Massimo Scolari: The Representation of Architecture, 1967–2012

Massimo Scolari: The Representation of Architecture, 1967–2012 is the first U.S. retrospective since 1986 of the eminent Italian architect, artist, and designer. The exhibition explores the arc of Scolari’s career from 1967 to 2012, with some 160 paintings, watercolors, and drawings, most with architectural and urban subjects; a scaled-down iteration of a monumental sculpture created for the 1991 Venice Biennale; and ten architectural models. Together, these illuminate the complex, ongoing interaction in Scolari’s work between architecture and its methods and mediums of representation. Curated by Mr. Scolari, Massimo Scolari: The Representation of Architecture, 1967–2012 includes 57 display panels, each devoted to a specific project or recurring theme within Scolari’s lifetime of work. The exhibition makes clear Scolari’s radical questioning of some of the most deeply rooted assumptions of architecture, especially those that link architectural representation to the physicality of its constructions. www.architecture.yale.edu/exhibitions