home Competition offers architecture students the opportunity to design a modularly constructed three bedroom, one and half bath home that does not exceed 1,070 square feet and $100,000 in material cost.</p>
<p>
	The competition will have 2 primary areas of focus:</p>
<ul>
	<li>
		The inclusion of passive solar energy design techniques that can be affordably implemented. Whenever possible, these passive solutions should be adaptable depending on the home&rsquo;s orientation.</li>
	<li>
		The inclusion of flexible interior layouts, exterior elevations, and modular construction components that allow for limited homeowner customization while maintaining the home&rsquo;s affordability. (Consider different family dynamics and regional design characteristics)</li>
</ul>
<p>
	In addition, the home must meet accessibility and universal design requirements and comply with &ldquo;Design to meet Energy Star&rdquo; standards (at minimum). Homes should be designed for optimal functionality in the student&rsquo;s local climate zone.</p>
<p>
	Top prizes (first prize to each region and a Vinyl Award) will be awarded, in addition to a selected number of honorable mentions, at the discretion of the jury. A total of $15,550 will be distributed to winning entries.</p>
<p>
	<a href="http://acsa-arch.org/programs-events/competitions/the-sustainable-home" target="_blank">Competition Website</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>[AMSTERDAM] Iconic Pedestrian Bridge</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/amsterdam_iconic_pedestrian_bridge/" />
      <id>tag:bustler.net,2012:/1.10677</id>
      <published>2012-02-16T02:00:37Z</published>
      <updated>2011-11-18T23:33:38Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	<strong>INTRODUCTION</strong><br />
	The bridge is a structure built to span physical obstacles such as a body of water, for the purpose of providing passage over the obstacle.</p>
<p>
	It is designed for pedestrians and cyclists, rather than vehicular traffic. Footbridges complement the landscape and can be used decoratively to visually link two distinct areas or to signal a transaction.<br />
	Footbridges can be both functional and beautiful works of art and sculpture in there own right as seen in some of the most visited countries around world.</p>
<p>
	Amsterdam is the capital of the Netherlands and has a population of approximately 1.5 million.&nbsp;It has been called the &ldquo;Venice of the North&rdquo; for its more than one hundred kilometres of canals, about 90 islands and 1,500 bridges.<br />
	The 17th-century canals located in the heart of the city of Amsterdam were added to the UNESCO World Heritage List in July 2010.</p>
<p>
	<strong>AIM OF THIS COMPETITION</strong><br />
	The aim of this International competition is to design an Iconic Pedestrian Bridge in the Heart of Amsterdam. The architecture of this new structure should reflect contemporary design tendencies.</p>
<p>
	The proposal must not only attend to the specific function but the design should also take into consideration the urban insertion and impact geared towards creating a new architectural symbol for an European capital city.<br />
	This competition hopes to achieve the following:</p>
<ul>
	<li>
		Encourage and reward design excellence between architecture and engineering.</li>
	<li>
		Research, respond to and highlight the unique aspects of designing an original footbridge.</li>
	<li>
		To generate the discussion of ideas regarding the functionality of bridges in relation with art and sculpture.</li>
	<li>
		Encourage the employment of sustainable design in all aspects of the proposal.</li>
</ul>
<p>
	<strong>COMPETITION STRUCTURE</strong><br />
	This is a single stage Competition with the aim of identifing the most appropriate proposal, which best satisfies the general and specific objectives of the contest.</p>
<p>
	<a href="http://ac-ca.org/en/project03" target="_blank">Competition Website</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>PLAT Journal 3.0_CollectiveDisruption_Call for Submissions</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/plat_journal_3.0_collectivedisruption_call_for_submissions/" />
      <id>tag:bustler.net,2012:/1.10854</id>
      <published>2012-02-15T06:55:37Z</published>
      <updated>2012-01-04T19:04:38Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	From unforeseen endings come dramatic beginnings. <a href="http://platjournal.com/" target="_blank">Plat 3.0</a> invites projects, images, essays, and manifestos, which explore the discursive opportunities that emerge in the wake of collective disruption. In a time characterized by rapidly shifting conditions and perpetual crises, contingencies and opportunities to innovate emerge. Such moments lay the ground for radical change. Free from the constraints of the established doctrine, architectural and urban practice find new frontiers where experimentation is not only allowed, but demanded&mdash;where temporary breakdown establishes new, lasting thresholds for design and research.</p>
<p>
	With this in mind:</p>
<p>
	What are the limits of urgency and agency?<br />
	Where is the relationship between speed and production?<br />
	How do rapid changes in topography, geography, and movement produce new territories for architecture?<br />
	When can architecture extend the potentials of the boiling point to make lasting change?</p>
<p>
	What was yesterday unimaginable is now perfectly plausible in the call to action embedded in disruption.</p>
<p>
	Please submit abstracts, scholarly papers, photographs, drawings, prints, media projects and other such philosophical explorations to <a href="mailto:curator@platjournal.com">curator@platjournal.com</a> by February 14, 2012 for consideration. (See <a href="http://www.platjournal.com" target="_blank">www.platjournal.com</a> for guidelines.)</p>
 
      ]]></content>
    </entry>

    <entry>
      <title>The John Stewardson Memorial Scholarship in Architecture, 111th Competition</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/the_john_stewardson_memorial_scholarship_in_architecture_111th_competition/" />
      <id>tag:bustler.net,2012:/1.10960</id>
      <published>2012-02-13T22:06:09Z</published>
      <updated>2012-01-20T23:56:10Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	John Stewardson [1858-1896] was endowed not only with high moral principle but vigorous character, a gift for friendship and the power to create confidence -- qualities which made him an inspiring example to the young members of his profession. His tragic death in a skating accident, closing a career of achievement notable for so short a life, at once moved many admirers to found this scholarship in his memory, an eloquent testimony to the place he had won in the regard of the community.</p>
<p>
	&ldquo;An Appreciation of John <span class="il">Stewardson</span>, Architect.&rdquo;<br />
	By Warren P. Laird, Professor of Architecture, University of Pennsylvania, 1891-1932.</p>
<p>
	<strong>ANNOUNCEMENT: POST GRADUATE CANDIDATES</strong></p>
<p>
	The Managing Committee of the John Stewardson Memorial Scholarship in Architecture announces the competition for a $10,000 traveling scholarship. The Committee will issue a design program and select a Jury of Award. The winner will pursue the study of architecture in a foreign country[s] as approved by the Committee and is required to begin within one year of the award. If the winner is not able to begin travel within one year of the award, the Managing Committee will award the prize to the designated runner-up. He or she shall report experiences by one letter each month and by a summary report, presentation, and &ldquo;evidence of scholarship&rdquo; to be given prior to the awards dinner the following year.</p>
<p>
	<strong>SCHEDULE: </strong></p>
<p>
	Registration: By 3:00 pm on or before: Monday, February 13, 2012<br />
	Competition Brief Issued at 9:00 am on: Wednesday, February 15, 2012<br />
	Competition Entry due by 1:00 pm on: Friday, February 24, 2012<br />
	Dates and times correspond to Eastern Standard Time</p>
<p>
	<strong>ELIGIBILITY:</strong></p>
<p>
	To be eligible for participation each candidate shall meet one of the following criteria:</p>
<ol>
	<li>
		Expect to graduate from professional studies at an accredited collegiate school of architecture in the Commonwealth of Pennsylvania leading to a degree in architecture the year of participation;</li>
	<li>
		Be an alumnus of one of the accredited colligate schools of architecture in the Commonwealth of Pennsylvania who has graduated with a B.Arch within the past three (3) years and who is currently enrolled in an M. Arch program at an accredited colligate school of architecture within the United States leading to a second professional degree the year of participation;</li>
	<li>
		Be an alumnus of one of the accredited collegiate schools of architecture in the Commonwealth of Pennsylvania who has graduated with either a B.Arch or M.Arch within the past three (3) years and is actively working at an architecture firm and pursuing their IDP requirements;</li>
	<li>
		Or be a intern working for an architect established and licensed within the Commonwealth of Pennsylvania who is registered with and actively pursuing their IDP requirements and has graduated with either a B.Arch or M.Arch from an accredited architecture program within the past three (3) years.</li>
</ol>
<p>
	Those who have won the Scholarship are not eligible to compete again.</p>
<p>
	<strong>REGISTRATION:</strong></p>
<p>
	Complete registration forms (including entry fee and supporting documentation) shall be submitted by the candidate to the Managing Secretary on or before Monday, February 13, 2012. Registration forms shall include all required information and shall bear the seal of a licensed Notary Public. Incomplete registrations will not be accepted (or returned) and requests for refunds will not be considered.</p>
<p>
	<strong>ENTRY FEE:</strong></p>
<p>
	The entry fee of $125.00 is due with the registration form. Checks or money orders should be made out to the &ldquo;Stewardson Competition&rdquo;.</p>
<p>
	<strong>COMPETITION:</strong></p>
<p>
	Approved candidates shall undertake the solution of a design program during a stipulated ten-day period as outlined in the schedule. Candidates shall not receive any help whatsoever from teachers, students, employers, colleagues, or any other persons. Programs will be issued at 9:00 am on Wednesday, February 15, 2012 via email; Submissions are due no later than 1:00 pm on Friday, February 24, 2012. Entries arriving after 1:00 pm will not be eligible for consideration &ndash; there will be no exceptions.</p>
<p>
	<strong>AWARD JURY:</strong></p>
<p>
	The jury will be made up of prominent academicians, architects and critics. The Jury of Award will be held on Wednesday, March 7, 2012.</p>
<p>
	<strong>JUDGMENT:</strong></p>
<p>
	The Jury will choose one project, which ranks best in its judgment and will designate an alternate to fill a possible vacancy. The Managing Committee may withhold award of the scholarship if it deems no candidates to be satisfactory. Other stipulations of award may also apply.</p>
<p>
	<strong>TO REGISTER:</strong></p>
<p>
	To request a registration form, please contact John Hubert at: <a href="mailto:jhubert@studio-jha.com">jhubert@studio-jha.com</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>LifeEdited Apartment #2 Challenge</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/lifeedited_apartment_2_challenge/" />
      <id>tag:bustler.net,2012:/1.11032</id>
      <published>2012-02-10T17:12:22Z</published>
      <updated>2012-02-03T18:10:23Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	Open Design Review and Ideas Challenge<br />
	<br />
	$100 Brilliant Idea, $50 Brite Idea, $25 Runner up, International recognition on Website and our Global Media Partners. &nbsp;Featured in the TED talk by Graham Hill: <a href="http://www.ted.com/talks/graham_hill_less_stuff_more_happiness.html" target="_blank">Less stuff, more happiness</a>.<br />
	<br />
	We Want Your Feedback for Our Next Project: LifeEdited Apartment #2 (LE2) a small, high designed custom space - 350 square feet (32 square meters) of sleek function. &nbsp;While we have most of the design in place, we are looking for ways to improve the project. In particular, we are looking for ways to design more cost-effectively, simplify the design, make appropriate product choices (appliances, electronics, etc.).<br />
	<br />
	With over 60% of the world&#39;s population living in cities by 2030, our future demands a new way of life--one that is smarter, cleaner and adapts with the times. &nbsp;LifeEdited shows how the future lives. LifeEdited is building spaces as well as showcasing products and companies that meet and anticipate the needs of the future.<br />
	<br />
	LifeEdited was launched by <a href="http://www.treehugger.com/" target="_blank">Treehugger.com</a> founder Graham Hill in late 2010 with a 420 square foot New York City apartment (LE1). LE1s final design was the result of a celebrity-judged, international competition, which received 300 entries and over 16 million media impressions as well as being featured in numerous publications and conferences.<br />
	<br />
	Sign up at Crowdbrite.com to submit your ideas, sketches and inspiration. Mark up plans and drawings in real time! &nbsp;Review the plans by panning around the drawing in the viewfinder. Add your comments to the plans following the color codes in the legend. Load sketches, videos and photos of ideas and inspirations. You can also comment on others&#39; ideas and vote for the top ideas (you will have 5 votes).</p>
<p>
	Thank you for your ideas and suggestions to create a more sustainable future.&nbsp;</p>
<p>
	<a href="http://www.crowdbrite.com/storms/sort/472/LifeEdited_Apartment_#2_Challenge" target="_blank">http://www.crowdbrite.com/storms/sort/472/LifeEdited_Apartment_#2_Challenge</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>Geco &#45; Geometry of The Color</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/geco_-_geometry_of_the_color/" />
      <id>tag:bustler.net,2012:/1.10785</id>
      <published>2012-02-08T06:55:56Z</published>
      <updated>2011-12-09T19:58:57Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	The aim of the competition is to explore the relationship between Architecture and Color through a photographic exhibition. The debate on color in Architecture has historical origins and can be traced back to the XVIII-XIX century with the so called &ldquo;polychromatic dispute&rdquo;.</p>
<p>
	Nowadays Architects and representatives of world cultural trends see color as a key element in design activities. Designing through the use of color and experiencing buildings through their chromatic characteristics, enhances the soul of modern architecture. Just as Fritz Schumacher used to say: &ldquo;the global aesthetic economy of a building should concentrate on color from the very first stages of design&rdquo;, only following this advise it is possible to fully understand the role of the chromatic element in the life of an architectural fabric and in its interpretation.</p>
<p>
	Photography, a tool capable of capturing such a strong relationship, is the mean that best frames the peculiarity of an architectural work in relation to color.</p>
<p>
	The proposed photographs will have to define color as a theme and not as object of an argument. Moreover they will have to consider color as the focus, not accessory, element of the cultural debate on Architecture.</p>
<p>
	<a href="http://www.awrcompetitions.com/competition/11/the-geometry-of-the-color" target="_blank">AWR Competitions</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>U.S. Pavilion at 13th Venice Architecture Biennale &#45; Open Call for Projects</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/us_pavilion_at_13th_venice_architecture_biennale_-_open_call_for_projects/" />
      <id>tag:bustler.net,2012:/1.10954</id>
      <published>2012-02-07T06:55:12Z</published>
      <updated>2012-01-19T20:20:13Z</updated>
      <author>
            <name>Alexander Walter</name>
            <email>alexander@bustler.net</email>
            <uri>http://www.bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	<em>Spontaneous Interventions: design actions for the common good</em> is the theme of the U.S. Pavilion at the 13<sup>th</sup> International Venice Architecture Biennale (Fall 2012). In recent years, there has been a nascent movement of designers acting on their own initiative to solve problematic urban situations, creating new opportunities and amenities for the public. Provisional, improvisational, guerrilla, unsolicited, tactical, temporary, informal, DIY, unplanned, participatory, open-source&mdash;these are just a few of the words that have been used to describe this growing body of work.</p>
<p>
	<em>Spontaneous Interventions&nbsp;</em>will frame an archive of compelling, actionable strategies, ranging from urban farms to guerilla bike lanes, temporary architecture to poster campaigns, urban navigation apps to crowdsourced city planning. These efforts cut across boundaries, addressing architecture, landscape, infrastructure, and the digital universe, and run the gamut from symbolic to practical, physical to virtual, whimsical to serious. But they share an optimistic willingness to venture outside conventional practice and to deploy fresh tactics to make cities more sustainable, accessible, and inclusive.</p>
<p>
	<a href="http://www.labiennale.org/it/architettura/index.html" target="_blank">The Venice Architecture Biennale</a> is the most prestigious architecture event in the world. Now in its 13th edition, the Venice Architecture Biennale was formally established in 1980 and is held every other year (alternating with the Venice Art Biennale, which was first held in 1895). For the 12<sup>th</sup> edition, held in 2010, 53 countries participated in the Biennale, which was attended by 170,000 visitors.</p>
<p>
	The 13th edition will be held from August 29 to November 25, 2012 (press preview August 27&ndash;28). On December 27, 2011, British architect David Chipperfield was appointed the director of the Biennale, and he outlined the theme&nbsp;<a href="http://www.labiennale.org/en/architecture/news/17-01.html" target="_blank">Common Ground</a> at a meeting of commissioners held in Venice on January 17. Representatives from 41 countries attended the meeting.</p>
<p>
	<strong>Open Call for Projects</strong></p>
<p>
	In the open spirit of the theme, we are inviting protagonists to submit projects for consideration for inclusion in <em>Spontaneous Interventions. </em>Below is a set of criteria for the types of projects we are looking for.</p>
<ol>
	<li>
		project was initiated by the architect/artist/planner/landscape architect/hacker/activist/citizen (in other words, no one asked for it), OR was initiated by an alternative client, for example, a non-profit or a community group</li>
	<li>
		project is publicly accessible and serves the common good</li>
	<li>
		project improves a problematic condition (solves a problem by making a place more accessible, inclusive, sustainable, beautiful, etc.)</li>
	<li>
		project is located in an urban context or tackles urban issues in the United States</li>
	<li>
		project is participatory in nature, or open access, and serves an underserved or overlooked constituency</li>
	<li>
		project is realized, deployed, in action or use (not theoretical)</li>
	<li>
		project may be a physical intervention in an urban context, or an information, communication or digital project that improves people&rsquo;s comprehension, navigation and access to a city.</li>
</ol>
<p>
	We are looking for project that not only meet the above criteria, but also are distinguished by characteristics such as charm, wit, material invention, creative financing, community engagement, effectiveness, and beauty. If your project satisfies several or most of these criteria, please send a short (1 to 2 paragraph) description as well as a few images to <a href="mailto:clh@ifud.org" target="_blank">clh@ifud.org</a> or <a href="mailto:venice@ifud.org" target="_blank">venice@ifud.org</a>.</p>
<p>
	SUBMIT YOUR PROJECT BY <span style="text-decoration:underline;">FEBRUARY 6</span> IN ORDER TO BE REVIEWED IN OUR NEXT CURATORS&rsquo; MEETING.</p>
<p>
	<a href="http://spontaneousinterventions.com/" target="_blank">http://spontaneousinterventions.com/</a></p>
 
      ]]></content>
    </entry>

    <entry>
      <title>2012 Piero N. Patri Fellowship in Urban Design at SPUR</title>
      <link rel="alternate" type="text/html" href="http://www.bustler.net/index.php/description/2012_piero_n._patri_fellowship_in_urban_design_at_spur/" />
      <id>tag:bustler.net,2012:/1.10783</id>
      <published>2012-02-04T00:00:20Z</published>
      <updated>2011-12-08T23:30:21Z</updated>
      <author>
            <name>Paul Petrunia</name>
            <email>hustler@bustler.net</email>
            <uri>http://bustler.net</uri>      </author>

      <content type="html"><![CDATA[
         <p>
	<a href="http://spur.org" target="_blank">SPUR</a>, the San Francisco Planning and Urban Research Association, is pleased to issue a call for applicants for a twelve-week fellowship in the summer of 2012.</p>
<p>
	The Piero N. Patri Fellowship in Urban Design is a hands-on position for a current graduate student or 2010/2011 graduate in urban design, architecture, landscape architecture or a related field. The fellowship provides the opportunity to gain firsthand experience working in the urban design and planning field on a project that will have a positive impact on the city of San Francisco and the Bay Area.</p>
<p>
	Projects are intended to provide career-related work experiences that will challenge graduate-level students, contribute to San Francisco, contribute to SPUR&#39;s mission and reflect the values of Piero N. Patri. SPUR will cooperate with the fellow in obtaining academic credit, if his or her institution allows. The selected fellow will be based in the San Francisco office of AECOM Design + Planning, where desk space, computer resources and professional mentorship will be provided.</p>
<p>
	For more information, please visit the link below:</p>
<p>
	<a href="http://www.spur.org/communityplanning/patri/callforapplicants" target="_blank">http://www.spur.org/communityplanning/patri/callforapplicants</a></p>
 
      ]]></content>
    </entry>


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