We do not know if Robert Bresson was born on September 25th 1901, or on September 25th 1907… But if the second date is the correct one, then this year we would celebrate his 100th birthday… But even if this date is incorrect, his body of work would easily entitle us to feel inspired, and thus inquisitive.
We ask you to design a house for Robert Bresson, this “philosopher with a camera” as he sometimes was called.
The austere, yet sensitive films of Bresson, obsessed with truth, and thus declared enemies of theatricality, should make us feel and think in ways our urban culture does not invite us to, quite often…
So how would a house for Bresson look like…?
Would it be stripped to its essentials…?
Would it have no trace of sensuality…?
Would it be sordid, like the cells of the main characters in Pickpocket and The Diary of a Country Priest…?!
Would it be inspired by Pascal, or Dostoevsky, or Bernanos…?
Would it be a simple ?house? for a donkey…? (see: Au Hasard Balthazar)
Or would it be a house for a “Christian atheist,” as Bresson described himself…?
How would it be…?
Whatever the source of inspiration might be, it is without doubt that Bresson’s films make us feel and think differently. In an age obsessed (for how long?) with material values, Bresson tests our feelings and our intelligence with something else.
No doubt, then, that he challenged us with the following words: “Art is not a luxury, but a vital necessity.”
We should remember this, all the time, especially those of us who are inclined to have “fun” reading, on Sunday mornings, the “Arts & Leisure” section of The New York Times. What does art have to do with ?leisure?? As if Van Gogh was having fun in his tormented sunflower fields, or Michelangelo suspended from the ceiling of the Sistine Chapel. We can only wonder what the scientists might have said if there was a section in the same newspaper called: ?Science & Leisure!)
To register and for any questions please write to: (JavaScript must be enabled to view this email address). The deadline for submitting your work is December 18th, 2007 (Bresson died on December 18th, 1999). There is an entry fee of $25 payable when submitting your work. An exhibition and a publication will immediately follow. The publication will be sent to all the participants.
Further Information:
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